"One Split Second"

Robert Dugoni is a critically acclaimed New York Times, Wall Street Journal, Washington Post and #1 Amazon bestselling author, reaching over 9 million readers worldwide. He is best known for his Tracy Crosswhite police series set in Seattle. He is also the author of the Charles Jenkins espionage series, the David Sloane legal thriller series, and several stand-alone novels including The 7th Canon, Damage Control, The World Played Chess, and Her Deadly Game. His novel The Extraordinary Life of Sam Hell received Suspense Magazine’s 2018 Book of the Year, and Dugoni’s narration won an AudioFile Earphones Award. The Washington Post named his nonfiction exposé The Cyanide Canary a Best Book of the Year.

Dugoni applied the Page 69 Test to his new novel, One Split Second, with the following results:

Page 69 of One Split Second is, ironically, the first page of chapter 7. Detective Tracy Crosswhite and her husband, attorney Dan O’Leary, have returned to their home in Redmond after traveling to Stoneridge, Washington where Tracy’s academy classmate, Jenny Almond, sheriff of Klickitat County has been accused of murder. Tracy suspects the murder is a coverup to a much bigger crime – the abduction of babysitter, Jaquelyn Parker, 45 years ago. Tracy and Dan arrive home to find Therese, their live-in nanny has started dinner, and locked out their two Rhodesian Ridgebacks, Rex and Sherlock, for being rambunctious. Meanwhile, Lydia, a young woman they are mentoring is in the living room entertaining their young daughter, Daniella.

Unfortunately, while this page educates the reader that Tracy is more than a homicide detective - a spouse, a mother, and a friend, and has to deal with all the things that go along with those responsibilities while trying to do a difficult job, it doesn’t speak to the underlying crime, or to the conspiracy that Tracy suspects is hiding secrets. The page is important to establish Tracy’s world, and it expresses that we are all more than just a job title, doing our best to fulfill the many roles and responsibilities we have.

One thing I’ve learned from the 12 Tracy Crosswhite novels is my readers want to know more about her world, the many hats Tracy wears. They also want more of her original world on the Violent Crimes A-Team with partners Del Castigliano, Vic Fazzio and her former partner, Kinsington Rowe. I’ve heard you. Get ready for Graves Tell Lies. Tracy 13. A return to the A-team.

Visit Robert Dugoni's website and Facebook page.

The Page 69 Test: Wrongful Death.

The Page 69 Test: Bodily Harm.

My Book, The Movie: Bodily Harm.

The Page 69 Test: Murder One.

My Book, The Movie: Murder One.

My Book, The Movie: The Eighth Sister.

The Page 69 Test: The Eighth Sister.

My Book, The Movie: A Cold Trail.

The Page 69 Test: A Cold Trail.

The Page 69 Test: The Last Agent.

My Book, The Movie: The Last Agent.

Q&A with Robert Dugoni.

The Page 69 Test: In Her Tracks.

Writers Read: Robert Dugoni (March 2024).

The Page 69 Test: A Killing on the Hill.

My Book, The Movie: A Killing on the Hill.

The Page 69 Test: Beyond Reasonable Doubt.

My Book, The Movie: Beyond Reasonable Doubt.

Writers Read: Robert Dugoni (October 2024).

My Book, The Movie: Her Cold Justice.

The Page 69 Test: Her Cold Justice.

Writers Read: Robert Dugoni (February 2026).

Writers Read: Robert Dugoni.

--Marshal Zeringue

"#AuthorLife"

Joe Zagets is the pseudonym of bestselling author Zoje Stage. Zagets fell in love with the power of storytelling over teen summers spent at the American Ibsen Theater. He went on to write plays, poetry, and essays―while working an eclectic series of jobs at a video store, shoe store, a regional television station, and a public library. When not writing he can be found contemplating how we got here.

Zagets applied the Page 69 Test to his new novel, #AuthorLife, and shared the following:

From page 69:

Every omission and perceived slight reminded him that he hadn’t reached a level where he was viewed as Someone Important—a real talent who had valuable stories to contribute. He wasn’t sure why he was being overlooked, especially given the advantage he held, in this regard, as a white man. By his observation, men still earned more praise and more respect, as a patriarchal society was committed to believing that men were innately more creative and started from a place of greater intellectual ability. And it was often true that books by men were considered of greater mass interest. (There was no such thing as Men’s Fiction, after all.)

Mack recognized, sheepishly yet jealously, that the geniuses of the world were men—the iconoclasts, the standard bearers. Men’s accomplishments were passed down through history, and that all might be unfair, but in theory shouldn’t it work to his advantage?

I think this is a fascinating excerpt to see if/how page 69 represents #AuthorLife. In certain ways, this text is the heart of the matter with its expression of misogyny, ego, and entitlement—as well as the main character's authorly frustrations. But in other ways, such as tone, it isn't quite a fully accurate representation of the book.

Mack is prone to having truly cringeworthy thoughts, and while this excerpt is cringe in certain ways, it's also a fairly well argued observation about society. In that sense, it's a little more philosophical or intellectual than much of what usually pops into his head. These isolated paragraphs might give the impression of Mack being a deep thinker, but more often his thoughts are overtly pathetic or ridiculous.

Given the satirical nature of the book, there are elements of truth behind much of the exposition. But, also due to the satirical nature, it's typically presented in a more over-the-top, groanworthy sort of way. Yet, this excerpt could serve as an explanation for why I chose to make the main character a white man—precisely because he has expectations of success that are based on real world biases. Any other demographic wouldn't have felt so entitled to accomplishments that include such precarious odds; with any other demographic, I think it would have been harder to believe that a character would make such drastic decisions in the face of something as unlikely as becoming "Someone Important."

Visit Joe Zaget's Instagram page and Zoje Stage's website.

--Marshal Zeringue

"Dead Girls"

Beck Kubrick is an award-winning writer and cartoonist living in Manchester, UK. They like stories about terrible girls and thinking about the apocalypse. They have worked with Cartoon Network, Mad Cave Studios, Oni Press, and more.

Kubrick applied the Page 69 Test to Dead Girls, their debut graphic novel as author-illustrator, and reported the following:

It’s not an absurdly out of character page, or a purely logistical, plot dense, I’m sacrificing-this- page-to-deseminate-key-information-the-reader-needs but it’s also not a perfect microcosm of the story. It’s a comedy-horror about girls fighting killers in weird, furry masks and that is captured here. The characterisation is solid; Ash is stoic, Jamie is dry and sarcastic and Cassie is a little oblivious and likes cute things and there’s some banter. However, the page focuses on Jamie’s injury and Cassie/ Jamie’s friendship/ relationship, which aren’t huge focuses throughout the narrative. Ash, our protagonist who is typically our POV character, is less of a focus, too.

The dirty-but-cutesy, character-shaped backpack itself is aesthetically very representative of the story and is literally on the (US) cover. The reader obviously doesn’t have the context for who Heather is with this page alone, but hopefully can infer enough context.

I don’t think it’s a perfect test for my book, maybe five out of ten? Maybe it’s like dog years and the conversion rate of page 69 in prose novels is different for graphic novels/ comics. A picture paints a thousand words etc. so it should be a different page number.

I suppose the test is that people who read page 69 first and like it, tend to enjoy the book rather than ‘is page 69 the perfect summation and encapsulation of the essence of the book’ and perhaps that venn diagram is in fact a circle. I don’t think it’s a great shortcut for my book but I’m open to being proven wrong! If any readers read the book based on the page, let me know!

Follow Beck Kubrick on Instagram.

My Book, The Movie: Dead Girls.

--Marshal Zeringue

"Hidden Currents"

Claire Booth spent more than a decade as a daily newspaper reporter, much of it covering crimes so convoluted and strange they seemed more like fiction than reality. Eventually, she had enough of the real world and decided to write novels instead. Her Sheriff Hank Worth mystery series takes place in Branson, Missouri, where small-town Ozark politics and big-city country music tourism clash in, yes, strange and convoluted ways. Her latest is the critically acclaimed Hidden Currents.

Booth applied the Page 69 Test to Hidden Currents with the following results:

From page 69:

The last sentence was half defiant, half uncertain. She stood there bristling in the dark, a mama porcupine because she didn’t have the resources to be a bear. Her thin pajama pants fluttered in the cold breeze as she crossed her arms protectively over her chest and told him wearily that he’d pronounced her name wrong. “It’s pronounced like ‘machine’ with an ‘R’. Everybody always gets it wrong.” She curled inward even more and tried to stifle a sniffle. “If I’d known she was going to take off, I wouldn’t have even gone to work.”

By now Hank had backed clear off the porch. Hovering wouldn’t help calm her down. Letting her tell her story might. “Who took off?”

“Marie. Useless shitbag. Six hours. That’s all I needed.” Usually her mother watched the kids, but she had an appointment in Springfield. So Cousin Marie stepped in. And then stepped out.

“How’d you find out?” Hank said. “Who called you?” In his experience, useless shitbags didn’t tend to be that considerate.

“Kayden did.” At Hank’s blank look, she pointed behind her. “My son.”

She’d taught her four-year-old how to use the recall button on an old flip phone for just this reason. Undependable relatives and a non-custodial father with a habit of coming around anyway. This was the first time he’d ever had to use it. Then he sat with his two-year-old sister until Rachine got home, wild-eyed and panicked. She didn’t admit to that last part, but Hank figured it was a safe assumption.

“And were they both OK?” he asked softly.

She nodded, tearing up at the memory. She pointed at Hank with a trembling finger. “So Cole can take me back to court again, but this one thing don’t mean I’m unfit. You tell him I’ll fight him just like I did last time.”

No wonder she was so scared. He felt terrible. He would’ve explained right away if he’d known.

He held up a hand, palm out. “Rachine, I’m not here for that. At all. I’m here about you and Gene. Not you and your kids. I need to know about your work.”

If a reader opens to this page 69, they won’t find out much about the plot, but they’ll get a very good take on my main character, Hank Worth. He’s the sheriff of Branson County, Missouri, and this page shows him at his best. He’s kind and patient and very good at thinking through how he deals with people. This young woman works for a man who’s just been found murdered. He needs information, but she’s so panicked that he knows he won’t get anywhere until he calms her down.

Rachine, the young, single mom, has an ex-boyfriend who hated her boss, the man Hank found dead earlier in the day. Gene Willard was new to town. He bought a local business, moved right in like a bulldozer, and made a lot of enemies. So Hank has his work cut out for him as he investigates Willard’s murder. Some people, like Rachine, will try to help. Many more, including the victim’s own family, will do the opposite. They block the investigation any way they can—refusing to talk, destroying evidence, fleeing the scene. It takes all of Hank’s patience, and a good measure of stubbornness, to figure out who among Willard’s enemies is the killer.

Visit Claire Booth's website.

My Book, The Movie: Another Man's Ground.

The Page 69 Test: Another Man's Ground.

My Book, The Movie: A Deadly Turn.

The Page 69 Test: A Deadly Turn. 

Writers Read: Claire Booth (March 2019).

My Book, The Movie: Fatal Divisions.

The Page 69 Test: Fatal Divisions.

Q&A with Claire Booth.

--Marshal Zeringue

"The Girl in Green"

Laura Creedle is the author of The Deep Well, which Kirkus Reviews called “a fresh take on horror,” and The Love Letters of Abelard and Lily. When they’re not writing, Creedle can usually be found playing pinball or watching indie horror. They live in Austin, Texas, with their husband and a feral cat named Hellman who was found with her head stuck in a mayonnaise jar.

Creedle applied the Page 69 Test to their new novel, The Girl in Green, and shared the following:

From page 69:

"Go outside alone," he said. "It's not safe for you out there, especially if you don't know the area."

The way he said "for you" got under my skin. His voice had a slight accent, a twang of authority. He couldn't have annoyed me more if he'd called me "little lady."

I let go of the door and turned around, expecting to see a teacher or someone else who worked for the school. Instead, there was a boy my age standing behind me, with a dead serious look on his face. He had broad shoulders, shaggy dark curls, and a nose that looked like it had been broken and reset slightly crooked. That epic nose bump took his face to the next level. Modeling careers have been built on less.

"Did you just say 'not safe for you?"

The boy crossed his arms and smirked. "I did."

"Do I look like someone who can't handle myself to you?"

I asked slowly.

He looked down at my feet and moved his gaze slowly upward, lingering longer than was strictly necessarily. At five eleven, I was used to people taking me a bit more seriously than this.

"Most places, maybe," he replied slowly. "Not here."

I met his eyes, hoping to stare him down. They were nice eyes. Not brown, nor green, but some combination of the two—or maybe neither. I studied the brutal curve of his cheekbones, and contemplated my next move.

Page 69 might sound a little more like a romance novel than a horror novel. This is the page that introduces her love interest, Barlow. That said, I do think it gives you a sense of the central mystery of the book. My main character, Jess, is trapped in a remote mountain boarding school, where strange things are happening. All she wants to do is escape. It’s clear from this passage that Jess isn’t going to give up on the idea of breaking out of school easily. She’s not a physical lightweight either, and she imagines herself as someone who would rather fight than flee. That sense of herself is tested in the book.

Page 69 is a little lighter in tone than the rest of my novel, but it’s not a bad representation. A better introduction comes earlier when Jess meets her new roommate, Ava. Ava enlists Jess to help her find a missing student, Layla. Layla was Ava’s roommate before Jess, and she disappeared under mysterious circumstances. At first, Jess doesn’t want to get involved, but Ava prods her. Ava challenges Jess to care about something other than escape. To care about someone other than herself. Ava is the soul of the book.

Visit Laura Creedle's website.

The Page 69 Test: The Love Letters of Abelard and Lily.

My Book, The Movie: The Love Letters of Abelard and Lily.

Writers Read: Laura Creedle (January 2018).

Writers Read: Laura Creedle.

Q&A with Laura Creedle.

--Marshal Zeringue

"The Wonder of One"

Suzanne Redfearn is the #1 Amazon and USA Today bestselling author of nine novels: The Wonder of One, Call of the Camino, Two Good Men, Where Butterflies Wander, Moment In Time, Hadley & Grace, In an Instant, No Ordinary Life, and Hush Little Baby. Her books have been translated into twenty-seven languages and have been recognized by RT Reviews, Target Recommends, Goodreads, Publisher’s Marketplace, and Kirkus Reviews. She has been awarded Best New Fiction from Best Book Awards and has been a Goodreads Choice Awards Finalist.

Born and raised on the east coast, Redfearn moved to California when she was fifteen. Currently, she lives in Laguna Beach with her husband where they own Lumberyard Restaurant. In addition to being an author, Redfearn is an architect specializing in residential and commercial design. When not writing, she enjoys doing anything and everything with her family—skiing, golf, tennis, pickleball, hiking, board games, and watching reality TV. She is an avid baseball fan. Her team is the Angels.

Redfearn applied the Page 69 Test to The Wonder of One and reported the following:

I’ve always loved this test. The Wonder of One is my ninth published novel, and I’ve done this test on every one of them, and each time I’m stunned by how well it works. This book is no exception.

From page 69:

Still upset but unsure what to do about it, I did as he asked, cupping my hand over my right eye and tentatively closing my eyes again.

“Feel its warmth.”

Strangely, though my nevus had always been the same temperature as the rest of my skin, heat pulsed beneath my hand.

“It has energy that emanates from within.”

Dull but certain, I could feel it, a warm throb like the thrum of a heart.

“In each of us there burns a spirit flame, a deep belief in oneself that must be nurtured and never allowed to go out.”

Tha-thump, tha-thump, tha-thump . . .

The nevus beat as if it had a life of its own.

“And so long as it exists, we exist and cannot be destroyed.”

Tha-thump, tha-thump, tha-thump . . .

The pulse matched the cadence of his voice.

“The power of each of us comes from within,” he repeated. “For you, tadpole, from the moment of your conception, your spirit flame burned so bright it could not be contained.”

It sounded similar to what Profe and Boodo had always said about my nevus, that there was something within me that, from the start, needed to get out. But hearing the chief say it, a mystical, powerful stranger, made the words more meaningful. And though I didn’t know it sitting on the dock in that moment, those tiny seeds of hope, planted in my young mind, would take root deep in my soul, where they would germinate in the fertile, receptive soil to grow into something remarkable.

“The mind is the greatness, and the body simply a means it uses to run faster, jump higher, shoot straighter, sing, roar, or do anything you set it to do. The head rules, and if you learn to truly understand that and trust it, you will understand everything.”

The thrum behind my hand quickened until it beat fast as a hummingbird’s wings, and I pressed my hand against it.

“A body can be broken by another, but never the mind.”

This is literally the essence of the story, the idea that each of us carries the power within us to change things. I was blown away when I opened to page 69 and this was what was on it. Amazing!

Visit Suzanne Redfearn's website, and follow her on Facebook, Instagram, and Threads.

Coffee with a Canine: Suzanne Redfearn and Cooper.

My Book, The Movie: Hush Little Baby.

The Page 69 Test: Hush Little Baby.

The Page 69 Test: No Ordinary Life.

Writers Read: Suzanne Redfearn (February 2016).

My Book, The Movie: No Ordinary Life.

My Book, The Movie: In an Instant.

The Page 69 Test: In an Instant.

Q&A with Suzanne Redfearn.

My Book, The Movie: Hadley and Grace.

The Page 69 Test: Hadley & Grace.

Writers Read: Suzanne Redfearn (March 2022).

The Page 69 Test: Moment in Time.

My Book, The Movie: Moment in Time.

Writers Read: Suzanne Redfearn (February 2024).

Writers Read: S. E. Redfearn (October 2024).

The Page 69 Test: Two Good Men.

Writers Read: Suzanne Redfearn (October 2025).

My Book, The Movie: Call of the Camino.

The Page 69 Test: Call of the Camino.

My Book, The Movie: The Wonder of One.

--Marshal Zeringue

"Word Salad"

USA Today bestselling author Susan Coll's novels include The Literati, Real Life & Other Fictions, and Bookish People. Her other books include The Stager, Acceptance, Rockville Pike, and Karlmarx.com.

Her work has appeared in the Washington Post, the New York Times, NPR.org, theatlantic.com, The Millions, and other publications. Her novel, Acceptance, was made into a television movie starring the hilarious Joan Cusack.

Coll is the recipient of multiple grants from the DC Commission on the Arts and Humanities. She works at Politics and Prose Bookstore and was the president of the PEN/Faulkner Foundation for five years. She teaches occasional workshops at The Writer’s Center in Bethesda, Maryland.

Coll applied the Page 69 Test to her new novel, Word Salad, with the following results:

I have applied the Page 69 Test to most if not all of my novels, and it’s always fascinating to consider how a random, single page captures – or fails to capture—the themes of the larger narrative.

In the case of Word Salad, I am happy to report that the DNA of page 69 offers a perfect lens onto the novel at large, on top of which it’s a passage that I especially like.

On page 69, Matilda, my narrator, has been summoned to the information desk at the bookstore where she works. The previous evening, there had been an incident involving an aggressive photographer who had harassed a visiting author. Matilda was caught in the middle and is now being accused of assault. She has just been served legal papers. On page 69, she is in a state of alarm, agitated and confused. At the same time, she is trying to help a customer find books on the Battle of Gettysburg, providing a glimpse into the normal rhythms of bookstore life---in this case the customer decides not to purchase any of the many books Matilda has put in his hands. What I most like on this page is the unhinged dialogue that Matilda has with a child who is staring at her. The child thinks that Matilda looks “funny.” When Matilda asks for clarification, the child explains that Matilda’s lipstick is “peculiar.” Matilda has in fact been wearing a somewhat peculiar shade of lipstick that she inherited from her recently deceased mother, so this exchange is jarring, and she overreacts even though she is the first to agree that the lipstick is in fact peculiar. Overall, this page captures the book well, offering a glimpse of bookstore life while introducing a central plot point -- the legal threat hanging over Matilda. It also hints at one of the larger themes---the complicated grief Matilda feels about her mother’s recent death.

Visit Susan Coll's website.

Coffee with a Canine: Susan Coll & Zoe.

The Page 69 Test: Acceptance.

The Page 69 Test: Beach Week.

The Page 69 Test: The Stager.

The Page 69 Test: Real Life and Other Fictions.

The Page 69 Test: The Literati.

--Marshal Zeringue

"World News from Waverley High"

Linda Kass began her career as a magazine journalist and correspondent for regional and national publications. Along with her new novel, World News from Waverley High, she is the author of three previous works of historical fiction: Tasa’s Song (2016), A Ritchie Boy (2020), and Bessie (2023). A longtime civic leader, she is the founder and owner of Gramercy Books, an independent bookstore in Central Ohio. Kass lives in Columbus with her husband, Frank; they have four children, six grandchildren, and a labradoodle named Wally.

Kass applied the Page 69 Test to World News from Waverley High and shared the following:

If browsers open World News from Waverley High to page 69, they’d gain solid insight into the essence of my story. The page includes a key scene with two of the major characters, Derrick Wright and Lena Rosen, as it focuses on the national tension permeating this single school year at Waverley High.

The teenage characters are in their Current History class, where they follow the news of the day (their assignments are to read every issue of the weekly Time magazine along with any other news sources). And they are talking about music and about war, specifically the Vietnam War.

Derrick Wright, the music and culture reporter for the student-led school newspaper, The Beacon, is responding to the narrator’s (Lena Rosen) outburst over the death marches and protests and the desire everyone has for peace. He says, “Mr. G. (the Current History teacher and Waverley band director), you’re a music devotee. It’s all in the music, man. Those songs tell our story. I mean, listen to this piece on Pete Seeger’s new album called ‘Bring Them Home.’ The words. They’re an explicit retort to this senseless war.”

Lena finds herself nodding in agreement with Derrick’s comment. It is all in the music, she thinks, as she recalls the refrain played on the soundtrack of all the television reports about the mass marches going on around the country. They are all repeating the refrain from John Lennon’s song, insisting that we give peace a chance.

While there are many more scenes and interactions as students navigate Waverley’s hallways where they deal with issues of race, politics, and belonging against a backdrop of key moments of American history, what you find on page 69 are young people trying to make sense of a world on fire.

Visit Linda Kass's website.

Writers Read: Linda Kass (June 2026).

Writers Read: Linda Kass (July 2026).

Writers Read: Linda Kass (August 2026).

My Book, The Movie: World News from Waverley High.

Q&A with Linda Kass.

Writers Read: Linda Kass.

--Marshal Zeringue

"‘Tis the Season to be Scary"

Vicki Delany is one of Canada’s most prolific and varied crime writers and a national bestseller in the U.S. She has written more than forty books: clever cozies to Gothic thrillers to gritty police procedurals, to historical fiction and novellas for adult literacy. She is currently writing four cozy mystery series: the Tea by the Sea mysteries for Kensington, the Sherlock Holmes Bookshop series for Crooked Lane Books, the Catskill Resort mysteries for Penguin Random House, and the Lighthouse Library series (as Eva Gates) for Crooked Lane.

Delany is a past president of the Crime Writers of Canada and co-founder and organizer of the Women Killing It Crime Writing Festival. Her work has been nominated for the Derringer, the Bony Blithe, the Ontario Library Association Golden Oak, and the Arthur Ellis Awards. She is the recipient of the 2019 Derrick Murdoch Award for contributions to Canadian crime writing. Delany lives in Prince Edward County, Ontario.

Delany applied the Page 69 Test to her new novel, Tis the Season to Be Scary: A Year-Round Christmas Mystery, and reported the following:

From page 69:

thoroughly loyal to me and my store, which is why I kept her on, despite some of her more rebellious inclinations.

“Nine thirty,” I said. “Time to open. If anyone buys Vicky’s book, tell them if they bring t to the library tonight, along with a receipt to show they bought it from a store in Rudolph, they can have it signed by the author.”

“Will do,” Jackie said.

For the first half hour of the day, we puttered about, arranging and rearranging stock. The initial customers started drifting in a little after ten. Not only customers, but Mary-Ellen who worked at Cranberry Coffee Bar popped in on her break. “I can’t believe that woman at the party last night died!” she said to Jackie.

“Just goes to show, doesn’t it?” Jackie said.

“Do you think it was something she ate?”

I abandoned the customer I was showing serving dishes, suitable for both Thanksgiving and Christmas, to and ran over. “Don’t talk about that in here.”

“Why not?” Mary-Ellen asked.

“Because Jackie’s working; I’m working. This is a place of business, not for town gossip.”

“Since when?” Jackie said.

“Since now.”

“Someone died?” My customer crossed herself. “Killed by something she ate? What? Where?”

“Nothing. Cause of death is still to be determined.” I threw Jackie what I hoped was a stern glare of reprimand, and jerked my thumb at Mary-Ellen, telling her to get lost.

“I’ll come by later,” Jackie said. “That’s if I’m allowed to take a break.”

‘Tis the Season to be Scary, is the nineth Year-Round Christmas book, and it lands firmly in the ‘neutral’ range in the Page 69 Test. We get a hint as to what has happened – someone died, possibly poisoned. We get a touch of the setting and the mood as townspeople rush to gossip about it, a touch of humor as Jackie asks since when did the not gossip. It also contains a hint at the larger plot – something to do with a book signing.

But it doesn’t reveal much, if anything, about anyone’s character, their reaction to the death, except asking people not to gossip about it. We get no insight into Merry Wilkinson, the protagonist and no clue as to how she is involved.

Perhaps most importantly of all, this book is set at Halloween. The character died at a Halloween gala where everyone was in masks and costumes. The series is called the Year-Round Christmas series because it’s set in a town where they celebrate the holidays, in one way or another, all year. But none of that atmosphere, either Christmas or Halloween, is revealed by the Page 69 Test.

Which is why I am giving it a five out of ten.

Visit Vicki Delany's website, and follow her on Facebook, Instagram, and Threads.

The Page 69 Test: Rest Ye Murdered Gentlemen.

The Page 69 Test: A Scandal in Scarlet.

The Page 69 Test: Murder in a Teacup.

Writers Read: Vicki Delany (September 2021).

The Page 69 Test: Deadly Summer Nights.

The Page 69 Test: The Game is a Footnote.

Writers Read: Vicki Delany (January 2023).

Writers Read: Vicki Delany (January 2024).

The Page 69 Test: The Sign of Four Spirits.

The Page 69 Test: A Slay Ride Together With You.

Writers Read: Vicki Delany (December 2024).

The Page 69 Test: The Incident of the Book in the Nighttime.

Writers Read: Vicki Delany (July 2025).

The Page 69 Test: Tea with Jam & Dread.

Writers Read: Vicki Delany (October 2025).

The Page 69 Test: O, Deadly Night.

--Marshal Zeringue

"Fighting Edge"

Margaret Mizushima writes the internationally published Timber Creek K-9 Mysteries. She served as a past president of the Rocky Mountain Chapter of Mystery Writers of America and was elected Writer of the Year by Rocky Mountain Fiction Writers. She is the recipient of a Colorado Authors League Award, a Benjamin Franklin Book Award, a CIBA CLUE Award, an IBPA Gold Award, and two Willa Literary Awards by Women Writing the West. Her books have been finalists for a SPUR Award by Western Writers of America, a Killer Nashville Silver Falchion Award, and the Colorado Book Award. She and her husband recently moved from Colorado, where they raised two daughters and a multitude of animals, to a home in the Pacific Northwest.

Mizushima applied the Page 69 Test to her new Timber Creek K-9 Mystery, Fighting Edge, with the following results:

From page 69:

“I think it’s possible to focus on both conformation and temperament with one sire. Maybe even with Butch. You might suggest a lease option at your kennel for a couple months to see how you get along with him.”

Bret shrugged as he put his credit card back in his wallet, and Cole figured he was shrugging him off along with his advice. But then Bret surprised him. “Would you be willing to come out and see my operation? I have several litters that need six-week shots. Could you come out this afternoon or tomorrow to do that amount of work?”

Cole glanced at his schedule book, noticing that the cancellation after lunch created an opening in his ambulatory schedule. “I could do that. How about one thirty?”

Bret nodded. “Good. You have my address, right?”

“We do. I’ll see you then.”

After Bret left, Cole looked at Tess. “Can you go with me to help? And we can see what’s going on out there.”

Tess focused on the computer screen as she entered the exam report into a new record. “Sure, I’ll go. But I doubt if this is a place where I’ll find a new puppy.”

“Me too.” Cole didn’t have a great feeling about Bret’s program, but he hoped he’d find reason to change his mind once he saw the facility. But before he could say so, the door opened and his next client arrived. It was going to be a busy morning.

Page 69 is an example of one of the subplots in Fighting Edge. Veterinarian Cole Walker’s assistant, Tess Murphy, lost her husband to violence in Dying Cry, the previous episode in the Timber Creek K-9 Mystery series. She has decided to get a dog, partly as a companion for her children but partly for home protection. She and Cole have discussions throughout Fighting Edge about what type of dog might be best for her family. The chapter that this page ends introduces Bret Beatty, who becomes a suspect in the homicide investigation run by Deputy Mattie Walker and the rest of the Timber Creek investigative team. The missing element on this page is the police action and Mattie’s work as a K-9 handler, which represents the focus of this outdoor police procedural.

In Fighting Edge, a routine welfare check becomes a nightmare when Deputy Mattie Walker finds a young mother dead and a hysterical toddler, possibly the only witness to a brutal crime. Soon, Mattie discovers another criminal act in Timber Creek, revealing a dangerous mix of drugs and suspected human trafficking. Meanwhile, veterinarian Cole Walker notices shady activity during routine calls at dog kennels, leading them to suspect a chilling truth: organized crime has infiltrated their rural mountain community.

Page 69 gives a quick glimpse into both the main plot and a subplot of this new book, but other scenes focus more on the main plot and plenty of action in Colorado’s mountains and wilderness area. The Timber Creek K-9 Mysteries appeal to readers who like dogs, the great outdoors, and whodunits. Fighting Edge is book eleven in the series.

Visit Margaret Mizushima's website and follow her on Facebook, Instagram, and Threads.

Coffee with a Canine: Margaret Mizushima & Hannah, Bertie, Lily and Tess.

Coffee with a Canine: Margaret Mizushima & Hannah.

My Book, The Movie: Burning Ridge.

The Page 69 Test: Burning Ridge.

The Page 69 Test: Tracking Game.

My Book, The Movie: Hanging Falls.

The Page 69 Test: Hanging Falls.

Q&A with Margaret Mizushima.

The Page 69 Test: Striking Range.

The Page 69 Test: Standing Dead.

The Page 69 Test: Gathering Mist.

Writers Read: Margaret Mizushima (October 2024).

The Page 69 Test: Dying Cry.

--Marshal Zeringue

"Midsummer Nights"

Lara Stokes grew up in Northern Ontario and now lives and writes in Kawartha Lakes, Ontario. Her work has appeared in The Danforth Review, The Ottawa Arts Review, Burnt Toast (newsletter for The Writer’s Union of Canada) and has been shortlisted for the Toronto Fringe New Play Contest and Geist’s CanLit Short Fiction contest. In 2007 she completed an Honors BA in Theatre and Creative Writing at York University, where she was the recipient of the b.p. Nichol award and the Judith Eve Gewertz Award.

Stokes's debut novel is Midsummer Nights.

She applied the Page 69 Test to Midsummer Nights and shared the following:

From page 69:

A log splits in the fire, setting off a shower of sparks. Our eyes turn to the fire, then back to each other.

“Would you want to hang out sometime?” Will asks.

“We are hanging out,” I say.

“For real, I mean.” He looks at me, hope on his face. “I mean, no pressure, or whatever.” He takes a drink.

I have been a version of here before. I have been here too recently. I am still shaken from the aftermath of Nick. Will is nothing like him. I can see right away that we could go out, we could probably have a really lovely summer thing. I want to hang out with him. I want to very much.

“I don’t think that’s a good idea,” I say. To his credit, his expression doesn’t change. “I’d like to. I-I’d really like to. I just got out of something . . .” It sounds so lame. “I—I just think, maybe, with the show, and it’s my parents’ company . . . I feel like I shouldn’t do anything . . .”

“Hey, it’s cool.” He smiles kindly. “I hope you won’t feel uncomfortable or anything working together, knowing I . . .” He stops as Theo returns, plopping himself into one of the large chairs. I smile and shake my head, No, it’s all good, but the truth is, I am realizing in a rush, that it is going to be extremely uncomfortable working with someone whose smile, whose apple scent, makes my insides flip like this.

First, I will say that when I opened the book to conduct the test, I happened to open it to page 69. So, the book is on board!

Page 69 is the last page of a chapter where the protagonist, Miranda, has made amends with her estranged best friend and is hanging out at a local cidery owned by her love interest in the play they are in - A Midsummer Night’s Dream. This page is the first real hint at what is the central romance in the book is, and sets up Miranda’s reasons not to pursue it.

While this book is not strictly a romance, this page does speak to the journey Miranda takes over the course of the novel. Her past relationships will haunt her this summer in more ways than one, and she is finally rediscovering her love of theatre and her identity as an artist. This page does hint at the four players in the ‘love quadrangle’ and while it is a fairly offhand moment, in many ways, it is the exact isolated moment that turns things for her. This page accurately establishes the tone of the book, and while it does not take place in the theatre (where most of the book is set) it establishes enough dynamics to provide the reader with a good sense of the book.

I was doubtful, but I think Midsummer Nights successfully passes the Page 69 Test!

Visit Lara Stokes's website.

Writers Read: Lara Stokes.

--Marshal Zeringue

"The Oxford Guide to Scandal and Lies"

Kate Westbury grew up a voracious reader of detective fiction, and unraveling plot twists became her favorite pastime. She now puts her whodunnit obsession to good use writing historical mysteries. Beyond the page, Westbury teaches Latin and dreams of moving to an English village with crimes to solve.

She applied the Page 69 Test to her new novel, The Oxford Guide to Scandal and Lies, and reported the following:

From page 69:

He and Ginevra Bishop were very different sorts of people, but both were broken, brittle creatures with shadows dusting their heels. She needed his help, and walking away from someone with a real need was impossible for him.

A maelstrom of defensive emotions swirled, but Sidney shunted them to the back of his mind. He knew he was more than capable of tracking down the informant, and the money would be useful, much as he was loath to admit it. A break from squeezing in odd jobs, from long nights studying to compensate. […] He would become the Rook’s ideal agent, compartmentalized and cold, and keep his contact with Ginevra Bishop professional and brief—which was best, as he didn’t have the time nor capacity to train her properly. Despite the Rook’s appreciation of her charm, Sidney still thought her dynamic personality would be hard to restrain when needed.

Though it’s a historical mystery, Oxford Guide is very much a character-driven story, too. My two protagonists, Sidney and Ginevra, are an ex-serviceman and a debutante-turned-scholar, and their clashing partnership while working for MI5 encapsulates the lingering class divide that was breaking down in 1950s England. This particular page falls at the very end of Act I and highlights both Sidney’s struggles with his personal ghosts and the pull toward Ginevra that he’s resisting. The only thing that page doesn’t include that colors a good bit of the story is humor, but I think it’s still an excellent representation of the rest of the novel and tells a reader if they would enjoy spending time with these characters.

Sidney’s brooding, however, is only half the picture. Ginevra is his opposite in upbringing, taste, and temperament, but money doesn’t buy happiness. Her mother died while she was away at finishing school, her father is emotionally distant, and she’s fighting for a fulfilling life in a world that expects her to marry well and become a domestic ornament. She is buoyed by an irrepressible optimism and curiosity that makes her an excellent recruit for the Security Service, and also a first-rate thorn in Sidney’s side trying to work with her. This kind of opposites-thrown-together pairing makes for all kinds of natural comedy, but I think the best part of their relationship is the slow turn toward mutual understanding and respect that starts to blossom into something more.

Visit Kate Westbury's website.

Q&A with Kate Westbury.

--Marshal Zeringue