"Miss Winter in the Library with a Knife"

Martin Edwards has been described by Richard Osman as "a true master of British crime writing." His novels include the eight Lake District Mysteries and four books featuring Rachel Savernake, including the Dagger-nominated The Puzzle of Blackstone Lodge. He is also the author of two multi-award-winning histories of crime fiction, The Life of Crime and The Golden Age of Murder. He has received three Daggers, including the CWA Diamond Dagger (the highest honour in UK crime writing) and two Edgars from the Mystery Writers of America. He has received four lifetime achievement awards: for his fiction, short fiction, non-fiction, and scholarship. He is consultant to the British Library’s Crime Classics and since 2015 has been President of the Detection Club.

Edwards applied the Page 69 Test to his newest novel, Miss Winter in the Library with a Knife, and reported the following:

Of the 24 crime novels I’ve written, Miss Winter in the Library with a Knife is the trickiest when it comes to applying the Page 69 Test. In fact, it’s the trickiest book I’ve ever written in a variety of ways – above all, because it’s a novel about game-playing, which is garnished with puzzles. The idea was to create a twisty contemporary mystery novel in the finest Golden Age traditions, with a small group of guests and their hosts cut off from the outside world by snow in the village of Midwinter at Christmas. The book has an interactive element, so that readers can play along if they want to. They can do this in one or more of three ways. First, by following the Rules of the Game at the start of the book and trying to solve the main mystery; they can also check out how many clues they spotted because there’s a Cluefinder with page references (as they are in my Rachel Savernake historical mysteries). Second, by trying to solve the game that the six main characters are competing to win, a challenge set them by the mysterious Midwinter Trust. Third, by solving the incidental puzzles that are found in the first half of the book - before the body count in the village of Midwinter starts to rise.

With so much going on, no single page can capture every aspect of the story. Page 69 forms part of the main story – and I was always determined to make sure that, regardless of all the interactive ingredients of the book, it had to be a good read as a novel. On page 69 there’s a conversation between two of the key characters at Midwinter, Harry Crystal, a failed crime writer, and Baz Frederick, a podcaster. All the guests are connected with the publishing business and all have fallen on hard times. There are a lot of jokes about books and the world of writing. On page 69, there is a sense of fun and also danger, and that captures the spirit of Miss Winter in the Library with a Knife.

Visit Martin Edwards’s website.

Writers Read: Martin Edwards (April 2013).

The Page 69 Test: The Frozen Shroud.

The Page 69 Test: Dancing for the Hangman.

The Page 99 Test: The Arsenic Labyrinth.

The Page 99 Test: Waterloo Sunset.

My Book, The Movie: Miss Winter in the Library with a Knife.

Writers Read: Martin Edwards.

Q&A with Martin Edwards.

--Marshal Zeringue

"Hear Her Howl"

Kim DeRose writes dark, magical stories about strong, magical girls for teens and former teens.

She is the author of Hear Her Howl and For Girls Who Walk Through Fire, which was selected for ALA’s 2025 Rise: A Feminist Book Project List, received a starred review from School Library Journal, praise from Kirkus Reviews and Booklist, and was the recipient of the 2024 Millikin Medal for Excellence in Young Adult Fiction.

She grew up in Santa Barbara, California, earned her MFA in film directing from UCLA, and currently lives in Brooklyn, NY as a recovering Catholic and ex-good girl.

DeRose applied the Page 69 Test to Hear Her Howl with the following results:

I was familiar with this test, having done it for my debut, For Girls Who Walk Through Fire, but it was really interesting to once again do it for Hear Her Howl.

On page 69 we are with our main character, Rue Holloway (who has been sent away by her mother to an all-girl’s Catholic boarding school for kissing another girl) and Charlotte Savage (the school’s rebellious outcast, who is Rue’s semi-foe but soon-to-be love interest) as they are approached by Mother Superior. Rue has secretly acted out, and the school has blamed Charlotte, and in this moment we discover whether or not Rue is going to fess up and clear Charlotte’s name.

While this scene doesn’t tell you the full story of Hear Her Howl (for example, we have no idea about why Rue has been sent away, or the book's speculative element, i.e. that the girls within this book are reclaiming their wild and can or will turn into wolves), what it does reveal is a pivotal turning point between Rue and Charlotte - and their relationship is central to the book. It also establishes the strict system that they are both operating within, in the form of Mother Superior. And, without giving any plot points away, this page also leaves us with a big question about how things are going to move forward between Rue and Charlotte.

Visit Kim DeRose's website.

Q&A with Kim DeRose.

The Page 69 Test: For Girls Who Walk through Fire.

My Book, The Movie: For Girls Who Walk through Fire.

--Marshal Zeringue

"Deadly Trade"

Sara Driscoll is the pen name of Jen J. Danna, coauthor of the Abbott and Lowell Forensic Mysteries and author of the FBI K-9 Mysteries and NYPD Negotiators series. After over 30 years in infectious diseases research, Danna hung up her lab coat to concentrate on her real love—writing “exceptional” thrillers (Publishers Weekly). She is a member of the Crime Writers of Canada and lives with her husband and four rescued cats outside of Toronto, Ontario.

She applied the Page 69 Test to her latest FBI K-9s novel, Deadly Trade, and shared the following:

From page 69:

“How fast will it work?”

“Within a couple of minutes. Once I’m sure it’s stopped, I’ll hydrate and bag this one.”

Todd walked back to the circle of the clearing. “Meg called it, then? We’re looking at wildlife trafficking?”

“Definitely,” Byrne agreed. “And it’s not the first we’ve seen of it here.”

“Most people think of wildlife trafficking as the trade in animal parts,” said Hale. “Rhinoceros horns, shark fins, bear gallbladders. Many of these animal parts are used in Eastern medicine or are considered delicacies. But what happens is animals are killed, or worse, stripped of those parts and left to die a slow and agonizing death. We don’t have as much of that happening here because we’re a remote archipelago. Our wildlife either flew, swam, or were brought here as an invasive species. We don’t have the kind of desirable land mammals a lot of wildlife trafficking revolves around. We don’t have pangolins, rhinoceroses, or elephants. We do, however, have seahorses and endangered sea turtles. Then there’s the birds.”

“They’re trafficking the birds for parts?” Meg asked.

“It’s not all about parts of animals.” Hale came to stand behind Byrne, his eyes on her hands. “There are streams of wildlife trafficking. Some animals are used as food delicacies—shark fin soup, pangolin meat, or eels as unagi, a celebratory treat that’s supposed to increase stamina. Some are used in medicine—bear gallbladders, seahorses, and pangolin scales, bones, and heads.”

“Sounds like it’s unlucky to be a pangolin,” Todd murmured.

“It’s why they’re nearly extinct.” Byrne’s tone was scathing. “It’s a tragedy. And their value is incredibly overblown. There’s no scientific evidence it’s effective medicine, yet they continue to die.”

Deadly Trade passes the Page 69 Test with flying colors as it strikes at the heart of the novel—wildlife trafficking.

Meg Jennings and her new husband Todd Webb are on their Hawaiian honeymoon with Meg’s search-and-rescue canine, Hawk. Their first week is spent in relaxed seclusion on Lanai, but then they fly to the Big Island to delve into the island’s natural beauty and to start working out so they don’t lose their edge as a K-9 team or firefighter, respectively. But trouble always seems to find them, and in the middle of a remote fern forest on the eastern slope of Mauna Loa, Hawk alerts to something alarming. Not able to ignore the alert in case Hawk is sensing someone in trouble, they investigate and find themselves coming face-to-face with wildlife traffickers attempting to capture and bag endangered birds for a buyer on the black market.

Local FBI and US Fish and Wildlife agents are called in after the traffickers scatter, and while the wildlife agent works to rehydrate and stabilize injured birds, the teams discuss the issue of wildlife trafficking in Hawaii. This is where we are on page 69, as Special Agent Jeremy Hale, an agent of Hawaiian descent out of the Honolulu field office, explains wildlife trafficking as the world knows it. He then goes on to describe the trade in exotic birds, the rarer the better. Hawaii is the extinction capitol of the world and is a target for bad actors who dabble in the capture of extremely endangered species, selling the creatures to the highest bidder, lining their pockets while pushing species ever closer to extinction.

Sadly, this is not a fictitious issue. Real species are under threat not only from loss of habitat and climate change, but from wildlife traffickers looking to make sky-high profits no matter the cost. Deadly Trade is an exciting thriller, but it also offers a glimpse into a horrifying, all-too- real ongoing crisis alongside the hope given by those who fight against it.

Visit Sara Driscoll's website.

The Page 69 Test: Lone Wolf.

The Page 69 Test: Storm Rising.

The Page 69 Test: No Man's Land.

The Page 69 Test: Leave No Trace.

The Page 69 Test: That Others May Live.

The Page 69 Test: Echoes of Memory.

--Marshal Zeringue

"The Ganymedan"

Originally from Nigeria, R.T. Ester moved to the United States in 1998 and, catching the creative bug early on, studied art with a focus on design. While working full time as a graphic designer, he began to write speculative fiction in his spare time and, since then, has had stories published in Interzone and Clarkesworld.

Ester applied the Page 69 Test to his new novel, The Ganymedan, and reported the following:

From page 69:

The guide was saying something about the protein manufacturer that owned most of the factory buildings. Minutes elapsed while he prattled parrot-like in V-Dot’s ear. They zipped past water towers and power plants, past new housing developments erected shoddily over what had been public parks, past storage facilities, shops with heavy foot traffic in and out of them, hospital buildings, train stations with long lines of passengers waiting to board.

They passed between a row of spokes reaching like monoliths toward the hub. The guide waved back at children inside a lift car going up a spoke. A beamcar overtook them. Then another. V-Dot began to plot his escape from this one.

This is a passage from page 69 of the paperback copy of The Ganymedan, and I would say it paints a good picture of the wider work, but only in broad strokes. On its own, it maybe gives the impression that the story's antagonist might be a protein manufacturer, which at least sounds like something the actual antagonist may have controlled through an investment company. The lift car in a spoke and the mention of a 'beamcar' will probably drive away anyone in the science fiction aisle by accident, so I think it succeeds as well.

In a way, The Ganymedan is about people plotting their escape from all kinds of vehicles. V-Dot has his own method, and the contrast between how he goes about it and how other characters he encounters find their own escape is something I tried to explore here and there.

Visit R.T. Ester's website.

Writers Read: R.T. Ester.

--Marshal Zeringue

"The Tarot Reader"

Finley Turner is a thriller writer. Initially convinced she wanted to be a professor, she got her master's in religious studies at Wake Forest University, focusing on new religious movements, cults, and religious violence. During her program, she applied for a student position in the university library and quickly realized she would rather be an academic librarian than be at the front of a classroom teaching. She worked as an archivist at Wake Forest University for six years after getting her master's in library and information science from UNC Greensboro. She now writes and parents full time.

Turner applied the Page 69 Test to her new novel, The Tarot Reader, with the following results:

On page 69 of The Tarot Reader, our main character Jade is being questioned by the police regarding her phony tip to the police:

My patience was wearing thin. “Like I said, it’s hard to keep track.” The silence in the room was stifling and it was becoming clear that at least Woolridge found my tip suspicious. “Have you found any more information about the councilman?”

“We’re not at liberty to say just yet,” McCade said.

“Well, I hope he’s found safe and sound.”

“But only if he’s found exactly where you said he’d be,” Woolridge said low and fast.

“Excuse me?”

McCade glared at him before he stuck his hand out to me. His palms were dry and rough against my clammy, nervous skin. “Thank you for your time.”

Detective Woolridge didn’t bother shaking my hand and was already walking to the door. He looked up at the shop’s sign above the door frame. “Nice speaking with you Madame Ravencroft,” he said with derision.

“You too, Detective Woodruff,” I said back, a wide, insincere smile on my face. He let out a nearly silent huff, the kind that tilts your chin up and back. I took pleasure in the fact that it doubled his chin, when he clearly cared enough about his appearance to spend hours in the gym.

They glanced at each other and walked out of the shop. My heart raced with pride in myself for jabbing back at him—making him feel he was insignificant enough that not even his name was worth remembering. When they were out of view of the shop window and I sat, my heart rate slowed, regret and embarrassment twisting their fists around my heart.

Why did I say that? What is wrong with me?

The detectives didn’t actively accuse me of anything, but Woolridge made it more than clear he held no respect for me nor my profession. The last thing I needed was to sharpen that derision into action, his dislike for me driving him to pin something on me.

I lowered my forehead on the tarot table where my cards lay scattered. As I sat there with my eyes closed, I wished I’d never submitted the tip at all.

The Tarot Reader passes the Page 69 Test with flying colors, with some caveats. In one sense it’s successful because we’re thrown right into the crux of the book: Jade, our phony psychic, doesn’t think before she acts and never considered the fact that her phony tip might look suspicious to the police. And of course, it has. Jade is a reactionary woman, raised by her parents to be cunning but rash. She’s a good person at her core, but all she’s ever known is to scam and bark at those who get in her way. She knows it’s not how she wants to behave, but she just can’t seem to change, so she often gives into the temptation of behaving badly.

The only shortfall of this test may be that the reader would expect the police investigation to be at the forefront of the entire novel. It provides a sense of urgency and panic, but in my opinion, the most stressful aspect of this book is wanting your main characters to not get caught in their lies and perhaps just once consider telling the truth.

Visit Finley Turner's website.

The Page 69 Test: The Engagement Party.

Q&A with Finley Turner.

Writers Read: Finley Turner.

--Marshal Zeringue

"When We Talk to the Dead"

Ian Chorão is a writer and psychotherapist in private practice in Brooklyn, New York. He lives with his wife, who is a filmmaker and professor; they have two children.

Chorão's new novel, When We Talk to the Dead, is his first book of horror.

Like his main character, Chorão appreciates that the space between feeling and creation, reality and imagination is often ambiguous at best.

He applied the Page 69 Test to When We Talk to the Dead and shared the following:

A group of friends, college sophomores, on a bus. Sally, our main character, Maeve, her best friend, Omisha and her boyfriend, Marcus. They’ve just watched a disturbing video Sally has posted on her YouTube channel.

“Maeve is back on the video, scrolling, freezing on the deranged figure lunging at the camera, face blurred with movement, covered in filth and hair, vicious, feral, mouth open like an attack dog.”

Maeve is deeply upset by how disturbing the video is (not on this page, the film is Sally being attacked and killed by a feral human). Omisha and Marcus laugh it off—they’re more concerned with being alone with each other. Maeve knows the film isn’t literally real, but she wants Sally to assure her it isn’t real, in emotional terms.

Sally plays it off, but Maeve’s genuine upset allows Sally to recognize how disturbed the video she made is, and she begins to wonder.

“Looking at the frozen image, Sally thinks, I made this, so whatever it is is real. But what is it? Like a flame or a wave, it is there, but trying to catch hold, it dissolves out of reach.”

This test is wild: you get so much! Obviously, all the plot isn’t on a single page (they are going to a long-deserted island where Sally lived until she was 6 when her family experienced a horrific tragedy) but you’re very much inside the emotional action propelling the story. And all the interpersonal dynamics, which will cause intense strife on the island, are right there. Also there: how much Sally is part of the group, but how much her past and hidden inner turmoil set her apart.

It was surprising to see how much can be there on a single page. The page ends with everyone laughing at Maeve for being so dramatic. Deep down, Sally knows her friend has intuited something that's cause for genuine concern. But Sally joins in laughing kindheartedly at Maeve, underscoring a major theme of the book, the tension between wanting to be seen vs. the desire to hide from what's genuinely upsetting.

Follow Ian Chorão on Facebook, Instagram, and Threads.

Writers Read: Ian Chorão.

Q&A with Ian Chorão.

--Marshal Zeringue

"The Irish Goodbye"

Heather Aimee O’Neill is the author of two poetry collections: Memory Future (winner of the University of Southern California’s Gold Line Press Award) and Obliterations (co-authored with Jessica Piazza, published by Red Hen).

The Irish Goodbye is her debut novel.

As a developmental editor and assistant director of the Sackett Street Writers’ Workshop, O’Neill has worked with hundreds of writers who have gone on to publish with major publishing houses.

She lives in Bed-Stuy, Brooklyn, with her beautiful wife, two sons, and—she hopes, one day—a dog.

O’Neill applied the Page 69 Test to The Irish Goodbye and reported the following:

Though I’m familiar with this exercise, I hadn’t tried it with my own book, so it was exciting to see where it took me. Page 69 of The Irish Goodbye places the reader in the middle of a scene between Maggie, the youngest sister, and Cait, the oldest sister. They’re at a pizzeria waiting to pick up the family’s dinner and having a discussion that, in many ways, epitomizes what’s wrong with the family: no one is speaking honestly.

On the surface, the conversation is about their deeply religious mother’s reaction to Maggie bringing home her girlfriend, Isabel. But Maggie isn’t revealing the true source of her anxiety about the weekend, and while Cait pretends to listen to her sister, she’s actually preoccupied with thoughts of Luke, her first love and the real reason she’s returned home after five years.

Removing one’s mask and showing up as real and vulnerable with the people who supposedly know you best is a major theme in the book, and I think this scene captures it in a quick snapshot. Plus, what’s about to happen on the next few pages change not only the course of the weekend, but the entire family’s dynamic—so you could say that this scene sets up the story’s primary catalyst.

Visit Heather Aimee O'Neill's website.

My Book, The Movie: The Irish Goodbye.

--Marshal Zeringue

"I'll Follow You"

Charlene Wang was born in Beijing and, after immigrating to the US when she was three, has lived in seven different cities from Los Angeles to Rockville to Biloxi. Graduating with a B.A. in English from Dartmouth College and a J.D. from University of Virginia School of Law, she worked as a litigator for six years. She participated in Catapult’s Novel Generator workshop. She now lives in Brooklyn, NY, with her fiancé and their dog Winky.

Wang applied the Page 69 Test to I'll Follow You, her debut novel, with the following results:

When I agreed to do the Page 69 Test, I’d just gotten a stack of ARCs — advanced reader copies, which are usually pretty damn close to the final version of the book. Flipping to page 69, I felt a mixture of relief and vindication that there was plenty to talk about. The main conflict was there, between my protagonist Faith and her best friend from home, Kayla, who ghosts her after Faith is accepted into an elite college. There were playful nods to the dark academia subgenre, with Faith walking to her art conservation class while listening to a podcast on Donna Tartt. And there was a deepening sense of mystery and wonder, as Faith steps into the Observatory for the first time, and descends down the stairs to the drift of voices, the smell of turpentine and old canvas.

Then the final hardcovers arrived a few weeks later, and my page 69 had… moved. What had once been page 69 - my page 69; the perfect encapsulation of my themes - was now page 71.

Authors are often asked how similar they are to their characters. It occurred to me, during this mini-existential crisis, that I was more similar to Faith than I’d thought: no matter how arbitrary the test, we wanted to pass with flying colors.

Maybe that’s the point of the Page 69 Test — not the page itself, but what we as authors hope it reveals. Of course, browsers in a bookstore won’t know any of that. What they’ll see on the actual page 69 is a conversation between Faith and her supervisor, a junior named Regina, at the dining hall about rushing sororities. The dialogue is snappy, lighthearted, but Regina is also pulling at the threads of Faith’s reinvention yarn. Faith wants to be accepted, to be seen in a certain light.

Sounds like someone I know.

Visit Charlene Wang's website.

--Marshal Zeringue

"Vicious Cycle"

Jaime Parker Stickle is a writer, actor, podcaster, and professor of film and television at Montclair State University. She’s also the creator and host of the true crime investigative podcast The Girl with the Same Name, as well as the hilarious podcast about side hustles, Make That Paper. Stickle lives in Los Angeles with her husband, son, and fur babies.

She applied the Page 69 Test to her new novel, Vicious Cycle, and shared the following:

This is fun! Reading page 69 out of context was so enjoyable! It drops you right into the brain of our protagonist Corey. I think the test absolutely works. Corey is a brand new mom suffering from mental health issues, postpartum anxiety and panic attacks. She is a former investigative reporter turned spin instructor who finds herself in the middle of a murder investigation.

No one is better at compartmentalizing jobs, people, and her own will, then Corey and we get a good glimpse of that from the interior of Corey’s brain on page 69.

The page jumps from the memory of an old story she covered about a Peeping Tom, to lying to her husband about where she’s going, to the site of a murder. It moves compulsively and that is the definition of Corey.

“Peeping Toms are just junior murderers and rapists. It’s a natural evolution from voyeurism to break-ins. Peeping is a test to see how far a perpetrator can push into someone’s personal space. I can evolve too.”

I want to give a few snaps for Corey here. Her bold call out and identification of a problem that can be often overlooked—the growth of a perpetrator!

Additionally, there is a strong sense of place, which was incredibly important to me in writing the book. The setting of Vicious Cycle is a character in the book and on page 69 we get the iconic the Northeast LA craftsmen homes, the Dodgers, and Debs Park—all three elements are iconic Northeast LA.

I love this test!

Visit Jaime Parker Stickle's website.

My Book, The Movie: Vicious Cycle.

--Marshal Zeringue

"O, Deadly Night"

Vicki Delany is one of Canada’s most prolific and varied crime writers and a national bestseller in the U.S. She has written more than forty books: clever cozies to Gothic thrillers to gritty police procedurals, to historical fiction and novellas for adult literacy. She is currently writing four cozy mystery series: the Tea by the Sea mysteries for Kensington, the Sherlock Holmes Bookshop series for Crooked Lane Books, the Catskill Resort mysteries for Penguin Random House, and the Lighthouse Library series (as Eva Gates) for Crooked Lane.

Delany is a past president of the Crime Writers of Canada and co-founder and organizer of the Women Killing It Crime Writing Festival. Her work has been nominated for the Derringer, the Bony Blithe, the Ontario Library Association Golden Oak, and the Arthur Ellis Awards. She is the recipient of the 2019 Derrick Murdoch Award for contributions to Canadian crime writing. Delany lives in Prince Edward County, Ontario.

Delany applied the Page 69 Test to her new novel, O, Deadly Night: A Year-Round Christmas Mystery, and reported the following:

From page 69:

“Okay, but one thing before we continue. When Doug called 911, he was told the police might be delayed in getting to us, as they were responding to a major incident. Anything to do with what happened to us? To Mrs. D’Angelo?”

“No. A child had gone missing. Walked out of her house in nothing but her diaper and a T-shirt into the snow. I’m happy to report she was found in the neighbor’s doghouse. Being kept warm by the dog.”

Detective Simmonds gave Mattie a fond smile.

“Good animals, dogs,” Alan said.

“Yes.” She cleared her throat. “At any time, Merry, did you see the people who moved in across the street well enough to identify them?

“Never. I wasn’t home when they initially moved in, and after that, they, or he or she, drove into the garage, and the doors shut behind them. I only know that based on tire tracks on the driveway and lack of footprints outside. Once or twice I saw someone lingering outside the house, as though they were watching it, but they didn’t stay long, and I simply assumed they were just curious. In the same way Mrs. D’Angelo was.”

“Anything noticeable about these observers?”

I shook my head. “It’s wintertime, and everyone is well bundled up. I might have seen a man once, maybe slightly on the bulky side, but I didn’t notice anything you’d call identifying about him. Might even have been a tall, overweight woman in a big coat. I have no reason to believe he wasn’t enjoying a breath of fresh night air.” I shrugged. “It’s December in Rudolph. I don’t have enough time in a day to attend to my own business, much less pay attention to anyone else’s.

O Deadly Night, passes the Page 69 Test with flying colours. As regards the plot, or the mystery the book is about, we get a good glimpse that something is wrong. New people have moved into the neighbourhood and something is ‘odd’ about them. They seem to come and go without wanting to be seen, and certainly without wanting any contact with their new neighbours. In addition, we find that someone might be ‘lingering’ in the area, watching the house in question. Might they be up to no good? And why are the new neighbours being so secretive?

But, as Merry Wilkinson points out, this is really none of her business. The reader is left to assume that it soon will be!

As this is a cozy mystery a glimpse of the lighter side for which the series is known, is provided by the very brief story of the lost child being saved by a dog. And we can all cheer for dogs!

Little in the way of description or atmosphere is provided on page 69, just enough that we know it’s coming up to Christmas in Christmas Town and the missing child walked into the snow.

Visit Vicki Delany's website, and follow her on Facebook, Instagram, and Threads.

The Page 69 Test: Rest Ye Murdered Gentlemen.

The Page 69 Test: A Scandal in Scarlet.

The Page 69 Test: Murder in a Teacup.

Writers Read: Vicki Delany (September 2021).

The Page 69 Test: Deadly Summer Nights.

The Page 69 Test: The Game is a Footnote.

Writers Read: Vicki Delany (January 2023).

Writers Read: Vicki Delany (January 2024).

The Page 69 Test: The Sign of Four Spirits.

The Page 69 Test: A Slay Ride Together With You.

Writers Read: Vicki Delany (December 2024).

The Page 69 Test: The Incident of the Book in the Nighttime.

Writers Read: Vicki Delany (July 2025).

The Page 69 Test: Tea with Jam & Dread.

Writers Read: Vicki Delany.

--Marshal Zeringue

"The Last Spirits of Manhattan"

John A. McDermott was born and raised in Madison, Wisconsin. He now serves on the board of directors for the Writers’ League of Texas and teaches creative writing at Stephen F. Austin State University. Prior to teaching, he worked as an actor, bartender, house painter, and advertising copywriter. He lives in Nacogdoches with his wife and teenage daughter.

McDermott applied the Page 69 Test to The Last Spirits of Manhattan, his first novel, with the following results:

Page 69 of my novel has my protagonist, Carolyn Banks, a young woman who’s run away to Manhattan from Wisconsin to avoid an unattractive marriage proposal, and Pete Donoff, a young man who works in an advertising agency, decorating an old house for a haunted party thrown by Alfred Hitchcock. We find Carolyn reading, for the first time, the cocktail menu for the evening, a series of campy-scary drinks and hors d’oeuvres, which Pete and his colleagues have composed. The scene is flirty and hints at Pete and Carolyn’s growing attachment and also the expectations for the party—a little spooky, a lot tongue-in-cheek, as you’d expect from a guy like Hitchcock. The menu is presented in an alternative font, so readers get a sense of the actual menu.

Here the Page 69 Test works like a meat thermometer. Poking into page 69 of this novel, readers find a lighter romantic comedy moment. It’s reflective of one aspect of the novel, but certainly not the whole. If a reader enjoyed this page, they’re going to find some threads of the novel to their liking—the humor, the romance, maybe even the fun of that alternate font. (I love odd textual elements—the novel includes telegrams, a newspaper ad, and screenplay pages to shake things up). But if you poked the thermometer in a different spot, you could jab some scarier passages with a ghost or two, a more serious conversation between spouses, or a screwball ensemble piece. (Maybe my analogy just broke—are these spots hotter or colder? I guess that’s up to the reader!) I’d never heard of the Page 69 Test but now I sort of love it. Maybe it’s like the blindfolded men touching the elephant—you’re going to find a spot that belongs to the novel, but it's the parts that make up the whole.

It might be an effect of having a novel with varied elements—is it historical? Magic realism? Comedy? Romance? Horror?—that makes page 69 a good snapshot of one or two aspects, but not every element. I do think page 69 will make a reader ponder what they’d order off that menu!

Visit John A. McDermott's website.

Q&A with John A. McDermott.

--Marshal Zeringue

"Leave No Trace"

Randee Dawn is a Brooklyn-based author and journalist who writes speculative fiction at night and entertainment and lifestyle stories during the day for publications like the New York Times, NBCNews.com, Variety, The Los Angeles Times, and Emmy Magazine. Her debut novel, Tune in Tomorrow, was published by Solaris. Publishers Weekly said of Tune in Tomorrow: "Dawn balances over-the-top drama and comedy with genuine intrigue to create a fun story with plenty of heart." Lightspeed praised it as "an excellent read if you're looking for something to make you smile... well worth your time."

Dawn applied the Page 69 Test to her new novel, Leave No Trace, and shared the following:

If browsers open Leave No Trace to page 69, would they get a good (or an inaccurate) idea of the whole work?

Indirectly – yes. On page 69 we see one of the first collisions of the magical creature known as the Ghillie Dhu (the Green Man of the Forest in Scottish folklore); the human Lexi, who's grown up in the forests in the Rocky Mountains; and Stef, a songwriter who's come to the forest with her best friend, the spoiled pop star T.J. We also get a quick glimpse into the past of T.J.'s manager Tony, who has killed fae when he was in the military, and a sense that all humans have magic within them.

The page is surprisingly on point! It distills many, though not all, of the themes, characters, and issues all colliding in the book. The main story is about Lexi, Stef, and Tony – each of whom has a point of view in the novel – but they're all on their own journeys. There's a war going on between fae and humans over in Europe, and thanks to some of Tony's actions, it starts to come home to the States. Everyone has divided loyalties – will Lexi side with her best friend "Gil"? Will she bow to her paranoid father's fear of anything magic? And now that she's turning 18, what is it she wants from her own life? Meanwhile, several other characters are starting to learn about the specific magic they carry inside – and why the fae may want to use it for their own purposes.

There's also a big goddess bear in this story, Artio, who comes out of Irish folklore. She's also a forest protector, but I've given her an extra task: she can house souls. This works out well for some and not so much for others, but it means that while she was initially among the hunted in the forest, she can provide salvation for someone like Tony who has completely, utterly, messed up the biggest job he was ever given. Leave No Trace travels a lot of forest paths. Some go nowhere, and some go on forever. But it suggests you ask yourself: What would you do in this position? Would you side with magical interlopers? Or would you want the world to remain as it always has? And what would you do – if the bear chose you?

Visit Randee Dawn's website.

The Page 69 Test: Tune in Tomorrow.

Q&A with Randee Dawn.

My Book, The Movie: Tune in Tomorrow.

Writers Read: Randee Dawn.

My Book, The Movie: Leave No Trace.

--Marshal Zeringue