
Abell applied the Page 69 Test to The Burial Place with the following results:
I love this idea. There is a prize in France called Prix de la page 112, which follows the same principle (based apparently on a line from a Woody Allen film where a woman is compared to a poem on page 112 of an ee cummings collection).Follow Stig Abell on Instagram and Threads.
Anyway, to page 69 of The Burial Place! It's not a terrible place to start, as it happens: the book's first murder has, at that moment, just taken place in the Christie-esque location of an archaeological dig atop a beautiful, deserted Iron Age fort in the depths of the English countryside. We learn that the victim - a fussy local reverend, who had been party to the discovery of a treasure hoard - was found dying in a trench, having consumed some lethal liquid. It is not full of descriptive prose (which I am fond of), but there are little hints of the textures I enjoy writing about: the "bearish pelt" of my hirsute Scottish Inspector; the "sandpapery rasps" of the dig's director wringing her hands in distress.
Crime fiction is propelled - sadly and savagely - by murders, so this page is an important part of the forward momentum of the whole novel. It's a good "plot" page. It is also the last page of the chapter, so ends on what the Victorians called a "curtain line", a sentence that is designed to draws the reader ever onwards. Here it is:
"Thanks for securing the scene for us, Jake. It's a good job you did. Jordan died not long after he got to hospital, I'm sorry to say. Heart attack brought on by exposure to hydrochloric acid. There's a goodish chance he was murdered".
Murder and a mystery in a place of ancient history - it's what The Burial Place is about.
[I've checked page 112 for it's prize-winning potential, by the way, and it is only 6 lines long - another chapter ending. So I've done rather better with page 69, I reckon.]
Q&A with Stig Abell.
--Marshal Zeringue