"Curdle Creek"

Yvonne Battle-Felton was born in Pennsylvania and raised in New Jersey before moving to Maryland. She currently lives in Yorkshire, England with her family. Battle-Felton holds an MA in writing from Johns Hopkins University and a PhD in creative writing from Lancaster University. She is an associate teaching professor and the academic director of creative writing at the University of Cambridge Institute of Continuing Education. Her debut novel, Remembered, won a Northern Writers’ Award, and was longlisted for the Women’s Prize for Fiction and shortlisted for the Jhalak Prize.

Battle-Felton applied the Page 69 Test to her new novel, Curdle Creek, and reported the following:

Let’s turn to page 69 to see what the test reveals. For this test, I’m using the US edition. Here we go:

…can almost hear the hooting and hollering, the chants from the townsfolk with their pre-Warding off shenanigans. Besides, in a year, Mr. Jacobs won’t even be here. Not if my nominating him has anything to do with it.

I picture Daddy running through the sheets, hot torches sizzling and popping, shadows taunting and practically taking shape as the town closes in. “Will you be scared when it’s your time?”

Daddy straightens up. Takes a step back. I didn’t mean to offend him. I drop to my knees to apologize.

“No, no,” he says. He grabs my arm tight, yanks me to my feet, still shaking his head. “You didn’t do anything wrong in asking.” The Town Hall bell rings. “You remember when you were a little girl, and we’d talk about Well Walkers down by the Creek?”

I would hate for him to move On thinking he’d raised a non-believer. “Of course I do, but they ain’t real and if they were, what they’d be doing would be wrong. When it’s my time, I’ll go like I’m called to.”

A breeze blows, carrying the smell of fresh cow dung, exhaust, and sweet-cut grass. Flies fat with all the time in the world buzz and settle one after the other near Daddy’s feet. He pats me on the back like I’m one of the girls.

“I thought you might say that. But if you change your mind, if you ever need to, see if you don’t find what you need when you need it. Don’t tell your mother. She has enough to think about right now.”

She sure does. Why else would she be sewing mourning clothes before the Calling?

If readers open Curdle Creek to page 69 they’ll get a good idea of what the book is about and some of the tensions. They’ll meet Osiria, the main character, and Osirus her father, before his name is called. They’ll see that she’s a believer of the town’s many rules and I think they get a good sense that something sinister is going on in the town of Curdle Creek. They’ll see that Osira is a willing participant in it and for me that makes it even more sinister. They might get to see some of Osirus’ doubts creeping in.

Curdle Creek is inspired by Shirley Jackson’s "The Lottery." I wanted to know what a town with sinister rules might look like in a contemporary setting. The town of Curdle Creek has a strict population policy of one in, one out. It’s the law and everyone follows the law. The town has a way of coming in between people and families. Allegiances are to the rituals. In a town like this, the more people know about you the more dangerous it is. So family is the first to turn on you. I was really interested in who might follow the rules and who would break them. There’s always a rule breaker. But even in a town full of people with their own motives there is love and joy and music. There are also grudges and secrets. On page 69 Osirus has a secret. Osira doesn’t know what it is and wouldn’t believe it if she knew. All she knows is that following the rules keeps her and her loved ones safe. She believes this even after her children run off, after her husband’s name is called, after she loses the job she loves. If nothing else, Osira is a believer. At least she is on page 69.

Visit Yvonne Battle-Felton's website.

--Marshal Zeringue

"Sick To Death"

Andrew Welsh-Huggins is the Shamus, Derringer, and International Thriller Writers-award-nominated author of the Andy Hayes Private Eye series, featuring a former Ohio State and Cleveland Browns quarterback turned investigator, and editor of Columbus Noir. His stories have appeared in Alfred Hitchcock Mystery Magazine, Ellery Queen Mystery Magazine, Mystery Magazine, the 2022 anthology Paranoia Blues: Crime Fiction Inspired by the Songs of Paul Simon, and other magazines and anthologies.

Welsh-Huggins applied the Page 69 Test to his newest novel, Sick to Death, the eighth Andy Hayes mystery, and reported the following:

This time around, the Page 69 Test perfectly encapsulated Sick To Death’s themes and plot.

Three things happen on this page. First, my protagonist, private eye Andy Hayes, receives a text from Patience, a fellow guard at the Columbus Museum of Art which recently fired Hayes. Patience is offering to deliver items left in his locker after his dismissal. Second, Hayes exchanges text messages with his older son, Mike, informing Mike he can’t bring his girlfriend to a family dinner the following night. Third, Hayes awakens from a dream where he hears a voice say, “I’m not really into sports,” and struggles in vain to recall the speaker.

The text from Patience is a part of the book’s subplot. In the opening chapter, Hayes helps stop the theft of a valuable painting, The Boulevard, by Ashcan school artist George Bellows. By chasing the thief and possibly endangering the painting, Hayes violates museum protocols and is promptly fired. Soon, to his dismay, he finds himself named a person of interest in the theft plot and faces questioning from the FBI. Figuring out the real culprits becomes paramount.

The text exchange with Mike goes directly to the book’s main plot. Helping Hayes rescue the painting was a young woman whom Hayes had seen around the gallery. Afterward, she drops a bombshell: she—Alex Rutledge—is Hayes’ daughter from a one-night stand 25 years ago with a woman named Kate Rutledge. Alex isn’t interested in a warm and fuzzy reunion, however. She wants Hayes to find out who killed her mother, an ICU nurse, in a fatal hit-skip accident almost six months earlier. As Hayes wrestles with this development, he makes plans to introduce Kate to his two boys, Mike and Joe, at a pizza place.

The voice Hayes recalls from a dream fits into Hayes’ ongoing journey of redemption. To his great shame, he can’t remember Kate at first, lamenting that at that time in his life, “There had been a lot of bars and a lot of women.” Eventually, he recalls the night they met when he went to Damon’s rib joint with two buddies and she was their server. As Hayes investigates Kate’s death and learns more about her personality and devotion to her work as a nurse during COVID, he regrets once again his wayward past even as he struggles to build a relationship with his new daughter.

Visit Andrew Welsh-Huggins's website.

My Book, The Movie: An Empty Grave.

Q&A with Andrew Welsh-Huggins.

The Page 69 Test: An Empty Grave.

Writers Read: Andrew Welsh-Huggins (April 2023).

My Book, The Movie: The End of the Road.

The Page 69 Test: The End of the Road.

Writers Read: Andrew Welsh-Huggins.

My Book, The Movie: Sick to Death.

--Marshal Zeringue

"The Days Between"

Robin Morris has had a lifelong obsession with books and cats. She works in finance and is a certified book editor, a literary agent assistant, and an author of fiction and nonfiction.

Morris applied the Page 69 Test to her new novel, The Days Between, and reported the following:

Page 69 consists of a conversation between Emmy (17) and Max (19) on the first occasion that they spend time together. My book fails the Page 69 Test! It will give the reader a good idea of one of the storylines, the budding romance between Max and Emmy, but covers none of the overall storyline, the secrets between Max's parents and the lives those secrets will unravel.

Visit Robin Morris's website.

--Marshal Zeringue

"Rolling Toward Clear Skies"

Catherine Ryan Hyde is the author of more than forty published and forthcoming books.

She applied the Page 69 Test to her latest novel, Rolling Toward Clear Skies, and reported the following:

Page 69 text:

“I hope this is okay,” Maggie said, feeling unsure for the first time.

“You hope what is okay?”

“Having them in the RV. It’s a bit less… conventional than a hospital room.”

“Under normal circumstances,” the social worker said, “sure. It would be odd. But after a hurricane like that one, nothing is normal. The hospital has no beds, and minors are unattended in those huge makeshift shelters. Normally I wouldn’t take a day off work and drive two children to Mobile. I’d just call the grandparents and ask them to come claim the girls. But they don’t drive anymore, and somebody has to get the girls somewhere. We’re all doing the best we can, right?”

“That’s a good way to look at it.”

“Have you told them they get to take their dog?”

“I haven’t seen them since then, no. If those are the first words out of your mouth I’m sure they’ll be your biggest fans.”

She opened the door to the RV. The girls were sitting at the table, their heads close. Talking about something, from the look of it. The blinked at the new visitor, but it was hard for Maggie to match an emotion with their faces. They looked calm, almost accepting. But Maggie could feel their resistance and fear.

The puppy crawled around in a circle under the table, pressing his face into a corner. Maggie thought if he could will himself right through the side of the RV, he would.

“Hi girls,” the social worker said. “I’m Evie Moskowitz from Child and Family Services.”

The girls only sat in a slightly stunned silence.

“I have some good news,” Evie continued. “Your grandparents are going to let you bring your dog.”

“Oh that’s great!” Rose said.

Since Rose hadn’t spoken to Maggie until they’d known each other for a day or more, Maggie knew it meant a lot. Either they were coming up through the worst, most paralyzing phase of their trauma, or the dog just meant that much. More likely a combination of the two factors.

“Oh my, he’s so thin,” Evie said.

I have mixed feelings about how this page 69 holds up. As is often the case, it catches the characters in a fairly ordinary moment. There’s a lot of drama leading up to this page, and following this page, but I’m not sure how much of it the reader gathers just from this text.

It’s all a bit more loaded when you know that the dog isn’t even theirs. He was also orphaned in the hurricane, and they’re trying to fool social services and the grandparents into letting the girls bring him. It’s more loaded still if you know that they’ll bounce away from the grandparents’ house before our protagonists can even drive home. But it’s the Page 69 Test, so you don’t know that. I do hope it creates a few mysteries, though—a few holes in what you know that might make you want to read on and learn more. I know curiosity is a big factor for me as far as determining whether I put a book down or keep going.

I’d say page 69 in this case is a bit less that moderately successful at representing the novel as a whole.

Visit Catherine Ryan Hyde's website.

Q&A with Catherine Ryan Hyde.

The Page 69 Test: Brave Girl, Quiet Girl.

The Page 69 Test: My Name is Anton.

The Page 69 Test: Seven Perfect Things.

The Page 69 Test: Boy Underground.

The Page 69 Test: Dreaming of Flight.

The Page 69 Test: So Long, Chester Wheeler.

The Page 69 Test: A Different Kind of Gone.

The Page 69 Test: Life, Loss, and Puffins.

--Marshal Zeringue

"Burn this Night"

Alex Kenna is a prosecutor, writer, and amateur painter. Before law school, Kenna studied painting and art history at Penn. She also worked as a freelance art critic and culture writer. Originally from Washington DC, Kenna lives in Los Angeles with her husband, son, and giant schnauzer, Zelda. When she’s not writing Kenna can be found nerding out in art museums, exploring flea markets, and playing string instruments badly. Her debut novel, What Meets the Eye, was nominated for a Shamus Award for best first PI novel.

Kenna applied the Page 69 Test to her new novel, Burn this Night, and reported the following:

From page 69:

Twenty months ago—Abby

The first time I read the play Gruesome Playground Injuries, it made me cry. It told the story of Doug and Kayleen, two platonically in love friends, from childhood through their late thirties. I jumped at the chance to play Kayleen, whose shitty parents set her on a lifelong path of self-destruction. Meanwhile, Doug, her reckless, daredevil friend adores her from a distance, periodically maiming himself in a series of increasingly stupid and preventable accidents.

The story moves around in time, tracing their lives through different injuries – both mental and physical. In one scene they’re eight, chatting in the school nurse’s office, him with a head scrape, and her with a tummy ache. Flash forward ten years, and Doug’s just been beat up for defending Kayleen’s honor. Meanwhile, she’s curled up in bed, in deep denial about a non- consensual sexual encounter.

What moved me about the story was how much it made me think of my relationship with Jacob—minus the romantic connection. Doug and Kayleen talk to each other like kids, never losing the immature kid speech they had when they met. I loved how that immaturity was paired with this intense adult bond they shared. Even though they’re both too broken to help each other. It made me think of my brother—how I act like a teen around him. How I feel in my gut that something is really wrong and he’s starting to spiral in a way that I’m powerless to stop.

While I was intrigued by the Page 69 Test, the challenge isn’t a perfect fit for a book written from multiple perspectives and across different timelines. My novel, Burn this Night, explores an arson murder and a cold case killing that both occurred in a small mountain town. Most of the book is told from the perspective of a private detective investigating the crimes. But page 69 starts a flashback chapter told from the perspective of Abby Coburn, a woman who died in the fire.

Abby is an intense, reflective person with a passion for art and family. This snippet is a window into her character. Abby is a struggling actress who gives up her original career to study social work. She makes this seismic life change after her brother, Jacob, becomes addicted to methamphetamine and starts to lose his mind. Here, Abby has just finished performing in Gruesome Playground Injuries, a fascinating play by Rajiv Joseph. The play follows two platonic friends over time, who love each other, but who are too immature and psychologically damaged to fully connect. On page 69, Abby reflects on how much the play echoes her love for her brother and her inability to reach him or slow his downward spiral.

Visit Alex Kenna's website.

Q&A with Alex Kenna.

My Book, The Movie: What Meets the Eye.

Writers Read: Alex Kenna.

--Marshal Zeringue

"Dangerous Play"

Elise Hart Kipness is a television sports reporter turned crime fiction writer. Like her main character, Kipness chased marquee athletes through the tunnels of Madison Square Garden and stood before glaring lights reporting to national audiences for Fox Sports Network.

Now as an author, Kipness fused her passion for true crime and sports with the Kate Green series. Her debut novel, Lights Out, is an Amazon bestseller and a Men’s Journal top 10 book of 2023.

Kipness applied the Page 69 Test to Dangerous Play, the second novel in the series, and reported the following:

I absolutely love to take the Page 69 Test. So, I was excited to see where it took me with Dangerous Play. For readers, this page is more a dip of the toe view of the book than a true example of the driving plot.

At the top of the page, the reader finds my main character, Kate Green, doubling down on her decision to investigate the murder of her former teammate from her days playing on the youth national soccer team. The roommate, Alexa Kane, was found dead at the Olympics the day before. Alexa’s someone Kate hadn’t seen in decades but shared secrets with that will now bubble up. But that's for another page!

Except for that initial reference, most of the text is about Kate’s family relationships, which are also complicated and part of the secondary plots in the book. Kate reaches out to her biological father, the NYPD detective heading up the taskforce on the murder. She’s balancing working with him, trusting him and investigating whether he’s been honest with her about the past. 

On page 69, the reader will also get a glimpse into Kate’s home. While she lives in the affluent suburb of Greenwich, Connecticut, Kate and her teenage twins reside in a small, historic modest house near town, which highlights the fact that Kate is an outsider in this uber wealthy enclave. 

The reader will also join Kate and her kids for breakfast. But these pancakes come with stilted conversation—as Kate detects her daughter, Nikki, is upset about something she’s not ready to share.

So while the reader won’t get a full picture of the murder and investigation that drives Dangerous Play, page 69 does give a nice slice of life view of Kate, her world and her demons.

Visit Elise Hart Kipness's website.

The Page 69 Test: Lights Out.

Q&A with Elise Hart Kipness.

--Marshal Zeringue

"The Coldest Case"

Tessa Wegert is the author of the popular Shana Merchant mysteries, which include Death in the Family, The Dead Season, Dead Wind, The Kind to Kill, Devils at the Door, and The Coldest Case, along with the upcoming North Country thriller series. Her books have received starred reviews from Publishers Weekly and Shelf Awareness and have been featured on PBS and NPR Radio. A former journalist and copywriter, Wegert grew up in Quebec and now lives with her husband and children in Connecticut, where she co-founded Sisters in Crime CT and serves on the board of International Thriller Writers (ITW).

Wegert applied the Page 69 Test to The Coldest Case and reported the following:

From page 69:

The place felt dystopian, ice-encrusted land and water stretching for miles in all directions and just a handful of humans living off frozen chops and gutted fish. Overwintering had an air of survivalist living. Personally, I favored a neighborhood to the idea of a remote home that was cut off from critical services like snow removal and first aid. Running Pine in winter was seclusion to the extreme. Beyond the Wall, just like Tim had said, and something about it was making him edgy.

“Could be the isolation,” I offered.

“Could be the people,” said Tim.

You’d be hard-pressed to find a passage that provides a better sense of The Coldest Case. In the novel, eight people are overwintering on a remote island that sits on the border between New York State and Ontario, Canada. Two of those people are young Instagram influencers who’ve created an account documenting their year of living on Running Pine…and they’re in way over their heads. By the time we reach page 69, one of the influencers has gone missing, and BCI Senior Investigator Shana Merchant is discussing the case with her colleague Tim Wellington. It’s no secret that the influencers weren’t welcomed to the island with open arms, and now that one is unaccounted for, Shana and Tim have to ask: Was it Cary’s own inexperience with wilderness living that led to his disappearance, or could one of the long-time local residents be to blame?

Visit Tessa Wegert's website.

My Book, The Movie: The Dead Season.

The Page 69 Test: The Dead Season.

Q&A with Tessa Wegert.

The Page 69 Test: Dead Wind.

Writers Read: Tessa Wegert (April 2022).

Writers Read: Tessa Wegert (December 2022).

The Page 69 Test: Devils at the Door.

--Marshal Zeringue

"Shadow Fox"

Carlie Sorosiak is the author of the acclaimed novels Always, Clementine; I, Cosmo; and Leonard (My Life as a Cat), as well as the picture books Everywhere with You, illustrated by Devon Holzwarth, and Books Aren’t for Eating, illustrated by Manu Montoya.

Sorosiak applied the Page 69 Test to her new novel, Shadow Fox, and reported the following:

On page 69, a character named Stew explains how the Night Islanders—the villains in the book—mine the earth for magic. The process is eerie, sinister, and terrible for the environment. Shadow, the main character (a fox), is shocked.

In some ways, the Page 69 Test works for my book; depicted here is the central conflict in the narrative. Later on, Shadow must use her magic to help defeat the greedy Night Islanders, and page 69 shows what she’s up against!

However, the sample doesn’t do a great job of capturing the fox voice, which is so key to the story, as Shadow narrates the book. Here, it’s mostly dialogue from a secondary character. And it’s also quite dark! The book is largely fun and lighthearted, even if the message is serious. That’s a balance that I try to strike in all of my books, and it’s not always easy. If the reader stumbled first on page 69, I’m afraid they’d be missing all the silliness. Later on in the book, there’s flying fish! Flying teaspoons! Woodsy, forest magic. And lots and lots of foxy antics.

Visit Carlie Sorosiak's website.

Coffee with a Canine: Carlie Sorosiak & Dany.

--Marshal Zeringue

"A Tribute of Fire"

Sariah Wilson is the USA Today bestselling author of The Chemistry of Love, The Paid Bridesmaid, The Seat Filler, Roommaid, Just a Boyfriend, the Royals of Monterra series, and the #Lovestruck novels. She happens to be madly, passionately in love with her soul mate and is a fervent believer in happily ever afters—which is why she writes romance. She currently lives with her family and various pets in Utah, and harbors a lifelong devotion to ice cream.

Wilson applied the Page 69 Test to her new novel, A Tribute of Fire, and reported the following:

When I saw the Page 69 Test challenge I thought, “That’s not going to work.” But it did. On page 69, the history of the tribute selection is given by a historian. Two maidens will be chosen to race through a labyrinth-walled city while being hunted because of a grievous sin committed by a member of their nation in the past. The historian says, “We sacrifice to the goddess two of our treasured, precious daughters so that we may keep the rest. We know that those who are called upon to serve have the strength to endure the ordeal.”

My female main character, Lia, has bribed her way into being chosen. She intends to search for a specific relic that will save her cursed nation and the only way to get into the temple, which she can only enter by winning the race (something no maiden has done in a thousand years). She’s not happy about having to do it. Her thoughts following that statement— “This was another aspect that had always bothered me. This belief that women were special enough to be pleasing to the goddess, but that we were ultimately easy to discard and unimportant. Strong enough to be slaughtered by not important enough to fight for. And so it had fallen to me to step forward. I would fight. I would change the curse and the fate of every woman destined to follow by myself.”

The quotes above are absolutely the theme of this book. It shows Lia’s determination, her drive, her willingness to do whatever needs to be done to save her people, while emphasizing that she understands the hypocrisy and is angered by it. That these women are sacrificed every year while being told how amazing and special they are for doing so, but that because they are women, they were not important enough to go to war for. This tribute race was a real-world, historical event and while doing research about it, this was something one of the professors pointed out—that women were the sacrifices and honored for it but no one tried to stop it for their sake and this ritual lasted a thousand years. I do think page 69 is very representative of the book as a whole.

Visit Sariah Wilson's website.

--Marshal Zeringue

"Pony Confidential"

Christina Lynch is at the beck and call of two dogs, three horses, and a hilarious pony who carts her up and down mountains while demanding (and receiving) many carrots. Besides Pony Confidential, her new novel, she is also the author of two historical novels set in Italy and the coauthor of two comic thrillers set in Prague and Vienna. She teaches at College of the Sequoias and lives in the foothills of the Sierra Nevada.

Lynch applied the Page 69 Test to Pony Confidential and reported the following:

Pony Confidential is told in two alternating points of view: a very grumpy old pony bent on revenge against the little girl who sold him twenty-five years earlier, and Penny, that now grown-up girl. On page 69, we’re in the point of view of Penny. She is incarcerated in Sticks River, a prison in upstate New York not far from Ithaca, where she and the pony last saw each other so long ago. Penny is in a dark place, awaiting trial for a murder she didn’t commit, and on this page she’s recalling how her happy childhood ended abruptly. She’s losing hope of a quick resolution to her legal problems and noticing that she and the other prisoners are treated like livestock—she thinks of horses, in particular—manhandled and subjected to violence, living only for their next meal. She’s afraid to act like a pony and rebel against the system.

I think Pony Confidential passes the Page 69 Test—that page does uncannily get to the heart of what the book is about. That said, it’s one of the more intense and unfunny pages in a very funny novel, so it’s also not representative of the book’s overall tone. But the themes—how trauma permeates our lives, how badly we sometimes treat incarcerated people, how badly we sometimes treat animals, how our justice system does not match our ideals, is all there on that single page. That cluster of pages is in fact the central turning point of the novel for both characters!

The Penny murder story was a later addition to the novel, and I quickly realized I didn’t know exactly what actually happens when you’re accused of murder. My privilege in being so isolated from that part of American life did not go unnoticed, especially because my own grandfather was tried—and found guilty—of murder in 1911 and sent to the notorious Sing Sing. I also live in an area of California that's home to many prisons, so there was a lot of the personal in what I say on the page: “the wheels of justice don’t seem to turn as smoothly as she was led to believe in sixth-grade civics.”

Visit Christina Lynch's website.

My Book, The Movie: The Italian Party.

The Page 69 Test: The Italian Party.

Writers Read: Christina Lynch (April 2018).

My Book, The Movie: Sally Brady's Italian Adventure.

Writers Read: Christina Lynch (June 2023).

The Page 69 Test: Sally Brady's Italian Adventure.

--Marshal Zeringue

"Libby Lost and Found"

Stephanie Booth has an M.A. in English from the University of New Mexico and an MFA in Creative Writing from Emerson College. Her work has appeared in Cosmopolitan, Real Simple, O, Marie Claire, The Washington Post, and Los Angeles Times. Booth has been a contributing editor at Teen People and an advice columnist for Teen, and she has helped with casting for MTV’s award-winning documentary series, True Life.

Booth applied the Page 69 Test to her new novel, Libby Lost and Found, and reported the following:

From page 69:

Once she's able to detach herself from the cold fat neck of the toilet, Libby hurls Dr. Whatsit's pills into the trash. But the insomnia and nausea don't immediately disappear. And the following night, when she finds herself tossing and turning in bed so vehemently that Rolf actually growls at her to stop, Libby gives up. Wrapping herself in one of Vernice's blankets, she goes into her office and sits at her desk.

On her computer, the Falling Children website, with its state-of-the-art animation, lights up like a carnival. There is a lush, interactive rendering of Pompou's four-story Toy Emporium, with its funny thatched roof and arched windows that serve as its eyes. Children around the world click in and out of the cozy rooms that evoke Santa's workshop if the Mad Hatter had been in charge. Visitors can design a stuffed animal that best houses their soul, help Benjamin make a pan of magical fudge (hoozleberry or buttered licorice?), learn to curse in Teddy Bear, or take a quiz that declares which Falling Child they're most like.

Libby has taken this quiz four times, three times intentionally lying, and each time she has been dubbed a Huperzine.

I'd never heard of the Page 69 Test before, but will now be curiously flipping open to the 69th page of every book I pick up at the bookstore. The 69th page of Libby Lost and Found gives a pretty good glimpse into what this book is about: Libby is obviously struggling with an illness that doesn't have a straightforward cure. There's also a magical element to her life: the Falling Children books that she writes under a pseudonym, and which have captured not only her imagination, but that of readers around the world.

But what feels most important to me about this page is the sentence about Libby taking a quiz (four times) and lying to try to get a better result. If I were picking up this book for the first time, I think that's what would move me closer to the cash register. Not just because it raises questions about Libby (What result is she hoping to get?) but because I cherish the use of humor in dire situations. It's like switching on a tiny flashlight in an underground tunnel. I hope that potential readers will feel the same way and want to follow that little light a bit further.

Visit Stephanie Booth's website.

Q&A with Stephanie Booth.

My Book, The Movie: Libby Lost and Found.

--Marshal Zeringue

"This Motherless Land"

Born in Bristol and raised in Lagos, Nikki May is Anglo-Nigerian. Her critically acclaimed debut novel Wahala won the Comedy Women In Print New Voice Prize, was longlisted for the Goldsboro Glass Bell Award and the Diverse Books Award, and is being turned into a major BBC TV drama series. May lives in Dorset with her husband, two standard Schnauzers and way too many books. She should be working on her next book but is probably reading.

May applied the Page 69 Test to her new novel, This Motherless Land, and reported the following:

From page 69:

‘Come to the pool,’ he said. ‘It’s way too nice to be stuck indoors. What do you say, Kate?’

She liked the way he said Kate. Maybe it wasn’t such a bad name. It was better than Katherine, at any rate. Funke made sense in Lagos but maybe it didn’t work here? Maybe Grandpa was right. Maybe becoming Kate was the way to fit in.

I confess I was slightly nervous about this. What if my page 69 was rubbish? What if I’d filled that page with adverbs and filler words? I opened my book apprehensively. But whoop! I love page 69. It takes readers directly to the heart of my book: belonging, twisting yourself out of shape to fit in, to be accepted.

When Funke’s mother dies in a tragic accident, she’s forced to leave Lagos, move to England, and live with her maternal family in Somerset. It’s not the most welcoming of places – she finds the estate dilapidated, the weather gray, the food tasteless. And worse, her mother’s family are cold and distant. Faced with condescension and neglect, she strives to fit in, determined to be one of them. But that, according to her new family, means changing her name. Because Funke just won’t do – this is England, we have proper names here.

On page 69, Funke reluctantly decides that becoming Kate is the way to fit in. But, unfortunately, it’s not enough. Nothing ever would be.

I think the Page 69 Test is genius and from now on, I’ll make sure all my page 69’s are good pages. I can’t vouch for all the other pages though!

Visit Nikki May's website.

Coffee with a Canine: Nikki May & Fela and Lola.

--Marshal Zeringue

"An Age of Winters"

Gemma Liviero is the author of the historical novels Broken Angels and Pastel Orphans, which was a finalist in the 2015 Next Generation Indie Book Awards. In addition to novel writing, her professional career includes copywriting, corporate writing, writing feature articles and editorials, and editing. She holds an advanced diploma of arts (writing) and has continued her studies in arts and other humanities. Liviero lives with her family in Queensland, Australia.

She applied the Page 69 Test to her new novel, An Age of Winters, and reported the following:

From page 69:

distracted by the arrival of the executioner carrying a torch. Master bent his head to speak to the accused with what I assumed were words of absolution. Though Kleist had been imprisoned before Zacharias’s arrival, it was clear now that the decisions about the execution were connected to the latecomer. He would be remembered as the one who changed the execution from hanging to fire.

Not since our first discussion had he returned to the kitchen to sit and speak with me, but sometimes when I passed the doorway to the sitting room, he would call me in with queries that seemed harmless enough. Where first I’d been reluctant, stories ran off my tongue, told in part out of fear but more to impress him. I had told him about the drunk men down by the river, and the fight between two wives over a piece of gristly meat at the market, the pulling and twisting of hair. I had commented on those people who gossiped about anyone who kept to themselves, and those who were unruly. Standing in the crowd, I wondered then about the motive behind the questioning and watched him view Kleist with detachment. Zacharias stood still, not a tremor about him. He appeared not to notice the cold, unlike many who blew on their woollen-less fingers.

There was some difficulty lighting the fire. The crowd moved forward, thirsty for death, before they were ushered back by guards. Kleist was aware now of impending death, his expression all at once changing as he looked fearfully at the doings of the man who held the torch. He clenched his jaw and eyed the crowd. He hated everyone. Next, he turned to Zacharias Engel. It seemed he hated him the most.

The fire took to wood as thunder rumbled once again and ice crystals peppered the condemned man’s head. There were murmurs, not joyous this time. The fire whooshed upward, caught his rags for clothes that fused with his skin, then spread like crawling ants towards his head. Kleist screamed words as he burned, but I could make no sense of them. Smoke from burnt flesh spread above the crowd and dusted us with ash.

I squeezed and released the folds of my skirt several times to stop my tremors.

I was curious enough about the Page 69 Test to give it a go. It did not work for all my books, however, for this one it does set the dark tone that underlies much of the novel. An Age of Winters explores a brutal period in history that was driven by fear of diabolism and resulted in many executions. Perhaps page 69 will also help readers determine whether they might enjoy such a story and the themes written.

Katarin, a maidservant and one of two narrators, details the fate of a nobleman. This scene reveals a change in executions from hanging to burning, in order to destroy a ‘witch’. As well, this event is expected to ward off further heinous crimes and cure the village of famine and disease. The villagers, who up till then had speculated about strange climatic events and the accused’s crimes of murder, now dread that ‘witchcraft’ is in their midst and that authorities will stop at nothing to be rid of it. This execution makes it known that anyone from any background is a potential suspect, and from this point the villagers callously guard their own survival.

It is a significant moment for Katarin also as she recognises that she may have been an unwitting accomplice to the enigmatic Reverend Engel, and that his presence is more than just investigative or soul-saving. With both infatuation and fear, she yearns to know more.

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--Marshal Zeringue