Sunday, August 27, 2017

"Murder in Disguise"

Mary Miley grew up in Pennsylvania, Illinois, and France, and worked her way through the College of William and Mary in Virginia as a costumed tour guide at Colonial Williamsburg. As Mary Miley Theobald, she has published numerous nonfiction books and articles on history, travel and business topics.

Miley applied the Page 69 Test to Murder in Disguise, her fourth Roaring Twenties mystery, and reported the following:
From page 69:
If I had been on trial for my own life, I do believe I would have felt more composed than I did on that day, Tuesday, November 3, as I climbed the steps and entered the courthouse at Main and Temple. After all, a lifetime spent in front of audiences that jeered as well as cheered should have equipped me with enough poise to soothe any amount of stage fright, and a jury is nothing more than an audience empowered to judge and to determine a performer’s fate. I knew my part to perfection. I’d chosen my costume carefully—an ivory tunic dress with its pleated skirt demurely hemmed below the knee—and applied my makeup—a light application of kohl rimming the eyes and subdued lipstick—to emphasize my wide-eyed, ing√©nue honesty.

So why was I shivering like a dead leaf in a gale? Because it wasn’t my life; it was David’s. And I owed him a life for what he did for me in Oregon last year.
Page 69 finds the reader at the start of Chapter 12 and the beginning of the courtroom scene where Jessie’s significant other, David, is being tried for murder and a host of Prohibition-related crimes. Jessie is one of the witnesses. David’s shady lawyer is confident of acquittal—why not? He’s bribed the jurors—but things don’t go as expected. Things never do. That’s what keeps the reader turning pages.

Is this page representative of the rest of the book? Well, yes. As a matter of fact, it’s representative of my entire Roaring Twenties series, because it furthers the saga of David and Jessie’s relationship, which began in the first book, The Impersonator, and continues through the second and third. One of my goals in creating this subplot story arc is to illustrate the absurdity of the Prohibition laws that corrupted our legal system in horrifying ways.

Readers tell me they enjoy being immersed in the 1920s, easily America’s most intriguing decade. This was an era that soared from the heights of silent movies to the depths of Prohibition, a time when vaudeville, gangsters, flappers, bootleggers, and jazz came right into the parlor courtesy of a new invention called radio. As the male establishment watched in horror, women declared their independence with the ballot, raised their hems, bobbed their hair, smoked cigarettes, slurped bathtub gin, and shimmied at speakeasies late into the night.
Learn more about the book and author at Mary Miley's website, blog, and Facebook page.

My Book, The Movie: Murder in Disguise.

--Marshal Zeringue