"Two Good Men"

S. E. Redfearn is the award-winning and Amazon #1 bestselling author of seven novels: Two Good Men, Where Butterflies Wander, Moment in Time, Hadley & Grace, In an Instant, No Ordinary Life, and Hush Little Baby. Her books have been translated into twenty-five different languages and have been recognized by Goodreads Choice Awards, Best Book Awards, RT Reviews, Target Recommends, Publisher’s Marketplace, and Kirkus Reviews. In addition to being an author, Redfearn is also an architect. She currently lives in Laguna Beach California, where she and her husband own two restaurants: Lumberyard and Slice Pizza & Beer.

Redfearn applied the Page 69 Test to Two Good Men and reported the following:

I love the Page 69 Test. It’s amazing how that page always ends up being so elucidative of the central theme in almost every novel I write.

Page 69 for Two Good Men starts with:

“Doesn’t matter how much time passes,” she says. “Those we lose linger in our souls.”

What a wonderful start to the test!

Two Good Men is a story of two men on a quest for justice on opposite sides of the law. The scene on page sixty-nine is from FBI agent Steve Patterson’s perspective. Steve is a bereaved father who made it his mission to protect the rights of released felons after his son was killed by a vigilante mother who targeted the wrong person. In this scene, Steve is conducting an interview with the neighbor of a felon whose sudden death is suspicious.

Dee has also experienced deep, irretractable grief, and Steve is deeply affected by the conversation. Dee goes on to explain why she is not sorry her neighbor is gone. The man, Otis Parsons, had vowed vengeance against Dee for the testimony she gave twelve years earlier that put him behind bars, and he had made it clear that he planned to exact that revenge by hurting Dee’s eleven-year-old son.

“And what would you have done if he hadn’t died?” Steve asked.

She shakes her head. “I don’t know. Seriously, I don’t.” He hears the distress in her voice. “I prayed every night for an answer.” She lifts her green eyes to his. “And it seems God was listening.”

Steve doesn’t know about the Almighty taking heed of her plea, but he fully believes someone did.

“So you were relieved when you found out he was dead?” he asks.

Her gaze unflinching, defiantly she says, “More than relieved. Happy. Ecstatic. I celebrated. I grabbed my son, and we danced around the room.”

He nods in understanding, swallows the last of his cookie then asks almost casually, “And did you have anything to do with his death?”

This is a great representation of the novel, of the tug of war between good and evil, right and wrong, and justice and vengeance.

Visit Suzanne Redfearn's website, Facebook and Instagram pages, and Twitter perch.

Coffee with a Canine: Suzanne Redfearn and Cooper.

My Book, The Movie: Hush Little Baby.

The Page 69 Test: Hush Little Baby.

The Page 69 Test: No Ordinary Life.

Writers Read: Suzanne Redfearn (February 2016).

My Book, The Movie: No Ordinary Life.

My Book, The Movie: In an Instant.

The Page 69 Test: In an Instant.

Q&A with Suzanne Redfearn.

My Book, The Movie: Hadley and Grace.

The Page 69 Test: Hadley & Grace.

Writers Read: Suzanne Redfearn (March 2022).

The Page 69 Test: Moment in Time.

My Book, The Movie: Moment in Time.

Writers Read: Suzanne Redfearn (February 2024).

Writers Read: S. E. Redfearn (October 2024).

--Marshal Zeringue

"What You Made Me Do"

Barbara Gayle Austin writes crime fiction. She grew up in Houston, Texas, but has spent most of her adult life in the Netherlands and the UK. She now lives in Amsterdam with her two children and her dog.

What You Made Me Do is Austin’s debut novel, a thriller set in Amsterdam and a Dutch island in the Wadden Sea. The novel was longlisted for the esteemed Crime Writers’ Association Debut Dagger award (under the title Lowlands). Her short stories have been longlisted in the Margery Allingham short mystery competition and in the Aestas 2022 competition.

Austin applied the Page 69 Test to What You Made Me Do and reported the following:

Page 69 comes at the start of Chapter 13, which makes it shorter than average because of the heading.

From page 69:

Chapter 13

Louisa

Louisa lounged on the bed, with a blanket covering her bare feet, and the hotel phone pressed to her ear. She gazed out the window at yet another bleak day in Den Bosch. A thick fog that shifted like smoke obscured the view, but she could faintly discern a pigeon perched on the gutter across the street. The only month more depressing than November was December, when the hours of daylight shrank even more.

“I miss you too, Hendrik,” Louisa purred into the phone while she fingered the necklace around her neck, a present from her lover—a gold chain with a pendant in the shape of a piano. It was a decent piece of jewelry, but not expensive enough to raise Hendrik’s suspicion should he someday notice it.

“I ate my breakfast on the terrace,” she said. “Can you believe it? Sunshine! I saw a patch of turquoise on the horizon. The nurse said it was the Ionian Sea. Why don’t you come for the weekend? Take a break from dreary old Holland?”

She was counting on him to decline. If he said yes, she would be obliged to change his mind because she wasn’t in Italy. She was nowhere near the Ionian Sea. The hotel where she was hiding was only fifty miles from Amsterdam.

“Sorry, Louisa, but it’s a long drive to stay for a weekend.”

He was afraid of flying. She smiled, her spirits lifting at the game she played with Hendrik.

“In that case, come for a week or two, and bring the boys.” She knew she was pushing her luck, but she couldn’t seem to let well enough alone. Boredom was the worst part of this elaborate charade.

“I can’t take them out of school,” he said. “I have an idea. Send Katja to Amsterdam to look after Willem and Jurriaan. I could come for a long stay.”

Amazingly, the Page 69 Test works well for my novel.

Page 69 doesn’t reveal much about the plot, but it reflects the tone of the novel and raises compelling questions. Why is Louisa lying to her husband, Hendrik? Why is she hiding out in Den Bosch? What is the elaborate charade she refers to?

Though Louisa Veldkamp isn’t the protagonist, she’s an ominous presence throughout the novel and plays a crucial role in the plot. Page 69 is an example of her manipulative character and the cruel games she plays.

What You Made Me Do follows the Veldkamp family and their inner circle. The protagonist is Anneliese Bakker who becomes engaged to Louisa’s oldest son and moves into the family mansion. She believes she’s finally found the place where she belongs. But instead of being welcomed with open arms, she meets with cold hostility. As she digs into the family’s past, she finds herself in mortal danger.

The story shifts between various timelines and is told from multiple perspectives. The reader knows more than any of the characters, which heightens the tension and builds suspense. The novel is part dark psychological thriller, part mystery, and part family drama.

Interweaving plot lines revolve around dark family secrets. Each character is hiding something. In the short-term, secrets may help, but long-term they can be devastating. Especially in this novel!

Visit Barbara Gayle Austin's website.

--Marshal Zeringue

"Gathering Mist"

Margaret Mizushima writes the internationally published Timber Creek K-9 Mysteries. She serves as past president of the Rocky Mountain Chapter of Mystery Writers of America and was elected Writer of the Year by Rocky Mountain Fiction Writers. She is the recipient of a Colorado Authors League Award, a Benjamin Franklin Book Award, a CIBA CLUE Award, and two Willa Literary Awards by Women Writing the West. Her books have been finalists for a SPUR Award by Western Writers of America, a Killer Nashville Silver Falchion Award, and the Colorado Book Award. She and her husband recently moved from Colorado, where they raised two daughters and a multitude of animals, to a home in the Pacific Northwest.

Mizushima applied the Page 69 Test to her new book, Gathering Mist, and reported the following:

From page 69:

On Mattie’s way back through the opening, a thorn snagged her rain jacket and then pricked her hand through her gloves as she tried to brush it away. She stopped to search visually in case the same thing had happened to the person who’d dropped the wrapper, causing them to leave behind further evidence. But she couldn’t see anything.

Robo hadn’t budged and was still chewing his toy when she came back out on his side. “Good boy,” she said, reaching for the toy’s rope. “Drop.”

He took one last chomp and then released, his ears pricked and his eyes pinned to the toy while she put it away. He shifted back and forth on his feet, obviously hoping for a game of tug or fetch. “We’ll play with your ball later,” she told him as she reached again for River’s scent article. “We still have work to do.”

She planned to search this area thoroughly for River’s scent before the boots on the ground volunteers came in to search. At least the terrain was more open here, and others should be able to enter by squeezing through the same way she did.

She used her radio to report in to Sheriff Piper about the candy wrapper and how she’d marked the trail by it.

“Any sign of the boy’s scent in the area?” Piper asked.

“Not sure yet. Robo and I need about a half hour to search. Then you can send volunteers in to follow up.”

“Ten four. I’ll send a group in thirty minutes. Will you be there?”

“No. I’ll keep moving uphill if I don’t get a hit from Robo here. The spot is well marked with orange tape. They can’t miss it.”

“All right. Over.”

Mattie put away her radio, chatted Robo up with the scent article, and directed his nose to the ground where he’d found the wrapper. “Search!”

He seemed to know what she was asking as he swept his head side to side, sniffing the grass. He acted interested in the area and started slowly walking uphill toward the center of their grid. By the time he wound through trees and reached more open land, he was alternating nose to the ground with nose to the air. He circled several times, stopping to sniff a grassy patch here and there, but not seeming to pick up a track that he could follow. Mattie sensed his frustration but stayed silent and let him do his work.

Actually, page 69 is a great indicator of what Gathering Mist is about. One week before her wedding, Deputy Mattie Wray and her dog Robo accept a mission to search for a celebrity’s missing son, River Allen, on Washington's rugged Olympic peninsula. They encounter unfamiliar territory, danger lurking in the mist, and deadly secrets. When a search dog is poisoned, Cole Walker joins the team as veterinary support. Soon sinister evidence is discovered, forcing the team into a desperate race to find the child before he disappears forever.

Page 69 shows Mattie and Robo searching for the missing child. They have just found evidence that someone was in the vicinity—an empty candy wrapper. The evidence becomes important later in the book, and this scene shows Mattie edging her way through brambles that block the forest’s interior from the path. Robo has already been rewarded for finding evidence with his toy, which is why he’s chomping on a chew toy tied to a rope.

Other scenes in the book depict Washington’s dense forests filled with towering Douglas fir, pine, and moss-covered deadfall while a continuous rainy drizzle hampers their movement. The setting of this book is in sharp contrast to the drier, colder climate of Colorado where the first eight books in the series are set. If you like the outdoors, dogs, and mysteries, you might enjoy the Timber Creek K-9 Mysteries. Gathering Mist is book nine in the series.

Visit Margaret Mizushima's website and follow her on Facebook, Instagram, and Threads.

Coffee with a Canine: Margaret Mizushima & Hannah, Bertie, Lily and Tess.

Coffee with a Canine: Margaret Mizushima & Hannah.

My Book, The Movie: Burning Ridge.

The Page 69 Test: Burning Ridge.

The Page 69 Test: Tracking Game.

My Book, The Movie: Hanging Falls.

The Page 69 Test: Hanging Falls.

Q&A with Margaret Mizushima.

The Page 69 Test: Striking Range.

The Page 69 Test: Standing Dead.

--Marshal Zeringue

"The Wildes"

In the words of the New York Times, Louis Bayard “reinvigorates historical fiction,” rendering the past “as if he’d witnessed it firsthand.”

His acclaimed novels include The Pale Blue Eye, adapted into the global #1 Netflix release starring Christian Bale, Jackie & Me, ranked by the Washington Post as one of the top novels of 2022, the national bestseller Courting Mr. Lincoln, Roosevelt's Beast, The School of Night, The Black Tower, and Mr. Timothy, as well as the highly praised young-adult novel, Lucky Strikes.

His reviews and articles have appeared in the New York Times, the Los Angeles Times and Salon, and he is a contributing writer to the Washington Post Book World.

A former instructor at George Washington University, he was the chair of the PEN/Faulkner Awards and the author of the popular Downton Abbey recaps for the New York Times. His work has been translated into more than a dozen languages.

Bayard applied the Page 69 Test to his new novel, The Wildes, and reported the following:

Well, what do you know? Page 69 turns out to be a pretty seminal moment in The Wildes. (Feeling guilty about that adjective.) Constance Wilde is beginning to sense that something strange is going on between her husband Oscar and their holiday guest, the beautiful and mercurial Lord Alfred Douglas. In something like distress, she says to Oscar: “I only wonder sometimes what would happen if something went wrong—I mean really desperately wrong….I wonder if you’d tell me or just—leave me to piece it all together—without knowing exactly what I’m piecing….”

Oscar reassures her by insisting that they are still a happy couple in a “perfectly dire state of bliss” and that it is all her doing. Because of this holiday, he says, he is now a “gloriously rejuvenated specimen.” More than that, he adds, he is “a new man.”

A new man. That is the double-edged sword of the book’s entire first act. Oscar belatedly recognizing who he is sexually and emotionally – and finding in Lord Alfred the lover he has been seeking all his life without knowing it – while Constance remains on the outside, not yet grasping whom her husband has become.

Learn more about the book and author at Louis Bayard's website.

The Page 69 Test: The Black Tower.

The Page 69 Test: The Pale Blue Eye.

The Page 69 Test: The School of Night.

The Page 69 Test: Roosevelt's Beast.

The Page 69 Test: Jackie & Me.

--Marshal Zeringue

"What We Wish For"

Melody Maysonet is the author of the critically acclaimed novel A Work of Art and has been an English teacher, editor, columnist, and ghostwriter. After growing up in Illinois, she moved to South Florida to see how much greener the grass could be ... and discovered that life is what you make of it, wherever that happens to be.

Maysonet applied the Page 69 Test to What We Wish For, her second novel, and reported the following:

Layla’s mom is in the hospital after overdosing on heroin, and page 69 of my book has Layla’s shitty uncle asking Layla why he should exert any kind of effort to help her get better. Layla is trying to tell him what she thinks he wants to hear—stuff about family and how it’s the right thing to do—but he’s not going for it. So she ends up being totally honest with him, saying how he should help her mom, not because he’s a good guy, but because he’s running for mayor and he won’t want it getting out that he denied help to one of his relatives in need.

And yes, page 69 turned out to be a good litmus test for one of my book’s themes—that is, the theme of being honest and staying true to yourself. At the beginning of the book, Layla is hiding everything about herself because she’s embarrassed to be living in a homeless shelter. She’s embarrassed that her mom is an alcoholic. And she’s terrified that her best friend Morgan will abandon her if she knows all this, just like Layla and Morgan abandoned one of their friends in middle school (who happened to live in a homeless shelter) because they were getting made fun of for being friends with her.

When Layla is truthful with her uncle (basically acknowledging that he’s a dick but it’s in his best interest to help her mom), she gets good results. He likes that she’s not bullshitting him. Unfortunately for Layla, at this point in the book she doesn’t grasp that honesty is probably the best policy, and it takes almost losing her best friend (almost losing everything, in fact) to finally wake her the hell up.

Visit Melody Maysonet's website.

--Marshal Zeringue

"Blindspot in America"

Elom K. Akoto immigrated to the United States from Togo (West Africa). He earned a bachelor’s degree in Education and a master’s degree in TESOL (Teacher of English to Speakers of Other Languages). He is the founder of Learn and Care, a nonprofit organization that aims to promote Literacy and Adult Education, not only among immigrants but also among Native Americans who missed the opportunity to earn a high school diploma. The program offers ESL, literacy, GED preparation classes, and more. He self-published two ESL workbooks: Ideal Companion, ESL level 1 and Ideal Companion, ESL level 2. He teaches French in a high school and ESL at a community college in Omaha, Nebraska, where he lives with his family.

Akoto applied the Page 69 Test to his debut novel, Blindspot in America, and reported the following:

Page 69 in Blindspot in America is an essential part of the plot, a turning point in the story. The few dialogue lines on page 69 continue a conversation on the previous page, where Lindsey had just declared her feelings for Kamao after desperately waiting for him to make the first move for quite a long time. In those few dialogue lines on page 69, she is begging Kamao to say something in response to her declaration of love, and the latter is stoic, not knowing how to respond. He wanted to be in a relationship with Lindsey. Still, he also knew what was at stake: he, a Black African immigrant, getting involved with the daughter of a prominent, conservative, and anti-immigrant US senator was not a step to take lightly. The remaining lines of page 69 show the state of mind of a devastated Kamao following Lindsey’s bold move in her feelings for him. On the late-night bus ride back to his apartment after his shift at the gas station, his bus friend, a lady who worked at Burger King, knew something was bothering him but resolved to leave him alone, as he wouldn’t engage with her as he usually did.

Browsers turning to page 69 of Blindspot in America will get a good feel for the story as they will sense the tension between two people who have strong feelings for one another. One person declares her feelings, and the other is hesitant to respond. The bottom of the page hints at why the other party is reluctant, which will likely cause the browser to want to read the entire story. Page 69 is the right page to introduce the browser to the story's heart because the other significant plot development starts from this page. The test is a good browser shortcut.

It is impressive how my novel appears to pass the Page 69 Test. This page reveals a significant plot twist, as the protagonist’s decision to respond to the declaration of love from the girl he has strong feelings for opens a new chapter in his life in America. This decision affects him and his family back home in Africa. He has a pretty good idea about how his potential girlfriend's father would feel about their relationship, which makes him uneasy. The rest of the story will show if he is right or wrong.

Visit Elom Akoto's website.

My Book, The Movie: Blindspot in America.

Q&A with Elom K. Akoto.

--Marshal Zeringue

"A Cure for Sorrow"

Jen Wheeler is a former managing editor of Chowhound and lives in Oregon.

She applied the Page 69 Test to A Cure for Sorrow, her second novel, and reported the following:

On page 69, our protagonist, Nora, rides in a spring wagon with her former fiancé’s brother, going to visit their family farm in what she hopes will be an act of closure:

When they turned onto a dirt track that led into the countryside, she glanced back again. Hoosick Falls was already partially obscured by distance and trees. Nora felt a flutter of something like panic, which was absurd, because she had absolutely nothing to be afraid of. She was grateful when Malcolm distracted her. “Let me know if you’d like to stop at any point. I’m sure this isn’t as comfortable as the carriages you’re used to.”

She smiled and shrugged. “It’s all four wheels and a horse or two.”

“Unless it’s a chariot, I suppose,” said Malcolm.

She chuckled, felt that pleasant buoyancy in her chest again.

They rode in easy silence.

The afternoon was cloudy but mild. It was colder in the deeper pockets of forest, where a gentle breeze rustled the abundant leaves, most of which were still green, though they’d begun to change in places—speckles of yellow and rust, a few spots of crimson.

“Does it all look how you pictured it?” Malcolm asked.

“Even lovelier,” Nora said. “It’s so peaceful—and so nice to hear all the songbirds. And it smells so fresh, so green.”

“Well, the cows aren’t far off now…”

But Nora found the sweetish stench of their manure rather pleasant. Not that she would wear it for perfume, but there was something comforting and pure about its grassy nature.

I think the Page 69 Test works this time! This truly is the pivotal moment when Nora leaves civilization behind to venture into the deep, dark woods, where frightening things (and frighteningly attractive things) lie in wait for her.

At this point in the story, she and Malcolm have exchanged letters for about a year, mostly sharing memories of his brother Euan, to whom Nora was engaged before Euan died. They’re a bit self-conscious to finally meet in person, and while you don’t get a sense of the formality of their correspondence here, you do see Mal relaxing for the first time; later, Nora suspects he could be a different person (happier, more at ease) away from the farm, a place that harbors terrible secrets and tragic histories (as she soon discovers)—and she can recall his demeanor on this wagon ride as proof of her hypothesis.

Not yet knowing what’s in store, coming as she does from a very privileged family in Gilded Age Manhattan, she’s still somewhat unnerved by the unfamiliar forest—but also perceives beauty and promise in it (even in the aspects that might seem to be the most obviously unpleasant). Crucially, she sees/senses life—yet the leaves are starting to turn, signaling the chill approach of death and decay; in hindsight, even the spots of crimson are like bloody omens that only look pretty to her now.

Ultimately, Nora wants this trip to be a sort of spiritual cleansing, during which she can shed her grief before returning, unburdened, to her normal life—and while that’s certainly not going to happen, on page 69, it still seems like it could…

Visit Jen Wheeler's website.

The Page 69 Test: The Light on Farallon Island.

--Marshal Zeringue

"Istanbul Crossing"

From a young age, Timothy Jay Smith developed a ceaseless wanderlust that has taken him around the world many times. En route, he’s found the characters that people his work. Polish cops and Greek fishermen, mercenaries and arms dealers, child prostitutes and wannabe terrorists, Indian Chiefs and Indian tailors: he hung with them all in an unparalleled international career that had him smuggle banned plays from behind the Iron Curtain, maneuver through Occupied Territories, and stowaway aboard a ‘devil’s barge’ for a three-day crossing from Cape Verde that landed him in an African jail.

Smith has won top honors for his novels, screenplays and stage plays in numerous prestigious competitions. Fire on the Island won the Gold Medal in the Faulkner-Wisdom Competition for the Novel, and his screenplay adaptation of it was named Best Indie Script by WriteMovies. Another novel, The Fourth Courier, was a finalist for Best Gay Mystery in the 2020 Lambda Literary Awards. Previously, he won the Paris Prize for Fiction (now the de Groot Prize) for his novel, Checkpoint (later published as A Vision of Angels). Kirkus Reviews called Cooper’s Promise “literary dynamite” and selected it as one of the Best Books of 2012.

Smith applied the Page 69 Test to his new novel, Istanbul Crossing, and reported the following:

From page 69:

In the dead air of the hallway, that morning’s characteristic stratification of odors was permeated by something appetizingly fried, causing Ahdaf ’s empty stomach to growl all the way to the next corner. He bought a simit – a large thin bagel covered with sesame seeds – and ate it on his way to the tram stop.

The stop was mobbed. Like everyone, he used his shoulders to wedge his way closer to the turnstiles, where people backed up because half the time their tickets didn’t work on the first swipe. Passengers pressed against him on all sides. Remembering to be wary of pickpockets, he slapped his hand against his back pocket and felt someone’s hand quickly jerk away. He whipped around. Who’d it been? No one looked guilty. Then he saw the girl leaning against her mother’s knees, maybe five years old and staring at him.

“I’m sorry,” her mother said. “She lost her balance.”

He transferred his wallet to a front pocket and kept his hand on it.

The platform was so crowded that people had to stand in the demarcated danger zone at the edge of it. It made Ahdaf nervous, the possibility that someone might knock him onto the tracks, and he let the crowd push forward around him as a tram approached. When its doors opened, a brief melee ensued as passengers pushed their way off while others pushed their way on. He was the last on before the doors closed, grazing his shoulders.

Getting off at the docks, he headed for the newsstand, assuming Selim would look for him there. The dozen or so newspapers clipped to wires all headlined the bombing of the nightclub in Athens. From what Ahdaf could read above the fold, most described the nightclub as trendy and popular with gays, but the right-wing press applauded the attack on queers and their perverted lifestyle.

“Excuse me,” he heard.

Selim reached around him for the top newspaper in one of the stacks. “My boat leaves in five minutes. Maybe I’ll see you on board.”

It’s amazing how much of my story is inferred, reinforced or foreshadowed on page 69.

Ahdaf’s hungry, and lives in a building where the air is ‘dead’ in the hallway. So he’s poor.

He goes to catch a tram on a platform that’s mobbed, and he’s afraid of being pushed onto the tracks. A child tries to pickpocket him. So there’s a sense of threats coming from anywhere and any kind.

He goes to the ferry docks and heads for the newsstand, where someone named Selim will likely look for him. It’s obviously a planned encounter and where to meet has been left to habit. While waiting for Selim, Ahdaf reads the headlines about a terrorist attack on a gay nightclub in Athens that will ripple through the rest of the story.

Selim arrives and reaches around Ahdaf for a newspaper. Pretending he doesn’t know Ahdaf, he apologizes, explaining he has a ferry to catch. Maybe he’ll see Ahdaf on board?

Immediately, there’s a sense of mystery about the relationship between Ahdaf and Selim which isn’t fully resolved until the novel’s last page.

Istanbul Crossing is a coming-of-age gay literary thriller. After watching his cousin’s execution by ISIS for being homosexual, he flees to Istanbul for safety where he survives by smuggling other refugees to Greece. Eventually he’s approached by both the CIA and ISIS to smuggle high-profile individuals in both directions between Turkey and Greece. In the process of juggling their two operations, he falls in love with, and must decide between, two men who offer very different futures.

Visit Timothy Jay Smith's website.

Writers Read: Timothy Jay Smith.

My Book, The Movie: The Fourth Courier.

The Page 69 Test: The Fourth Courier.

Q&A with Timothy Jay Smith.

The Page 69 Test: Fire on the Island.

--Marshal Zeringue

"A Slay Ride Together With You"

Vicki Delany is one of Canada’s most prolific and varied crime writers and a national bestseller in the U.S. She has written more than forty books: clever cozies to Gothic thrillers to gritty police procedurals, to historical fiction and novellas for adult literacy. She is currently writing four cozy mystery series: the Tea by the Sea mysteries for Kensington, the Sherlock Holmes Bookshop series for Crooked Lane Books, the Catskill Resort mysteries for Penguin Random House, and the Lighthouse Library series (as Eva Gates) for Crooked Lane.

Delany is a past president of the Crime Writers of Canada and co-founder and organizer of the Women Killing It Crime Writing Festival. Her work has been nominated for the Derringer, the Bony Blithe, the Ontario Library Association Golden Oak, and the Arthur Ellis Awards. She is the recipient of the 2019 Derrick Murdoch Award for contributions to Canadian crime writing. Delany lives in Prince Edward County, Ontario.

She applied the Page 69 Test to the newest novel in the Year-Round Christmas mystery series, A Slay Ride Together With You, and reported the following:

Page 69 is an excellent example of the test working! I think it encapsulates the mood of the book and provides a hint at the plot, without giving anything away. It also sets up some possible conflict between the characters.

Mark didn’t laugh or try to reassure us. All he said was, “What sort of something?”

“Knocking at the door at first,” Vicky said. “Twice. Two doors, front and back. We checked, but no one was there. Then we heard a sound like someone was . . . I don’t know. In pain, or terror maybe.”

“Or trying to scare us,” I said. “After the knocking, we searched the house—all of it— thoroughly, but we didn’t find anything that might be making those sounds. Then, moments before you arrived, we heard the . . . I don’t know what to call it. A moan, a cry. This isn’t the first time that’s happened either. Vicky’s been hearing things. Noises in the night.”

Mark turned to Vicky. “You too?”

“You mean you have as well?” she said.

“Yeah.” He rubbed his hands through his short hair. “I didn’t want to worry you, so I didn’t say anything.”

“But you’re always sound asleep when I’ve heard things. I’ve been so jealous of that.”

“I figured you weren’t sleeping well, but you denied it when I asked. I didn’t push it, because I thought maybe you were having second thoughts. About this house. About me. We’re on such different sleep and work schedules, I suppose our disturbance schedule’s been off too.” He spoke to me. “I sometimes don‘t get home until after midnight, particularly if we’ve had a big function like a wedding. Plenty of chefs are wired after a night’s work and need to stay up for a while to wind down, and they hit a bar, have a couple of drinks. Never been that way for me. I drop the moment I get in. Vicky gets up around four to get to the bakery and start the bread, so she’s usually asleep when I get to bed. These sounds you hear—have I been home when it happens?”

Merry Wilkinson’s best friend, Vicky Casey, and her fiancé Mark Grosse have bought a house together and moved in just a few days before the action here. The house is old, rumoured to be haunted, and has been abandoned for years. The only reason the young couple can afford it, it because it came so cheap.

In this section of dialogue on page 69, the mood has been set: Is the house truly haunted? Are the residents in danger?

We get a glimpse into the lives of Vicky and Mark. Both are in the food business, but at opposite ends schedule-wise. Will this create strain in the marriage? The page provides a good insight into their characters: Vicky and Mark don’t want to worry the other. But, we can see that when they are confronted with what appears to be happening, Mark doesn’t attempt to dismiss it.

If the house isn’t haunted, is someone trying to scare them away? If so, for what ends? And what will they do if their initial approach fails?

Page 69 sets up the questions to be faced in the book, both on the personal level and the mystery level, perfectly. As this is a cozy mystery so the is-it-or-isn’t-it haunting won’t be toooo scary, and we can be confident the young couple will work though their differences.

Visit Vicki Delany's website, Facebook page, and Twitter perch.

The Page 69 Test: Rest Ye Murdered Gentlemen.

The Page 69 Test: A Scandal in Scarlet.

The Page 69 Test: Murder in a Teacup.

Writers Read: Vicki Delany (September 2021).

The Page 69 Test: Deadly Summer Nights.

The Page 69 Test: The Game is a Footnote.

Writers Read: Vicki Delany (January 2023).

Writers Read: Vicki Delany (January 2024).

The Page 69 Test: The Sign of Four Spirits.

--Marshal Zeringue

"The Whisper Sister"

Jennifer S. Brown is the author of Modern Girls, which was a Goodreads Choice Award semifinalist for Historical Fiction, a Massachusetts Book Award “Must Read,” and a USA Today bestseller. Her writing has appeared in McSweeney’s, Fiction Southeast, Southeast Review, Hippocampus Magazine, Cognoscenti, and Bellevue Literary Review, among other places.

Brown has a BFA in film and television from New York University and an MFA in creative writing from the University of Washington. She loves writing historical fiction because the research lets her live vicariously in another time and place.

Brown applied the Page 69 Test to her new novel, The Whisper Sister, and reported the following:

From page 69:

In New York, only a sign distinguised our synagogue as a place of worship. Inside, the musk of men lingered, mixing with the musty smell of books. The men who came weren’t the scholars of the Old World, with sidelocks and beards, but the everyday people—the tailors and factory workers, the pushcart operators and street sweepers—the people who dressed like Americans, who looked like Americans, but still sneaked off to pray. The men who put on yarmulkes before stepping into the shul and pulled them off as soon as they emerged.

The synagogue confused me. Papa held nothing but disdain for religion and the frauds who, he claimed, conned their congregants, bilking them of their hard-earned money. But Mama revered the rabbi, a learned man of God. She said religion kept people on the path of justness.

Who to believe?

The novel takes place over the course of Prohibition, 1920 to 1933, in New York City. Minnie is 10 years old when she immigrates to America, where her father has been for the past seven years. Her father is involved with the Jewish mob, working for real-life gangster Arnold Rothstein. Her mother prefers to live in a world similar to the one she had back in Ukraine, surrounding herself with people from the Old World. When Minnie is 18, family circumstances force her to take over her father’s bar, which she turns into a swanky speakeasy.

In many ways, the Page 69 Test works perfectly on a thematic level. Minnie struggles throughout the book to find her place in America. Her father, who has assimilated, is a proponent of making his own way, earning money, moving up in the world. Her mother is still quite religious, doesn’t understand the need to learn English, and wants Minnie to grow up to be a respectable woman, a proper wife with lots of children.

Is Minnie Ukranian? Is she American? Is she Jewish enough for her mother? Is she worldly enough for her father? These questions plague her, and she desperately wants to find her own place in the world. As she grows older, more questions nag at her: Is it better to obey the law and be poor or to break the law and live a better life? To do the proper thing or the thing that gives her pleasure?

The excerpt from page 69, even though no cocktails are featured, definitely shows the beginning of Minnie’s struggles.

Visit Jennifer S. Brown's website.

--Marshal Zeringue

"The Phantom Patrol"

James R. Benn is the author of the Billy Boyle World War II series, historical mysteries set within the Allied High Command during the Second World War. The series began with Billy Boyle, which takes place in England and Norway in 1942.

Benn applied the Page 69 Test to The Phantom Patrol, the nineteenth installment of the series, and reported the following:

In this selection from Page 69, Captain Billy Boyle and his pal Kaz – Lieutenant Piotr Kazimierz – are returning a painting that had been looted by the Nazis and recovered after their retreat from France. They’re headed to a Monuments Men collection point east of Paris, so page 69 does catch them in the process of becoming more involved with the Monuments Men (officially the Monuments, Fine Arts, and Archives Section Unit) as well as Rose Valland, a courageous Frenchwoman who risked her life to trace the shipments of stolen art which passed through the Jeu de Paume Museum.

Kaz and I made plans to meet Big Mike at Inspector Fayard’s office after we delivered the Klimt and see if Salinger had come up with anything in the police files. We headed for Lognes, a town about twenty miles east of Paris. The Monuments guys had a collection center for wayward artworks in a building next to an army hospital.

The fog had cleared, but now a chill, thin mist drifted across the roadway. We took a route south of Paris, crossed the Seine again, and followed the road signs east to Lognes. It didn’t take long to leave the city behind. Soon we were driving through fields and woodlands, military traffic heading in both directions.

Vehicles filled with supplies and GIs headed for the front ground their gears on the winding road as the wind picked up and blew away the mist. Ambulances and empty trucks filled the opposite westbound lane—a stark display of the expenditure of lives, blood, and treasure this war demanded.

The brief mention of “Salinger” refers to J.D. Salinger, who was a Counter-Intelligence Corps agent during WWII and fought from D-Day through the occupation of Germany. He plays an important role in Billy’s investigation. Researching his wartime experience gave me a whole new outlook on his writing and went a long way in explaining his desire for seclusion later in life.

The last paragraph foreshadows at a major backdrop to the story. This investigation into murder and theft connected to stolen artwork is about to lead Billy and Kaz straight into the oncoming Ardennes Offensive, soon to be known as the Battle of the Bulge. I tried to show what it was like being caught up in that ferocious surprise attack, having no idea at all of the big picture, only aware of all hell breaking loose in every direction.

So hurrah for the Page 69 Test! It illuminated three key elements from the story. Not bad at all.

Learn more about the Billy Boyle WWII Mystery Series at James R. Benn's website.

The Page 99 Test: The First Wave.

The Page 69 Test: Evil for Evil.

The Page 69 Test: Rag and Bone.

My Book, The Movie: Death's Door.

The Page 69 Test: The White Ghost.

The Page 69 Test: Blue Madonna.

Writers Read: James R. Benn (September 2016).

Q&A with James R. Benn.

The Page 69 Test: Proud Sorrows.

--Marshal Zeringue

"Dawnland"

Tess Callahan is the author of the novels April & Oliver and Dawnland. Her essays and stories have appeared in the New York Times Magazine, Writer’s Digest, National Public Radio, Agni, Narrative Magazine, AWP Notebook, Newsday, The Common, the Best American Poetry blog, and elsewhere. Her TEDx talk on creativity is titled, “The Love Affair Between Creativity & Constraint.” Callahan is a graduate of Boston College and Bennington College Writing Seminars. A certified meditation teacher, she offers meditations on Heart Haven Meditations and Insight Timer. She curates Muse-feed.com, a toolbox for aspiring writers. A dual citizen of the United States and Ireland, she lives in Cape Cod and Northern New Jersey with her family and number one life coach, her dog.

Callahan applied the Page 69 Test to Dawnland and reported the following:

Page 69 of Dawnland jettisons us into the middle of a tense moment at the family dinner table. April is frantic with worry as Al finally returns home hours late from a boating adventure with their 15-year-old son Lochlann. The boy flies up the stairs in a rage while Al casually sits at the table. When Al and April argue, Loch’s be pipes up to defend him. At this point in the novel, the reader knows each of these characters intimately. Coming in cold on page 69 might feel like a big bite. Nevertheless, the scene captures the growing friction between husbands and wives, parents and children.

“Did you get lost?” April asks.

“Of course not,” Al says. “I never get lost.”

“Why can’t you ever admit—”

“Why can’t you admit you coddle him? I could get him a job as a ball boy in Citi Field, and instead he’s farting around in the barn. He’s fifteen and hasn’t worked a day—”

“I don’t have a job, either,” Phoebe says. “I’m fifteen.”

Everyone turns to look at her.

“That’s different,” Al says gently. “We all know how responsible you are, Phoebe. You play soccer. You’re a math wizard. You take AP US History.”

“Lochlann took that class, too. He got a four,” Phoebe says. “And he plays the bass better than anyone I know. And by the way, I suck at math.”

Silence envelops the table, Phoebe’s face crimson.

Al turns to April. “I thought he dropped that class.”

She puts her head in her hands.

“He’s taken several AP classes,” Hal says. “Right, April?”

“What’s the point of this?” Beryl says. “Would he be a lesser person if he weren’t in AP? Honestly!”

“Can I remind everyone that the walls are thin in this house?” April says.

Page 69 of Dawnland signals the mounting tension during this family vacation and the inevitability of an explosive outcome. Buckle your seatbelts!

Learn more about the novel and author at Tess Callahan's website.

The Page 69 Test: April and Oliver.

--Marshal Zeringue