Tuesday, August 14, 2018

"Escape from the Badlands"

Carrie Jones is the The New York Times bestseller author of the Need series, Time Stoppers series, Flying series, Girl, Hero, Tips on Having a Gay (ex) Boyfriend, and Love (and other uses for duct tape). She is also the coauthor, with Steve Wedel, of After Obsession and Summer Howl. She also writes picture books about unconventional spies. Her books have been published all around the world, been bestsellers in France, and have received numerous awards.

Jones applied the Page 69 Test to her new middle-grade fantasy novel, Escape from the Badlands (Time Stoppers), and reported the following:
From page 69:
“Don’t say anything,” she said, heading down the hill.

“You didn’t tell me.”

“How could I tell you when it hasn’t happened?” She gasped, tripping on a rock. She stumbled and slowed to a power walk…

"Wait for us,” Eva yelled from the top of the hill.

But Annie didn’t want to wait. She kept walking, arms pumping at her sides. If she walked fast enough maybe she could just get away from the vision, get away from the coldness inside her, get away from he worried that she wouldn’t be able to save the elves.

Bloom caught up again. “Annie… what if that isn’t the past? What if it’s the future?”

Jamie had caught up to them, too, and sneered before Annie could even open her mouth. “It won’t be . We won’t let that happen to Annie. Not ever.”
I love the Page 69 Test so much because it always forces me to look at a random page of my story and see if the theme and plot and emotional through line is being played out. I always sort of hold my breath when I do it because I so badly want it to be representative of those elements of the book.

Without being spoiler-filled, Annie (the ‘she' first referenced) and her friends have just walked through a fog of shame set up as a perimeter trap for other explorers centuries ago. Here, all the children have had to relive their worst shame, but Annie’s shameful moment? She never remembers it happening. And it’s really… It’s not a good thing to see. It implies that she’s in cahoots with the ultimate bad guy of the book.

But what I love about this scene is that her friends are so horrified that she hasn’t told them about this event. And Annie just can’t deal with it - with the shame of what she doesn’t remember happening. And her friends quickly figure out that she wouldn’t hide this from them. That’s not what she’s about or their friendships are about. Instead they realize that they could potentially see something that will happen in the future. Even then though, her friends come to her aid saying that they wouldn’t let that happen, trying to calm her and support her.

And this book? That’s what this book is about. It’s about banding together, about trusting your friends, and about believing in yourself, which are lessons I personally have to teach my own adult self over and over again.
Visit Carrie Jones's website.

Coffee with a Canine: Carrie Jones & Tala.

--Marshal Zeringue

Monday, August 13, 2018

"The Family Tabor"

Cherise Wolas is the author of The Resurrection of Joan Ashby, a semifinalist for the PEN/Robert W. Bingham Debut Fiction Prize, an Indie Next Great Reads Pick, a New York Times Book Review Editors’ Choice, named a Best Novel and Best Debut Novel of the year by Kirkus Reviews, named a Top 10 novel of 2017 by Booklist, in addition to receiving among many other accolades.

Wolas applied the Page 69 Test to her new novel, The Family Tabor, and reported the following:
From page 69:
Simon has Elena.

Camille has Valentine.

They are cozy in love, and it spears her straight through, skewers her heart.

Why is she the crescent moon waning when her siblings seem always to be waxing?

Her mother says Phoebe’s the kind of woman men do not quickly release, and boys from various stages of her life still occasionally beat their man-sized wings in her direction, raising the air around her, blowing the dust off their joint old times, a checking-in, a checking-up, wanting to know if Phoebe has allowed someone to stick, to roost—not them, they know, though they had all tried hard.

But her mother also says that the men from Phoebe’s past will always hang on, because she gave them up in the limerence phase, when romantic euphoria is at its peak. Maybe her mother is right; maybe that’s why she has no flesh-and-blood man, only the perfect golem she dreamt up.
Over a gorgeous August weekend, patriarch Harry Tabor will be named Man of the Decade at an enormous gala. Of course, the entire family will be at the hometown celebration in Palm Springs. The Tabors are brilliant, accomplished, and worldly. They glow. They are lucky. They are golden. They seem free of lurking dark truths. But the adult children, Phoebe, Camille, and Simon, are privately struggling, each seeking something we all want—love or clarity or the belief we’re living our right life.

At this point, we’ve seen Phoebe through the eyes of her mother Roma, but here, in Chapter Seven, we’re meeting Phoebe herself as she packs for the celebratory weekend honoring her father, and then engages with Raquel, the neighbor cat-sitting for her. While Raquel natters away, this section of page 69 continues Phoebe’s intense thoughts about her desperate desire to find love. Her sister and brother have what she wants, and there is a hint, unexplained, that she considers herself responsible for her loveless state. [T]he perfect golem she dreamt up refers to a truth about Phoebe the reader now knows, but I won’t give away here.

Page 69 is specifically about Phoebe, but is representative of the novel’s "Good Samaritan" section. These early chapters individually highlight the Tabors, and reveal, or begin to reveal, their personal secrets. And the revelations of these secrets will reverberate in unexpected ways through the novel.
Visit Cherise Wolas's website.

The Page 69 Test: The Resurrection of Joan Ashby.

--Marshal Zeringue

Sunday, August 12, 2018


Ellison Cooper has a Ph.D. in anthropology from UCLA, with a background in archaeology, cultural neuroscience, ancient religion, colonialism, and human rights. She has conducted fieldwork in Central America, West Africa, Micronesia, and Western Europe. She has worked as a murder investigator in Washington DC, and is a certified K9 Search and Rescue Federal Disaster Worker. She now lives in the Bay Area with her husband and son.

Ellison applied the Page 69 Test to her new novel, Caged, and reported the following:
Page 69 of Caged is pretty damn representative of the book. The main character, Sayer, is talking to a scruffy Irishman who is a potential suspect in her murder investigation. He offers her proof that he can't possibly be the killer setting off a series of plot twists and turns. Why would someone implicate this suspect? And what should she do about the line of media vans already lingering outside his house hoping to catch a glimpse of the Cage Killer?
Visit Ellison Cooper's website.

My Book, The Movie: Caged.

--Marshal Zeringue

Friday, August 10, 2018

"The Bucket List"

Georgia Clark is an author, performer and screenwriter based in Brooklyn. She wrote the critically acclaimed novel, The Regulars, and the "witty, sexy" (L.A. Times) The Bucket List, both Simon & Schuster. Her first books were the Young Adult novels She’s With The Band and Parched. Clark is the host/founder of the storytelling night, Generation Women, which invites six generations of women to tell a story on a theme. She is currently developing The Regulars as a TV show for E!. A native Australian, she lives in Brooklyn with her girlfriend and a fridge full of cheese.

Clark applied the Page 69 Test to The Bucket List and reported the following:
On page 69, our heroine Lacey Whitman has just received the news she’s scored an invitation to elusive Iranian fashion designer Elan Behdazi’s main-stage Fashion Week show. Lacey works as a junior sales rep for the well-known trend forecasting company Hoffman House. As she says, she can wrangle invites to the after parties, but never to the actual shows; “those are reserved for people significantly more powerful or beautiful than me.”

Her only interaction with Elan was at a work event weeks prior, where she’d just found out she has the BRCA1 gene mutation, the breast cancer gene, and ended up abruptly leaving the party. She’s been concerned with her health in the time since, but now this character has once again entered her orbit, and will have a significant effect on her life and the choices she’ll come to make.

Writing the character of Elan was cathartic for me, having been in a not-so-healthy relationship with someone older than me who I admired professionally. Elan’s relationship to Lacey, and to her body, forms the bedrock of both the serious and the sexy scenes in this novel.
Visit Georgia Clark's website.

My Book, The Movie: The Bucket List.

--Marshal Zeringue

Thursday, August 9, 2018

"One of Us"

Craig DiLouie is an author of popular thriller, apocalyptic/horror, and sci-fi/fantasy fiction.

In hundreds of reviews, his novels have been praised for their strong characters, action, and gritty realism. Each book promises an exciting experience with people you’ll care about in a world that feels real.

These works have been nominated for major literary awards such as the Bram Stoker Award and Audie Award, translated into multiple languages, and optioned for film.

DiLouie applied the Page 69 Test to his new novel, One of Us, and reported the following:
In One of Us, a disease has produced a generation of monsters who are now growing up in orphanages. It’s both a misunderstood monster story and a novel about prejudice.

By Page 69, it’s understood some of the plague children are developing extraordinary capabilities. We are given the point of view of an agent assigned to ferret out those with powers and put them to work for the U.S. government.

Agent Shackleton:
Who would have ever guessed these kids might be the key to America reclaiming its status as a superpower? That an annoying, skinny kid with an upside-down face might play a role in that historic event?
This single paragraph tells us a lot about One of Us in that it is a story about mutants who also happen to be regular kids, and also a story about those who would exploit them.

When the kids realize both their powers and the extent of their exploitation, they will have a choice. Find a way to fit in, or rise up to claim their birthright.
Visit Craig DiLouie's website.

My Book, The Movie: One of Us.

--Marshal Zeringue

Wednesday, August 8, 2018

"How We Learned to Lie"

Meredith Miller is the author of Little Wrecks and How We Learned to Lie. She grew up in a large, unruly family on Long Island, New York, and now lives in the UK. She is a published short story writer and literary critic with a great love for big nineteenth-century novels and for the sea.

Miller applied the Page 69 Test to How We Learned to Lie and reported the following:
How We Learned to Lie is written in two alternating first-person voices. Sometimes we see events in the novel from both perspectives and realize that the truth changes depending on where you look at it from. Joan and Daisy, the two close friends who narrate the novel, have started to hide things from each other. Blank spaces start to open in their relationship, spaces sometimes too big to fill with their love for each other, but they don’t stop trying.

So, any page you open the book to will only give you one of these perspectives. Page 69 turns out to be a good choice though, because here Joan describes the early years of her friendship with Daisy, and the first time he came inside her house and met her family. Here is an extract:
So I knew him already, when he showed up one Saturday morning in nothing but his Fruit of the Looms, knocked on the kitchen door and asked Gramps if he could eat breakfast with us. We were maybe nine.

Gramps stood aside and waved Daisy through the door, then he said, “Andre, get the boy a shirt.”

“That’s okay, Mr. Jensen. I’m not cold.”

“That’s as may be, but it’s polite to wear a shirt when you’re eating at someone else’s table.”

I wondered if Gramps’d ever met Mrs. McNamara. Her table was always weirdly perfect, but she might be sitting at it wearing just about anything.

Daisy sat there like a naked secret at our breakfast table, making me feel like a bunch of leaves had blown in the door, like something had been tracked in and I should grab a broom to sweep it out again. I just wanted to get him away from my family and back outside where he belonged.

Then he looked up and saw Arthur for the first time, drinking coffee with his chair tilted back. Daisy looked at the two back legs of that chair, gauging the balance and the chances of falling over. You could see the picture of potential disaster pass through his mind, busted head and blood and rushing to the emergency room. You could see him absorbing the fact that Arthur didn’t seem scared of any of that. Daisy got down to idolizing him right away.

“Arthur, put your feet down,” Gramps said, and went back to making pancakes.

“Hi, I’m Daisy.” He smiled at Arthur and put on the shirt Andre handed him. It was from the laundry basket but Gramps didn’t notice.

“Alright, little brother?” Arthur was fourteen. He was already working hard on his cool.

Daisy turned around to Andre and said, ‘Alright, brother?’

Andre just rolled his eyes.

Daisy ate five pancakes and drank a big glass of orange juice. When he was done his plate was so full of artificial maple syrup I couldn’t lift it without slopping some on the table. The feeling of my two lives grinding together was making me flinch, like fingernails on a blackboard. The sound of it was so loud I couldn’t hear myself think.
I think this gives you a good sense of Joan. She is a person who likes clear answers and for people and things to stay in their boxes. It drives her nuts when people don’t make sense or hide from the truth, when they can’t see what is perfectly clear to her.

I wonder if you get a good sense of Joan’s relationship with Daisy here, though? She is often cynical about him and tells him when she thinks he’s being stupid. When the chips are down though, she’ll do anything for him. A lot of what makes her angry at him is when he refuses to take care of himself or protect himself from people who will hurt him. In the end she finds it almost impossible to imagine her life without him.

There is also a sense of Daisy’s relation to Joan here. Part of what I was trying to establish in this scene is the way in which Daisy fetishizes Joan’s family. His own family has such enormous painful gaps in it; he seeks to fill those gaps by trying to fit himself in the Joan’s family. For Joan, it is a fantasy of her family and not the difficult reality that Daisy loves. In the end he’ll have to come to terms with this.

I love these two characters so much. I love who they are and I love their difficult love for each other. Their shared history goes back to their earliest memories. It turns out page 69 gives you a pretty good sense of that.
Visit Meredith Miller's website.

--Marshal Zeringue

Tuesday, August 7, 2018

"Beautiful Exiles"

Meg Waite Clayton's novels include the Langum Prize honored The Race for Paris and The Wednesday Sisters, one of Entertainment Weekly’s 25 Essential Best Friend Novels of all time (on a list with The Three Musketeers!) and The Language of Light, a finalist for the Bellwether Prize for Socially Engaged Fiction (now the PEN/Bellwether).

She applied the Page 69 Test to her latest novel, Beautiful Exiles, and reported the following:
The page 69 exercise is always such fun! Page 69 [below left; click to enlarge] of Beautiful Exiles, my new novel about the relationship between war journalist Martha Gellhorn and Pulitzer Prize-winning novelist Ernest Hemingway, is a bit atypical. The book is written in scenes, but this page is introducing Ginny Cowles, who becomes one of Martha’s best friends. In real life, the two friends go on to write a play together in the years after Beautiful Exiles ends.

And yet! The voice on this page is the voice of Martha—very smart and spunky and full of unusual and lively word choices, and a little insecure. It’s a voice I steep myself in by reading pretty much everything I could find written by her before I wrote the books: her letters, her novels, her war reporting, her memoirs.

It touches on Martha’s internal demon, an insecurity that has roots in her judgmental father.

And it addresses some of the very important themes of the book. Martha, even in her few words of description of this friend, raises both the particular challenges women journalists face, and the importance of what journalists do. Ginny, in “capitalizing on her smooth brown hair,” is “just doing what we all did, using whatever advantage we had to get a story that ought to be told.”

And it raises for the first time a very interesting quirk of Ernest Hemingway’s, which is that while he went to cover war, he never would go to the hospitals to visit the wounded. Martha always went to the hospitals. I’ll leave the reader to read the rest of the novel to see what that difference means.
Visit Meg Waite Clayton's website.

The Page 69 Test: The Four Ms. Bradwells.

The Page 69 Test: The Wednesday Daughters.

--Marshal Zeringue

Monday, August 6, 2018


Danielle Girard is the author of Chasing Darkness, The Rookie Club series, and Exhume and Excise, featuring San Francisco medical examiner Dr. Annabelle Schwartzman. Girard’s books have won the Barry Award and the RT Reviewers’ Choice Award, and two of her titles have been optioned for movies.

A graduate of Cornell University, Girard received her MFA at Queens University in Charlotte, North Carolina. She, her husband, and their two children split their time between San Francisco and the Northern Rockies.

Girard applied the Page 69 Test to her latest novel, Expose, and reported the following:
The page 69 test -- is it representative of the rest of the book?

Expose is my 12th release and by now, I thought I’d seen every question that could be asked about books. But the “page 69” test was new to me.

As it turns out, page 69 [inset left; click to enlarge] is representative of the book. Medical Examiner Dr. Annabelle Schwartzman is at her best when she is solving the mysteries of how someone died. And on page 69 of Expose, she is doing just that. The victim here, Malik Washington, is a teenage boy found stabbed in a theater. The weapon found at the scene links Washington's death to another death earlier that same day, raising the stakes for the team and increasing the pressure to find the killer.

Here, Schwartzman works the scene with Inspector Hal Harris to draw information from the victim—his stature and strength, his wounds and placement, the cause of death and staging of the body—in order to extract the clues that will lead them to the killer.
Visit Danielle Girard's website.

My Book, The Movie: Expose.

Writers Read: Danielle Girard.

--Marshal Zeringue

Saturday, August 4, 2018

"Silent Hearts"

Gwen Florio grew up in a 250-year-old brick farmhouse on a wildlife refuge in Delaware and now lives in Montana. Currently the city editor for the Missoulian, Florio has reported on the Columbine High School shooting and from conflict zones such as Afghanistan, Iraq, and Somalia. In 2013, Montana, her first novel in the Lola Wicks detective series, won the High Plains Book Award and the Pinckley Prize for debut crime fiction.

Florio applied the Page 69 Test to her latest novel, Silent Hearts, and reported the following:
From page 69:
The ice clattered in her glass. Liv braced her wrist against the arm of the chair to stop her hand from shaking.

“It’s a two-year appointment. Minimum. We’ll need that long to get things up and running. After that, we can decide whether we want to stay on.

Liv tipped the glass against her lips and let the whiskey burn down her throat. “We?”
In this passage, Liv Stoellner’s husband has just told her about a job offer to run an organization, Face the Future, aimed at helping Afghan women. It’s a few weeks after the 9/11 attacks, and foreign aid groups are pouring into Afghanistan following the Taliban’s departure. Martin Stoellner is an academic whose area of expertise, Central Asia, was considered a backwater until the attacks. His career had been languishing, and he’d begun an ill-advised flirtation with a student. Liv loves her job as a researcher in a college library, but also senses that her marriage hangs in the balance of this decision. Martin’s job offer comes with a sweetener—a job for Liv, too. Face the Future’s executive director assures Liv that she and her husband will be true partners, seducing her with this vision.

And indeed, when she arrives in Central Asia, she finds that she actually loves the work of interviewing Afghan women and assessing their circumstances. Especially rewarding is her growing friendship with their interpreter, a local woman named Farida. But even as Liv thrives, Martin struggles, not nearly so enamored of their new situation as he’d imagined—just as Face the Future is not the cure-all to their marriage that Liv had hoped it would be, especially as it becomes clear Martin is also drawn to Farida.
Visit Gwen Florio's website.

Coffee with a Canine: Gwen Florio & Nell.

My Book, the Movie: Silent Hearts.

Writers Read: Gwen Florio.

--Marshal Zeringue

Friday, August 3, 2018

"Walk A Crooked Line"

Susan McBride is the USA Today bestselling author of the Debutante Dropout Mysteries and the River Road Mysteries.

The debut of her Jo Larsen series, Walk Into Silence, was a #1 Kindle bestseller in the US and the UK, and #3 in Australia.

McBride applied the Page 69 Test to her new book, Walk A Crooked Line, the second Jo Larsen novel, and reported the following:
The set-up, as we reach page 69, is that Jo Larsen and her partner Hank Phelps are investigating the suicide of a 15-year-old girl named Kelly Amster. Kelly apparently took a dive from the old water tower in tiny Plainfield, Texas, just a few weeks after the new school year started. Though they have not recovered Kelly’s phone, the detectives have been given Kelly’s school-issued laptop, which they’re hoping will yield some clues as to why the girl committed suicide. Only, the laptop is beyond dead. The department has recently hired the captain’s niece, Bridget, who’s interning while she pursues an advanced degree in digital forensics. Jo is hoping Bridget can help them out.
“I’ll see what I can do to get it running,” Bridget said and took the laptop from her. “It could have a corrupted memory or bootloader, or maybe it’s a virus.” She glanced at the Post-it note stuck to the lid, checking both sides of it. “Looks like I’ve got everything I need. I’ll let you know when I get in.”

When, not if. Jo liked her already.

“May the Force be with you,” she said.

Bridget smiled. “Thanks.”

Well, heck, she had a Death Star pencil holder, and she was wearing a T-shirt with Yoda and the phrase, Do or Do Not…There Is No Try.

Bridget pulled her headphones back on, and Jo left her to do her magic.

She had other fish to fry.
I love this snippet, because the brief levity is like taking a breath in a novel that touches on some very serious topics: namely, suicide, bullying, and abuse in various forms. I don’t think I could write anything without spots of humor, because it’s how I deal with dark stuff in my own life. And Jo Larsen definitely has a lot of darkness (and demons) to deal with as she turns over some nasty rocks to figure out what—or who—pushed Kelly Amster to her death.
Learn more about the book and author at Susan McBride's website.

My Book, The Movie: Walk a Crooked Line.

Writers Read: Susan McBride.

--Marshal Zeringue

Thursday, August 2, 2018

"The Supervillain and Me"

Danielle Banas, a Pittsburgh native, earned a degree in communication from Robert Morris University. After years spent dreaming up characters instead of paying attention in class, Banas joined the storytelling platform Wattpad, where her work has received millions of views online. When she isn’t writing, she can be found loudly singing show tunes, spouting off Walt Disney World trivia, and snuggling with her puppy.

Banas applied the Page 69 Test to ​The Supervillain and Me, her debut novel, and reported the following:
From page 69:
When I was a kid, my dad decided it would be a good idea to sign me up for a summer soccer camp. Sports, he said, would help me get stronger. They would enhance my fragile human body and protect me from danger. As the crime rates in Morriston skyrocketed, so did my dad’s determination. Soccer was followed by boxing, which was followed by fencing. (I put my foot down pretty firm on that one.) I failed to see how sweating all day would help me fight evil, so I quit athletics and allowed my interests to gravitate toward performing instead. This switch was not beneficial to my safety, as I discovered later that evening. Because I hated sports, I had zero muscles to protect myself against the supervillain who came knocking just after midnight.

But I did have a steak knife.

“Holy shit!” Iron Phantom ducked as the knife whizzed over his right shoulder, the tip embedding in the wall. “And again with the throwing.”

“I have more than one tonight.” I pulled the second knife out of my pocket as I stood my ground on the opposite side of my bed. I didn’t plan on throwing knife number two, but if he tried anything funny, then it just might slip....

Iron Phantom yanked the blade out of the wall, a bit of plaster breaking away with it. Dammit. Now we were even.
So first off, I really love this little knife throwing scene! It’s something that wasn’t added until a later draft, and I’m not sure how I managed to go on without it for so long. It’s representative of probably the first 50% of the book. My protagonist, Abby, spends a large chunk of time being very distrustful of the new supervillain in town, Iron Phantom. And she certainly has a good reason to be wary – even though he tries to convince her that he isn’t evil, he still burned down a building. Not only that, but he keeps showing up out of nowhere, begging her to help him uncover a growing mystery in their city. As a character, I really like Iron Phantom. He’s brave and smart and super snarky, but if he showed up unannounced at my house I would probably throw a knife at him too. He means well (most of the time) but he’s kind of creepy.
Visit Danielle Banas's website.

Coffee with a Canine: Danielle Banas & Cooper.

My Book, The Movie: The Supervillain and Me.

--Marshal Zeringue

Wednesday, August 1, 2018

"The Lido"

Libby Page graduated from The London College of Fashion with a BA in fashion journalism before going on to work as a journalist at The Guardian. After writing, her second passion is outdoor swimming. She lives in London, where she enjoys finding new swimming spots and pockets of community within the city.

Page applied the Page 69 Test to The Lido, her first novel, and reported the following:
From page 69:
“So how are you finding it?” says Rosemary. “Have you gotten used to the cold yet?”

“It’s strange, I know, but I quite like the cold,” says Kate. “It wakes me up.”

“Why do you think I come in the mornings?”

They both laugh.

“I think I’m starting to understand it,” says Kate, looking around her. Her heart beats fast but she feels calm. “Why you love it here so much, I mean,” she says.

“There’s nowhere like it,” Rosemary replies, leaning back a little farther until her toes poke out of the surface of the water.

Kate watches her, this old woman in her navy swimsuit who has swum here all her life. She imagines what it might feel like to see your city changing around you like that and to lose the place that feels like home. As she thinks it she is reminded of her conversation with Erin, and how she had listened to her sister tell her things weren’t perfect, and she herself had said nothing – done nothing.

“You really want to save it, don’t you?” Kate saves after a moment.

“Oh, I do.”

“Maybe I can help you.”

As soon as she says it she realizes that, without knowing exactly how or why, this is something she needs to do. She needs to help Rosemary Peterson save her lido.

Rosemary looks at her for a moment, the wary expression that Kate had noticed the first time they met returning for a moment. But then she smiles.

“Okay then,” says Rosemary.

“Okay then,” says Kate.”
My novel, The Lido, is about the unlikely friendship between 86-year old widow Rosemary, and 26-year old journalist Kate as they come together to try and save their local outdoor swimming pool (or ‘lido’). It is about the importance of community and fighting for the places we love.

Page 69 is actually a very significant page in the book as it is the moment when Kate agrees to help Rosemary, and the campaign to try and save the lido is born.

When Kate and Rosemary first meet, Kate is a very anxious, lonely reporter who has been assigned the story of the potential lido closure by the newspaper where she works. Rosemary is a loyal swimmer who has frequented the lido her whole life. It’s where many of her memories, particularly of her beloved husband George, played out, and has a huge role in her life. Kate is not a swimmer – in fact she isn’t much of a ‘do-er’ at all because of the panic attacks that control much of her life. But when she interviews Rosemary for the newspaper, the older woman encourages her to get into the water herself.

Kate slowly comes to experience the invigorating benefits of cold water swimming, and of spending time at the lido. In this scene, Rosemary and Kate have spotted each other one morning in the shallow end of the pool. Kate suddenly realises that perhaps just writing about the closure of the lido isn’t enough – maybe there is more she can do. So starts an important journey for both Kate, Rosemary, and the lido.
Visit Libby Page's website.

Writers Read: Libby Page.

--Marshal Zeringue