"The Rising"

Ian Tregillis is the son of a bearded mountebank and a discredited tarot card reader. He was born and raised in Minnesota, where his parents had landed after fleeing the wrath of a Flemish prince. (The full story, he's told, involves a Dutch tramp steamer and a stolen horse.) Nowadays he lives in New Mexico, where he consorts with writers, scientists and other unsavory types.

Tregillis applied the Page 69 Test to The Rising, the second book in the Alchemy Wars trilogy, and reported the following:

Page 69 of The Rising happens to land at a chapter break. And chapter breaks are frequently ­­in this book, at least ­­ a place where characters' fortunes change, or where they experience revelations... whether welcome or not.

Thus, upon opening the book to that particular page, we land in the immediate aftermath of a brief but decisive few moments of frantic, and deadly, activity. This sequence of events could have unfolded considerably better, but also considerably worse, for the point­of­view character. And that distinction can be a very fine line in a world populated with superhuman clockwork servitors.

That's why, while catching her breath and assessing the aftermath, she thinks to herself:

That was less than ideal. Little point in trying to arrange the scene to suggest a simple robbery gone wrong, when it was so obvious that one of the vehicles had been destroyed by metal fists.

Nothing is ever easy for these characters; coincidence is never to their benefit. The master storytellers at Pixar have some excellent thoughts on how stories do and don't work. This list is chockablock with wisdom from beginning to end, but apropos of the scene in question, I take point #19 to heart. Coincidences should only occur on the page if they make the characters' journeys more difficult, or at the very least, more interesting!

But times of flux can also be times of opportunity. And this character is never one to pass up an opportunity, no matter how slight or dangerous. Which is why, as Chapter 4 fades to black, she says, in part:

"I want you to forget everything that happened tonight... And then I believe you'll begin your new assignment by showing me the contents of the chest you were guarding."

That stolen chest becomes instrumental to her continuing adventures. It shines with the promise of long­ and hard­sought information. It's also extremely dangerous, as she quickly learns.

Learn more about the book and author at Ian Tregillis's website.

--Marshal Zeringue

"Weighing Shadows"

Lisa Goldstein is the National Book Award-winning fantasy author of The Red Magician. Her stories have appeared in Ms., Asimov’s Science Fiction, and The Year’s Best Fantasy and Horror, and her novels and short stories have been finalists for the Hugo, Nebula, and World Fantasy awards. Her novel The Uncertain Places won the 2012 Mythopoeic Award, and her short story “Paradise Is a Walled Garden” won the 2011 Sidewise Award.

Goldstein applied the Page 69 Test to her new novel, Weighing Shadows, and reported the following:

I was delighted to discover that page 69 actually deals with an important part of Weighing Shadows. Ann Decker has been recruited by Transformations, Inc., a corporation that travels back in time and makes small changes that grow larger as the years pass. A few things start to make her suspicious about the corporation's real aims ­­ the higher­ups don't seem to care about the lives of the people they come in contact with, and then someone dies on one of her voyages. On page 69 she's in ancient Crete, where she meets a more senior agent of the company, Meret Haas. Meret has grown very disillusioned with the company, and she points out problems Ann doesn't yet know about, then tells her about a covert organization of agents opposed to their policies. "I've been with the company longer than you have, and I've seen some disturbing patterns," she says. "In nearly every case I know about the company's sided with warriors, with patriarchies, with hierarchical societies. Have you ever wondered why matriarchies have pretty much disappeared from the world? People say it's because they can't possibly work, but you know that isn't true ­­ you've seen Kaphtor. A peaceful, prosperous, flourishing society that existed for thousands of years."

Visit Lisa Goldstein's website.

--Marshal Zeringue

"Secret in Whitetail Lake"

Christine Husom is the national bestselling author of Snow Way Out, the first in the Snow Globe Shop Mystery series, as well as the Winnebago County Mysteries, also set in central Minnesota. She served with the Wright County Sheriff’s Department and trained with the St. Paul Police Department, where she gained firsthand knowledge of law enforcement procedures.

Husom applied the Page 69 Test to Secret in Whitetail Lake, the latest Winnebago County mystery, and reported the following:

In Secret in Whitetail Lake, the Winnebago County Sheriff’s Department recovers an old Dodge Charger from the bottom of a deep lake, containing the bodies of two teenagers who went missing over thirty years before. Page 69 is not a fast-paced action scene in the book, but gives a little insight into Sergeant Corinne “Corky” Aleckson’s dedication to uncovering the truth for the victims in the cases she’s working on. And the closer relationship she longs for with Detective Elton “Smoke” Dawes. Corky has returned to the lake that evening, puzzling over how the Charger ended up on that side of the lake, since there’s not a road near there. She’s joined by Smoke Dawes and they mull over the possible circumstances, not knowing they’ll soon be thrown into a cold-case homicide investigation. This is the calm before the storm. Corky is the first one speaking.

“Yeah, I keep looking up there, where the car came down. It must have been moving at a pretty fast clip and gone airborne, or it would have gotten caught up in the brush at the edge of the lake.”

“Speed is a decided factor. Actually, those cattails may have helped slow it down so it didn’t end up further out in the lake. And we come back to the big questions we talked about earlier. Why they went down the hill in the first place and why no one heard them, or noticed the tracks they may have left.”

“I’ll have to ask Mother if she and my dad ever partied hardy there.”

Smoke rubbed his hand over his five o’clock shadow. “Maybe one time, if that. Your mom, dad, and I all had parents who kept track of us, and they’d surely have known if we’d been to a beer party.”

I nodded. “So what made you stop here tonight?”

“I’d just finished up at the office and spotted you when I drove by. As nosy as I am, I thought I’d see what you were up to. Although I’d pretty much figured it out.”
“I’m curious about the ME’s report. I wonder if they can tell if Toby and Wendy died in the crash, or drowned afterwards.”

“You’d think. They weren’t buckled in and I think there’d be evidence of blunt force trauma. I’m hoping they got knocked out so they didn’t know they were drowning.”

I shivered at the thought. “You reminded me of why I don’t like driving on the ice in the winter, even when it should be perfectly safe. There is always that minute chance...” I paused and smiled, “Especially if you burn your fish house down. That must melt the ice beneath it.”

Smoke leaned in close to me, and I smelled cinnamon, probably from an herbal tea on his breath. “I wonder how many times that whole fiasco with Wendy is going to come up during this investigation?”

I resisted the temptation to close the small gap between our faces and kiss him. It was an exercise in self-control. I held onto the hope that someday he would realize that whatever barriers he thought prevented us from having an intimate relationship were not insurmountable. My grandma had told me that Smoke and I were intimate all right, just without the fun part. A little sad, and true.

Visit Christine Husom's website.

The Page 69 Test: The Iced Princess.

--Marshal Zeringue

"The Wedding Pearls"

New York Times and USA Today bestselling romance author and RITA® Finalist, Carolyn Brown, has published more than seventy books. She's won the National Reader's Choice Award twice, the Bookseller's Best Award and was awarded the Diamond Award from Montlake for selling one million books.

Brown applied the Page 69 Test to her new novel, The Wedding Pearls, and reported the following:

Page 69 in The Wedding Pearls is the page where the folks on the road trip has stopped in Jefferson, Texas and an old guy named Herman is admiring Mollybedamned, the red 1959 Cadillac convertible. He and Branch are sitting on a bench outside an antique store talking about the car and about the women who Branch are driving around the state of Texas.

A little excerpt:

Herman jumped to his feet and stuck out his hand. “So that beautiful lady belongs to you, ma’am?”

“Yes, she does,” Frankie answered. “And since Mr. Herman here thinks she’s beautiful, she won’t mind him riding in her seats. Y’all have a good time.”

“Thank you, ma’am. Do you think she’d mind if I got Branch here to use my phone and take a picture of me with her? Nobody back home in Pennsylvania will believe it if I don’t have the proof.” Herman’s old green eyes twinkled.

“She might smile for you after those sweet words,” Frankie said.

“Did you find anything that took your eye?” Branch asked Tessa.

She shook her head. “A gorgeous hall tree, but it won’t fit in the trunk. Maybe I’ll find something in the next store that won’t require a moving van to get home.”

“Well, let’s go see what we can find,” Lola said. “I bet we can get all the way to the library by noon, and I want to eat lunch at the barbecue place that lady in the quilt place was talking about.”

After a flutter of the hand waving good-bye to Branch, Tessa joined the other ladies and pulled Blister for Ivy, keeping pace with the older lady while Lola and Frankie went on ahead.

“That cute little blonde your woman?” Herman asked on his way to the car.

“No, sir. It’s a long story but Frankie is the one with the gray hair that you shook hands with. The one with the tattoos is her daughter, Lola, and the pretty blonde is Lola’s daughter. The one with the oxygen tank is Ivy, Frankie’s best friend.”

“That’s only four. Where’s the fifth one? Oh, I get it. Mollybedamned is the fifth lady, right?”

Branch opened the car door for Herman and waited for him to get settled before he shut it. “No, she’s the queen. The fifth one is a sixteen-year-old great-niece of Ivy’s, and she’s at the library doing her schoolwork for the day.”

This is definitely a good representative of the whole book. It shows Branch's care for the caddy, his kindness toward others and it also lets the reader know that he is attracted to Tessa. But since this is the early part of the trip he's not willing to admit it.

Visit Carolyn Brown's website and Facebook page.

--Marshal Zeringue

"The Iced Princess"

Christine Husom is the national bestselling author of Snow Way Out, the first in the Snow Globe Shop Mystery series, as well as the Winnebago County Mysteries, also set in central Minnesota. She served with the Wright County Sheriff’s Department and trained with the St. Paul Police Department, where she gained firsthand knowledge of law enforcement procedures.

Husom applied the Page 69 Test to The Iced Princess, book two in the Snow Globe Shop Mystery series, and reported the following:

From page 69:

Chapter Five

The team finished processing the scene and Dr. Long left with Molly’s body. Clint and Mark each took down an end of the crime scene tape that spanned the archway between Curio Finds and Brew Ha-Ha and rolled it up. They joined Pinky, Erin, and I who were sitting silently at the coffee shop serving counter. Each of us was lost in our own thoughts.

Mark sat down next to me on the third seat from the end. I had been thinking thought about Molly’s coat and cell phone and keys and wallet. “You forgot to send Molly’s things with her husband. And what about her car?”

Clint moved in behind Mark. “We didn’t forget.”

All part of the investigation, I supposed.

“Pinky, let’s go back to one of your tables where we can talk.” Clint said.

“Just Pinky?” I said.

Page 69 of The Iced Princess is the start of Chapter 5 so there are only a few lines on the page. But it lets readers know a woman named Molly has died and the police are beginning their questioning. Camryn Brooks, manager of Curio Finds, and the first person narrator discovered Molly dead in her shop bathroom on Molly’s first of work. The police, including her friend, Officer Mark Weston, and sheriff’s deputies are there in no time. As are her best friends, Pinky Nelson who owns the adjoining coffee shop, and teacher Erin Vinkerman. After the first layer of dust has cleared, Assistant Police Chief Clinton Lonsbury is ready to interview Pinky and Cami. Cami once again feels driven to find out what happened, and finds herself in some big trouble along the way.

Visit Christine Husom's website.

--Marshal Zeringue

"Pouncing on Murder"

Laurie Cass writes the Bookmoble Cat Mysteries, set in northwest lower Michigan.
 
She applied the Page 69 Test to Pouncing on Murder, the 4th book in the series, and reported the following:

The top of page 69 in Pouncing on Murder starts with the main character’s opinion on the edibility of mushrooms. (She’s not so sure.) But one sentence later, the narrative moves to a short action-packed scene that results in Minnie, the main character, having to think fast and act even faster to avoid a tragic accident that would hurt or kill a friend. Or…was an attempted murder? The answer to that question drives the plot for next couple of hundred pages.

Is this page representative of the entire book? Probably not, as there aren’t a lot of scenes that threaten anyone physically. But it does reveal a lot about Minnie; her quirky sense of humor and her willingness to do what needs to be done, even if means putting herself at risk. And it does represent the book’s overall tone – lighthearted, but willing to tackle serious issues. Plus there’s a hint of Eddie’s presence, the opinionated rescue cat who has become such a large part of Minnie’s previously pet-free life.

Visit the official Laurie Cass website.

--Marshal Zeringue

"Warlords and Wastrels"

Julia Knight is married with two children, and lives with the world’s daftest dog that is shamelessly ruled by the writer’s obligatory three cats. She lives in Sussex, UK and when not writing she likes motorbikes, watching wrestling or rugby, killing pixels in MMOs. She is incapable of being serious for more than five minutes in a row.

Knight applied the Page 69 Test to Warlords and Wastrels, the concluding volume of the Duelists trilogy, and reported the following:

Vocho, one of our...I hesitate to say heroes, so protagonist might be better, is lying to an acquaintance about why he needs a magician (who are very rare) by inventing an arranged marriage gone wrong for his sister, Kass. This is a typical Vocho moment. He starts by describing his father:

‘Extremely old-fashioned, and so was the intended groom as well as just being plain old. So when Kass got betrothed, they tricked her into having a magician put wards on them both, tattoos like you said.’

Dom took an aghast step back, handkerchief to his mouth. ‘May the Clockwork God preserve our gears, how barbaric!’

‘You see why we had to get away? Why we wanted to know about magicians? The chest – sort of a ruse. Kass knew you’d know, because you’re so educated and worldly wise.’ Vocho wondered if he might be laying it on a bit thick, but Dom looked tickled pink. ‘To tell you the real reason seemed imprudent. And of course, if you want me to help press your suit with Kass...’

Really, when it came down to it, Dom was quite decisive. Perhaps the thought of those tattoos – the only magic Vocho was sure about and that because of him – had sharpened his mind.

Dom waved his hand, as though the thought of Vocho's favour in the matter of Kass had never crossed his mind. ‘Even if I didn’t, I thought those wards hadn’t been used in years! Not since the prelate killed all the mages, at least. I’m surprised your father could find a magician to do it. Turning up all over, all of a sudden. What do you need me to do?’

‘Outlawed, yes, but there are still people prepared to use them, and magicians prepared to draw them, if you know where to find them. It’s not far to Ikaras, and a few people might slip past the guards, might go to your old university to find a magician. What I need is a magician to undraw them. Someone we can trust, and someone within the borders if I can, because my father’ll have them watched, you can be sure.’ Vocho wanted to know who this magician was. There wouldn’t be two in Reyes, couldn’t be, but if there was one . . . Dom would perhaps know or could find out without suspicion falling on Vocho. Dom might be a ninny but he was a well connected ninny.

Visit Julia Knight's website.

--Marshal Zeringue

"His Right Hand"

Mette Ivie Harrison is the critically acclaimed author of 8 YA books, including Mira, Mirror and The Princess and the Hound series. Her first adult novel, a mystery entitled The Bishop's Wife, is about a Mormon bishop's wife who is drawn into solving crime when a young wife and mother in her ward goes missing. Harrison writes a regular blog about faith and Mormonism at Huffington Post. She holds a PhD in Germanic Languages and Literatures from Princeton University and is a nationally ranked triathlete. She lives in Utah with her husband and five children. She is an active, practicing member of the Mormon church.

Harrison applied the Page 69 Test to His Right Hand, Book 2 in the Linda Wallheim Mormon Utah mystery series, and reported the following:

From page 69:

We went through the temple to receive our endowments together the day before the wedding. Most men would have gone through the temple ritual for adulthood before they went on missions, but a lot of women only went before they got married. We had little colored paper tags pinned to our clothing to mark us as first-timers, so people could help us and make sure we didn't make any mistakes in the ritual words or motions and handshakes.

I felt rattled by the ceremony, despite the fact that my mother was right at my side throughout. My father was a temple worker and he helped Ben bring me through the veil, since Ben was so nervous about it after just having gone through himself. Going through the veil is the final part of the ritual, where each person taking out their endowment speaks through a curtain with holes in it to someone representing God on the other side, offering names and tokens to prove worthiness. After the veil, we were allowed to go into the beautiful, open space of the "celestial room," which was meant to be like going to the highest part of heaven. The furnishings are always in white or beige colors, and there is a big chandelier overhead, and though you are allowed to talk, the woman feels nearly silent because mostly people sit and try to feel the Spirit of God and His love there.

This page is part of one of the big "reveals" of His Right Hand: Linda was married very young to another man, not Kurt Wallheim. I hinted at this in The Bishop's Wife, but few readers caught it during the church wedding ceremony with Jonathan and Perdita, which was disappointing to her parents because it wasn't in the temple. But Linda and Kurt were also married in the church rather than the temple. Because of her previous marriage issues, she had to wait a year to be sealed to Kurt in the Mormon temple because she had to wait for her first sealing to be dissolved by the First Presidency of the Mormon church, a lengthy and by no means guaranteed process.

But Linda's marriage to Ben is a disaster, as she eventually realizes that he is likely gay (not something he ever admits to, but she guesses at based on his lack of interest in having sex with her and his looks at other men). She spends months trying to understand homosexuality and trying to save her marriage, but finally divorces Ben and her very strict Mormon family blames her for the choice and it causes a rift with them forever afterward. When one of her sons also comes out as gay in His Right Hand, Linda is forced to confront her old feelings about the Mormon church's teachings about homosexuality, her past with her former husband, and the life she might have lived, which doesn't seem very different from the life of Emma Ashby, married to a transgender man Carl Ashby, with all the secrets that he held back from her.

Page 69 is also an explanation of the Mormon temple ritual, the "endowment," which is secret and sacred and not talked about outside of the temple itself, even among members. I tried to be respectful of the ceremony, not revealing the details, but still allowing non-Mormons a peek into what it is about. I will probably get plenty of angry Mormon readers who think I should not talk about it even this much. That seems to be par for the course with this series. There are a lot of unwritten rules about what a Mormon can say about the church and how to say it. Mormons are uncomfortable with the lack of "testimony-bearing" I bring to the church. Linda is a believer, but she's also capable of taking a step back and she narrates the book as if to non-members, with a factual, but intimate kind of Mormon anthropology.

Visit Mette Ivie Harrison's website.

Writers Read: Mette Ivie Harrison (January 2015).

--Marshal Zeringue

"Lone Star"

Paullina Simons is the international best-selling author of novels such as Tully, Red Leaves, Eleven Hours, The Bronze Horseman, and Tatiana and Alexander.

She applied the Page 69 Test to her latest novel, Lone Star, and reported the following:

It can go either way; who knows what’s on any given page of your typeset manuscript? Page 69 could be a description of the torrid hotel room where some of the spicier action takes place or an hour of horrid plane travel. I could be either setting up for a vocal solo or killing it on stage. It could be filler, a transition, or even the title of a new part.

Fortunately in Lone Star, page 69 wasn’t filler.

In Lone Star, my two main characters, Chloe and her lifelong friend Blake are in study hall on page 69, sitting across from each other, trying to figure out what kind of story Blake is going to write. He is not a writer. But he wants to write a story so he can win some prize money. He comes to Chloe for advice. Chloe is smart, studious, sensible. Can she help him figure out if he’s writing a mystery or a love story? She tells him he must know the most important thing about his story, and then he will be able to write it. But Blake maintains it is the act of writing that forces him to figure out what the story’s about. Chloe disagrees. She tells him he must know at the outset. Blake shakes his head. Like he knows everything. “No,” he says. “A story is the best thing of all. It’s an unexpected thing.”

This is all on page 69.

And that’s how I feel about my novel Lone Star. It’s not what you expect. You think you’re reading one kind of story, but then it becomes another. And another, and another. Until you get to the end, and then you say, oh, now I get it. It’s this.

Chloe and Blake are leaning over the table toward each other and that’s how I want you to be reading my book, leaning over the table, your head and your heart fully immersed in it.

Visit Paullina Simons's website.

--Marshal Zeringue

"Half in Love with Death"

Emily Ross received a 2014 Massachusetts Cultural Council finalist award in fiction for her novel Half in Love with Death. Her fiction and nonfiction have been published in Boston Magazine, Menda City Review, and The Smoking Poet. She is an editor and contributor at Dead Darlings, a website dedicated to discussing the craft of novel writing. She attended Sarah Lawrence College and the University of Massachusetts Boston, and is a 2012 graduate of Grub Street’s Novel Incubator program.

Ross applied the Page 69 Test to Half in Love with Death and reported the following:

From page 69:

She gasped. “What are you talking about? Is something wrong with you?” She was staring at me as if she was convinced I was the worst person in the world. She went on, “Really, I’m worried you’re becoming a pathological liar.”

“Mom,” I said. “I saw you and Ron on the patio.”

“So now you’re spying on me?”

“I wasn’t spying on you. I was outside by the pool.”

“Ron and I were just talking. He was comforting me. God knows, no one else does. You have no idea how hard this all is.”

I flinched.

She went on, “That’s all it was, no matter what your twisted mind tells you.”

“Okay, Mom,” I said.

“It’s not okay.” She grabbed my arm. “You lied and you put yourself in danger. Don’t you think I have enough to worry about?” I wouldn’t look at her. “You are never, ever to have anything to do with Tony again. Do you understand that?”

I bit my lip. “I do understand. I understand that he wants to find my sister. What’s wrong with that? Tony said Schwab’s Pharmacy was important, but Dad didn’t even bother to go there. Both of you just want to drink and forget about her.”

She stared at me as if I was the greatest disappointment on Earth.

I went upstairs and slammed my door, hoping she heard. It would serve my parents right if I never spoke to them again. But none of this was as bad as May telling on me for going with Tony.
I hadn’t told on Jess for going off with Tony the night she disappeared. I thought I was doing the right thing—what anyone I knew would have done. It was so hard to know what the right thing to do was.

Is this scene representative of my book?

Escalating arguments like this happen a lot in my book, as they do (sigh) in the life of teens. Here, as my teen narrator Caroline argues with her mother, several significant lies come to a head.

Just prior to this scene, Caroline’s mother found out that Caroline had gotten a ride home with Tony, her missing sister Jess’s boyfriend, whom she has been forbidden to see. To make matters worse, her mother learned this from Caroline’s best friend May’s mother. Not only has Caroline been caught lying, but her own friend has betrayed her.

Caroline responds by accusing her mother of having an affair, which she has long suspected. When she blurts it out, her mother vehemently denies it, and accuses Caroline of being a pathological liar. However, Caroline knows that this is yet another lie, and when her mother reprimands her, she hurls out a most hurtful accusation: that her mother doesn’t really care about finding Jess.
Having delivered this shattering speech, Caroline flees to her room, contemplating May’s devastating betrayal.

Would a reader skimming this page be inclined to read on?

I certainly hope! On this particular page, tensions that have been brewing in the weeks since her sister’s disappearance spill over, and Caroline is pushed into the turning point in the story. By the end of page 69, Caroline no longer knows in whom she can believe or trust. The only thing she is sure of is that she must do something, and in the next scene she makes the decision that changes everything.

Visit the official Emily Ross website.

--Marshal Zeringue

"Made to Kill"

Adam Christopher is a novelist and comic writer, and award-winning editor.

The author of Made to Kill, volume 1 in The LA Trilogy, Christopher is co-writer of The Shield for Dark Circle Comics and author of the official tie-in novels novels based on the hit CBS television show Elementary.

Born in New Zealand, Christopher has lived in Great Britain since 2006.

He applied the Page 69 Test to Made to Kill and reported the following:

Page 69 of Made to Kill has Ray Electromatic mixing with the elite of 1960s Hollywood as he enters a certain exclusive nightclub…

The low ceiling was supported by an arcade of pillars that resolved when I got closer into carved bamboo stems that weren’t black but a deep jade green. The overall effect was of being outdoors on an ancient Chinese terrace under an ancient Chinese sky on a warm and foggy night.

The so-called Temple was full of people. The servers were Chinese men and Chinese women, the women dressed in black silk wraps with red trim and with their black hair pulled back into buns skewered into place with long black sticks tipped in red, the men dressed in more or less the male equivalent. They balanced trays and skirted the club patrons with an elegance as smooth as the silk they were wearing.

The patrons were another story altogether. They stood in groups and they sat at any number of small round tables that were scattered across the room.

And they were all rich. I could tell that by the clothes, the hair, the jewels, the jewels, and the jewels. The light and smoke reduced the men to pinky-purple ghosts floating in the room, the white of their shirts and their teeth the only really distinguishable features. But the women glittered—what skin that wasn’t covered by evening wear slung low in the front as well as the back was covered by pearls and diamonds and other treasures that took that pink and white light and did something special to it before shooting it back at my optics like a laser beam. There were a lot of people in the room but I recognized a large chapter by their photos that hung on the wall of the ice cream parlor just a half block away. Not every member of that parade was here in the Temple. I matched a dozen faces and none of them were Charles David’s or Eva McLuckie’s.

I walked forward into the club. People parted. People looked at me and laughed but they laughed in that way that spoke of true happiness only found in those who don’t need to worry about their retirement. People nodded at me and those nods were appreciative, like they were watching the Mona Lisa stretching her legs around the gallery after hours.

Page 69 is actually a really great scene-setting page, and a fairly good representation of one side of the story, at least. Here, our hero Ray has wandered into the glamorous and mystery Temple of the Magenta Dragon, an exclusive nightclub catering to Hollywood’s rich and famous. At the moment, Ray has no idea what he is looking for—he’s following a lead that was little more than an address, and while he has his optical circuits scanning for a couple of movie stars, Charle David and Eva McLuckie, whose photographs he saw in a hall of fame at a local ice cream parlor, he’s not sure why these two are important. Well, actually he has a few suspicions about Eva…

The Temple of the Magenta Dragon, Charles, and Eva, all play central roles in the book. Page 69 is in the middle of Chapter 9, a fairly important part of the book where Ray starts to make some real progress in his investigation. A couple of pages later, Ray will meet another key player, Fresco Peterman, who is one of my favorite characters in the book.

Visit Adam Christopher's website, blog, Facebook page, and Twitter perch.

--Marshal Zeringue

"A Daughter of No Nation"

A.M. Dellamonica's books include Indigo Springs, which won the Sunburst Award for Canadian Literature of the Fantastic, and Child of a Hidden Sea and its newly released sequel, A Daughter of No Nation.

She applied the Page 69 Test to the new novel and reported the following:

On page 69 of A Daughter of No Nation, Sophie Hansa is once again trying to unlock the mystery of a seafaring magical world she has stumbled upon while looking for her birth family. She is quite literally sitting down with a notebook and jotting down every single thing she has observed in the past day or so that she doesn't understand:

Verena had said half of the snow vulture's young didn't survive in the wild. That implied someone had done a study. Who did studies here?

People might just think it's true, about the vultures' survival rate. They could be making all sorts of unproved assertions.

And all of that was warm-up for the big questions. How was it that Stormwrackers could use magic? When did that develop? Did all magic really use writing and inscription or were there other forms? Did that mean there was no magic before the development of writing?

Sophie's insatiable curiosity is one of the primary things that drives her in this sequel to my 2014 book Child of a Hidden Sea.. She doesn't really believe that magic can just be; she wants to know how it works and what's behind it. That grasping after the truth, even when we cannot find it, is something I find cool about human beings. We want to know the unknowable. We can be awed by the splendor of the universe without surrendering the idea that we might one day glimpse its inner workings.

Curiosity is not a quality that is particularly valued on Stormwrack, though, and in fact it is regarded with suspicion and outright hostility. People who ask questions, the thinking goes, are probably spies. There are also people who think to themselves: Hey, that foreign girl is always sticking her nose into things that aren't her business… I wonder if I could use that further my own plans...

So although A Daughter of No Nation has chases and battles at sea, a pair of star-crossed teen lovers, monsters made of marine salt, a chase through a haunted ocean channel, a bit of romance and a visit to an entire island full of monks who do nothing but serve--okay, and occasionally resurrect--the dead, it's not surprising that this particular page finds my heroine pondering vulture survival rates and the nature of magical inscription. Chances are good that in any given chapter she'll either be wondering something or running for her life.... and maybe, occasionally, both at once.

Visit A.M. Dellamonica's website.

The Page 69 Test: Child of a Hidden Sea.

My Book, The Movie: Child of a Hidden Sea.

--Marshal Zeringue

"The Curse of Jacob Tracy"

Holly Messinger enjoys books, silk dresses, molten chocolate cake and well-balanced edged weapons. She lives on a Liberal reservation in Kansas with her Sparring Partner and a cat who knows more than he's telling.

Messinger applied the Page 69 Test to her new novel, The Curse of Jacob Tracy, and reported the following:

My mom used to tease me about starting a book in the middle, but by the time I was a teenager I knew that the first couple chapters of a book were usually throat-clearing. If I could open halfway in, and be hooked, then I’d read on. Usually it was not necessary to read the first few chapters, though I would if I liked the characters.

If a reader opened to page 69 of The Curse of Jacob Tracy I imagine she’d be confused, but intrigued. Jacob “Trace” Tracy has just been handed a clue about the murder he’s investigating, by a sleazy reporter named Reynolds, and is planning to take the information to Miss Fairweather, who hired him to do the investigation for her own purposes. Trace knows Miss Fairweather isn’t telling him everything, but he’s content for now to play her game because he believes she can help him control his burgeoning psychic power.

Trace’s partner Boz, on the other hand, has no reason to dangle from Miss Fairweather’s strings and can’t quite understand why Trace is going along. He makes a snide remark about Trace’s complaisance that makes Trace mad, then guilty.

He hadn’t forgotten how she’d thrown them into that hornet’s nest in Sikeston, but at the moment it seemed more important to find the Herschels’ killer than to nurse a grudge.

But it made him uneasy, in the next breath, to realize he was looking forward to meeting with her again, to pour this latest news into her willing ear and hear what she had to say.

To hear her approval, more like. Just like a damned bird-dog.

So Trace is juggling about four different problems on page 69—which is unfortunately becoming a typical day for him at this point—and then on top of things he has an eerie and alarming vision:

At the mouth of the alley he skirted a small pack of children gathered around a makeshift puppet stage […] A red-faced male puppet was beating on two flaxen-haired girl puppets with a stick—no, it was an ax, with a realistic-looking blade that glinted in the sun. The puppeteer was clever; he voiced the high-pitched shrieks of both girls […] and little shots of red fluid squirted from the curtains to flick the children and make them squeal.

Appalled by this show of poor taste, Trace raised his gaze above the backdrop to the puppeteer, and it was Reynolds, wearing that shit-eating grin, but the flesh was worn away from the bones and the sack suit hung loose over a skeleton[…]

Trace has just witnessed a supernatural re-creation of the murders he is investigating, a vision that implies he’s being manipulated by the source feeding him clues.

So there’s a lot going on, on page 69, but that’s Trace’s life these days: his everyday concerns of keeping himself and Boz fed and housed are being increasingly disrupted by the spirits and the machinations of those who would use Trace’s powers for their own purposes.

I would hope that any casual browser would be intrigued enough by the goings-on that they’d go back to page one and start at the beginning; I made very sure that the first few chapters of The Curse of Jacob Tracy were not mere throat-clearing.

Visit Holly Messinger's website.

--Marshal Zeringue

"Thunderbird"

Jack McDevitt is a former English teacher, naval officer, Philadelphia taxi driver, customs officer, and motivational trainer.

He applied the Page 69 Test to his new novel, Thunderbird, and reported the following:

Unfortunately, page 69 is at the end of a chapter and contains only six lines. Sioux Chief James Walker, who is under severe pressure, is thinking about steps he might take:

Ivy Banner had a solid reputation. Ivy and her husband lived in Fargo, where she worked for the Renko Construction Company. He didn’t remember much detail about her except that she specialized in electrical design.

Next year, he’d be up for reelection, but unless something changed radically, Walker would not run. He’d had enough.

Tomorrow, if the mission went well, he’d call Ivy and ask for her help.

They’ve discovered a stargate on the reservation he oversees. The president of the United States is uncertain whether he wants to see it dismantled. And there is considerable pressure coming in from both sides. It may provide a giant technological leap for the human race. Or it may lead to, at the very least, an economic collapse. Walker, like POTUS, is uncertain how to respond.

Learn more about the book and author at Jack McDevitt's website.

The Page 69 Test: Firebird.

--Marshal Zeringue

"The Conqueror's Wife"

Stephanie Thornton is a writer and high school history teacher who has been obsessed with infamous women from ancient history since she was twelve. Her first two novels, The Secret History: A Novel of Empress Theodora and Daughter of the Gods: A Novel of Ancient Egypt, focus on two of history's forgotten women: Theodora of the Byzantine Empire and Pharaoh Hatshepsut. Her third novel, The Tiger Queens: The Women of Genghis Khan, is the story of Genghis' wife and daughters.

Thornton applied the Page 69 Test to her new novel, The Conqueror's Wife, and reported the following:

From page 69:

Again, Barsine checked the babe, eliciting more exhausted moans from my mother. “The child still faces the wrong direction. I need sheep fat,” she ordered. “Warm it over the brazier.”

A servant scurried to attend to the fat while my mother cried softly to herself. “My girls,” she whispered through her tears. “You must be brave. Whatever Alexander plans for you, remember who you are, daughters of the King of Kings.”

I knew then she believed herself dying, but every laboring woman wishes for death just before bringing forth new life. My mother would survive this to outlive all of us and complain to our corpses about the quality of wine served at our funerals.

Considering that this excerpt from page 69 of The Conqueror's Wife is a struggle between life and death, albeit in a birthing tent instead of on the battlefield, I'd say that it's pretty representative of the story as a whole. Alexander the Great was renowned for his prowess on the battlefield, but few realize how many people--his mother, wives, and sisters among them--helped him become the legend we now recognize today. Still more fell by the wayside, sidelined by all manner of treachery, disease, and war. So while Alexander may have been brave when laying siege to a city or fighting in hand to hand combat, his friends and relatives also had to fight for their very survival, even many years after he lay mouldering in his own tomb.

Visit Stephanie Thornton's website.

--Marshal Zeringue

"Brooklyn Secrets"

Triss Stein is a small-town girl who has spent most of her adult life living and working in New York City. This gives her the useful double vision of a stranger and a resident which she uses to write mysteries about Brooklyn, her ever-fascinating, ever-changing, ever-challenging adopted home. Brooklyn Graves is the second Erica Donato mystery, following Brooklyn Bones.

Stein applied the Page 69 Test to Brooklyn Secrets, the third Erica Donato Mystery, and reported the following:

Page 69 of Brooklyn Secrets surprised even me. Though Erica, my protagonist, doesn’t know it, and the reader won’t know it, there is a moment when the plot starts to turn in a new direction. Erica, a historian-in-training, has been interviewing two very old, very sharp – and sharp-tongued!– women who can tell her all about growing up in Brownsville, then ( and now) one of Brooklyn’s poorest neighborhoods. They both traveled a long road away, and found each other again in old age. Though they were childhood friends, their memories are surprisingly different, and their relationship is often touchy and combative.

In this scene we, and Erica, learn that Lillian is not just frail, she is dying. Erica knows Lillian has a secret, and stops herself before spilling it to Ruby. It is a sad, yet realistic moment, but one that will haunt the last part of the story. I will let Ruby speak for herself:

“She’s dying, you know.” Ruby looked past me, toward the other side of the cafeteria, but I knew she was seeing something else.

“It’s been a joy to have her here with me. We were so close, back when. I only had my big brother, who was horrid to me, and she had one big brother and baby sisters. So we became like each other’s sister. Then we lost track. She went to Douglass College in New Jersey and I was in New York and...” She shrugged. “Things happen and you lose people along the way.” She blinked hard, rapidly, for a minute. “And now I will lose her again, and soon.”

It was on the tip of my tongue to ask her about Lillian’s brother, if she could add or expand that story, or even tell me it was true. The words were right there, but I stopped myself just in time. It was Lillian’s story and her choice to talk to Ruby about it. Or not.

Instead, I cautiously asked, “Did you never connect after you went to college?”

“Of course we did. Weddings, reunions, all that. But it was never the same, and then over the years, there are husbands and children and moves. My second husband was a professor at Yale and Lil never married at all. She liked men, though. And they really liked her. She had a very, very good time in those days.”

Visit Triss Stein's website.

--Marshal Zeringue

"Get a Grip"

Kathy Flann’s fiction has appeared in Shenandoah, The North American Review, The Michigan Quarterly Review, New Stories from the South, and other publications. A short story collection entitled Get a Grip won the George Garrett Award and was released by Texas Review Press in the fall of 2015. A previous collection, Smoky Ordinary, won the Serena McDonald Kennedy Award and was published by Snake Nation Press. For five years, she taught creative writing at the University of Cumbria in England, where she created mini-courses for the BBC’s Get Writing website and served on the board of the National Association of Writers in Education. She has been a fellow at the Virginia Center for the Creative Arts, the Sozopol Fiction Seminars in Bulgaria, and Le Moulin à Nef in France. She is an associate professor at Goucher College in Baltimore, Maryland.

Flann applied the Page 69 Test to Get a Grip and reported the following:

It was interesting to discover that page 69 of Get a Grip is smack-dab in the middle of “Get a Grip,” the title story – making it the heart of the heart of the book. This second-person narrative revolves around Lisa, who is trying her best not to feel anything for her ex, Jake, a younger man who adores her. This particular page details the moments before Jake proposes to his girlfriend, Keira, the mascot for a minor league baseball team. It’s a moment when there is some urgency for Lisa to acknowledge her feelings to herself. She is sitting in the bleachers with Jake, her best friend Marilyn, and her father, who is a palm reader. A point of tension is that she has never let her father read her palm – she doesn’t want to know what he’ll say. One way Lisa maintains her denial is to refuse to acknowledge the future.

“Hey Luke!” you call, and he blows you a kiss.

Marilyn sighs. “The only reason your old boyfriends still like you is that you never give them a chance to get attached.”

Jake, who is sitting in front of you with your dad, turns around and looks at Marilyn. “That’s not true,” he says. “What about me?”

“Don’t get me started,” she says and rolls her eyes.

You punch Jake’s shoulder. “You don’t like me,” you say. “You’re just using me because I’m so handy around the house.”

“Move over,” says Marilyn. “Here comes Stewart.” She raises her hand, fingertips wiggling. Stewart, Marilyn’s lawyer boyfriend, marches up the bleachers with a cardboard tray of draft beers. You scoot down one row and park yourself on the other side of your father. Stewart distributes the beers and you take a long swill. Your nose tingles.

Keira is doing a handstand on top of the dugout. She walks the length of the roof on her hands, and then she pops up and takes a bow.

You fish from your purse the giant ring that Jake plans to put on the badger’s big cartoon finger during the seventh inning—a concept that was all your idea. You made it for him last night out of yellow pipe cleaners, and the diamond is an ornate sparkly button you found in your father’s junk drawer. How long had it been there?

Just then you can sense your father’s probing eyes studying your hands. You gasp and fumble the ring. It falls underneath the bleachers. “What are you doing?” you say. “Stop looking.”

He looks hurt, like you’ve slapped him, and you regret the harsh tone you’ve used.

“I was looking at the button,” he says.

Much of the story revolves around hands, exploring how we hold on, what we hold, who we hold (or don’t), and why. That’s why it seemed like the right story to unify the collection. All of the characters are grasping for something or someone – trying, with mixed results, to “get a grip.”

Learn more about the book and author at Kathy Flann's website.

--Marshal Zeringue

"Slavemakers"

Joseph Wallace is the author of three novels: Diamond Ruby, set in 1920s New York City; the global apocalyptic thriller Invasive Species; and its follow-up, the newly released Slavemakers.

Wallace applied the Page 69 Test to the new novel and reported the following:

The story of Slavemakers is set twenty years after an apocalyptic event that left the earth nearly devoid of humans. Unlike in many post-apocalyptic novels, though, the planet has not been left barren and blighted by a conflagration. In fact, in many ways it is already recovering from the damage done by our species, going back to the purer state it existed in before we spread across the globe.

One of Slavemakers’ main characters is Aisha Rose Atkinson, a young woman born just months after the apocalypse. In this passage, set in the wilds of Kenya, she stops a hyena from killing her by bashing it with a rock…but still discovers exactly where she stands in the food chain. (Hint: Not at the top.)

The hyena’s mouth closed with a click of teeth. It sat back on its misshapen haunches and, for an instant its eyes went out of focus. Then they cleared, and Aisha Rose saw its body tense. At the same time, yowling, the other two came dancing in toward her.

Coming for her, but still sideways, with their heads partly averted even as they showed their teeth. Not the steady, headlong lope—somehow eating up the ground in their humpbacked way—they used when they moved in for the kill.

She’d hurt the alpha female, she could see that. But more importantly, she’d startled them, all of them. Even scared them. What was this seemingly dormant creature that suddenly sprang up and attacked? And what else was it capable of?

That passage focuses on one of the themes that interested me the most while I was writing Slavemakers. What would it be like to be a human in a world where we’re no longer the dominant species? Where we’re not automatically the alpha?

Life for Homo sapiens wasn’t always the way it is now. For most of our evolutionary history, we were far from the most powerful living thing on earth. Even now, we’re easy prey for everything from microbes to tigers. We’re just good at protecting ourselves, and at eradicating most threats through the sheer force of our numbers and our technology.

Strip those away, and where would we stand? That’s what Aisha Rose knows after her encounter with the hyena pack, and that’s part of what Slavemakers is about.

Visit Joseph Wallace's website.

--Marshal Zeringue

"Alien in Chief"

Gini Koch writes the fast, fresh and funny Alien/Katherine "Kitty" Katt series for DAW Books, the Necropolis Enforcement Files series, and the Martian Alliance Chronicles series. Touched by an Alien, Book 1 in the Alien series, was named by Booklist as one of the Top Ten Adult SF/F novels of 2010. Alien in the House, Book 7 in the Alien series, won the RT Book Reviews Reviewer's Choice Award as the Best Futuristic Romance of 2013. The latest novel in the series, Alien in Chief, has been nominated for the RT Book Reviews Reviewer’s Choice Award as Best Urban Fantasy of 2015.

As G.J. Koch she writes the Alexander Outland series and she's made the most of multiple personality disorder by writing under a variety of other pen names as well, including Anita Ensal, Jemma Chase, A.E. Stanton, and J.C. Koch.

Koch applied the Page 69 Test to Alien in Chief and reported the following:

Alien in Chief is the 12th book in my Alien/Katherine “Kitty” Katt series. A lot has gone on for Kitty since she discovered that aliens were on the planet and, as a side benefit, that the A-Cs, as they call themselves, were all drop dead gorgeous.

Kitty’s learned how to save the day with her knowledge of comics and pop culture, hairspray, and rock ‘n’ roll, not necessarily in that order. She thinks so far outside the box as to give those she’s working for and against the idea that she doesn’t actually know the box exists.

Page 69 of Alien in Chief is the start of a chapter:

Chapter 13

There were only a handful of people who liked to hold meetings on my roof, and all of them were trained assassins. And when the trained assassins who’ve got your back tell you to go to the roof, you go to the roof.

“Denise, as I said, you win. I need to take care of some things, like starting to figure out how to tell Jeff you’ve won and how Kevin isn’t going and all that, so I’m going to leave you, Amy, and the kids and get back to this business we call show.”

“I’ll give you that politics is a lot like acting,” Denise said with a laugh, as Coldplay’s “Trouble” came on. “I plan to have agents here while you’re gone, so it won’t be just Kevin, but he’s staying, and if you can convince any of the others to stay, that would be good, too.”

“Gotcha. I’ll do what I can. Though I think that you’re going to have the best success with that, Mother Superior, so feel free to give that look to whomever you think needs to stay and just keep me advised.”

With that, I gave Jamie and Charlie quick kisses, then trotted out of the daycare center and to the stairs.

Used hyperspeed to get up onto the roof. Telling no one I was going up here wasn’t a problem – Walter monitored all the public areas of the Embassy and while the likelihood that he already knew we had rooftop visitors was slim because they were the best of the best, the chance that he’d see me go out onto the roof was high. And any time I could go somewhere without the Secret Service tagging along I went for it, and an anonymous text telling me to come alone was a good reason to continue ditching them. At least in my opinion.

This is pretty much Kitty’s life – clandestine meetings at weird locations, fighting evil while trying to be a good wife and, these days, mother, getting dragged into situations, countries, and even planets against her will in order to save the day, and doing it all with a quirky outlook and a sarcasm knob that goes to eleven.

A lot has also gone on in Kitty’s life since Book 1/Touched by an Alien, and since the series builds and follows Kitty’s adventures, I strongly recommend that readers start at the beginning and read the books in order. Just think of all the fun you have awaiting you!

Learn more about the book and author at Gini Koch's website.

The Page 69 Test: Touched by an Alien.

--Marshal Zeringue

"Plot Boiler"

Ali Brandon is the New York Times bestselling author of the Black Cat Bookshop Mystery series from Berkley Prime Crime. Writing under her real name, Diane A.S. Stuckart, she penned the popular Leonardo da Vinci historical mystery series, which received starred reviews from Publishers Weekly and Library Journal, as well as a Florida Book Award. A native Texan with a degree in Journalism from the University of Oklahoma, Stuckart a/k/a Brandon now lives in South Florida.

She applied the Page 69 Test to Plot Boiler, Book 5 in the Black Cat Bookshop Mystery series, and reported the following:

Fortuitously, Page 69 of Plot Boiler starts off a new chapter. Chapter 6, to be exact. We begin our test neatly at the beginning of a scene, with our protagonist/amateur sleuth, Darla Pettistone. The owner of Pettistone’s Fine Books is confabbing with her barista, Robert, in the bookstore’s new coffee bar. Of course, Hamlet the cat is also hanging out there.

“Robert, you ready to play corporate spy and try to figure out what’s so special about this coffee?”

Smiling, Darla shook the bag of roasted beans that she’d bought from Perky’s a couple of days earlier for an outrageous price. It was about thirty minutes to opening time on Thursday morning, meaning it was just Darla, Robert, and Hamlet upstairs in the coffee bar—and, once again, Hamlet seemed overly interested in the special blend. He had leaped onto the bar top and was moving cautiously toward the bag she held. Ignoring Darla, he put out a large, furry paw so that he was almost—but not quite—touching the sack.

Like her sister used to do on road trips when they were kids, just to start a fight, Darla thought with a shake of her head.

On Page 69, we’re learning that Darla and Robert are in some sort of competition with a local coffee shop, and that the always-clever Hamlet has suspicions of his own about Perky’s top-secret blend of beans. No one is dead yet; in fact, we’re not going to see the actual murder in this book until quite a few more pages from this point. For now, we’re aware of conflict brewing (pardon the coffee pun!), but a killer has not yet reared his diabolical head.

Is this bad? Only if the reader is an adrenaline junkie. Hopefully, he or she is intrigued enough by the potential corporate battle-in-the-making on Page 69 to start at the beginning, secure in the knowledge that someone eventually is going to pay the ultimate price in this retail war (can’t have a murder mystery without a victim, right?).

That said, a question I often hear asked is if the slower, character-driven road to murder that is often found in cozies trivializes that crime? Isn’t murder scarier, more real, when it slaps you with a bloody hand right from the start of the story?

I’ve talked about this before, and I still say, no. Rather, the deliberate pace such as found in my stories allows the reader a chance to learn about the future corpse and to begin to care about him. By the time the victim is discovered, both the fictional sleuth and the reader are saddened, and both have similar vested interests now in solving the crime.

And thus, murder has become very personal, and very real, indeed.

Learn more about the book and author at the official Ali Brandon--AKA Diane A.S. Stuckart--website.

Coffee with a Canine: Diane Stuckart & Ranger, Delta, Oliver and Paprika.

My Book, The Movie: Double Booked for Death.

The Page 69 Test: Words with Fiends.

--Marshal Zeringue

"The Shards of Heaven"

An award-winning writer and professor, Michael Livingston holds degrees in History, Medieval Studies, and English. In his academic life, he teaches at The Citadel, specializing in the Middle Ages.

Livingston applied the Page 69 Test to his new book, The Shards of Heaven, the first in a trilogy of historical fantasy novels, and reported the following:

Page 69 of The Shards of Heaven opens with Juba, one of the many characters in the novel, revealing to his stepbrother Octavian (the future Augustus Caesar) that he may have discovered the Trident of Poseidon:

When Juba finally raised his eyes, he could see the mixture of incredulity and hope on his stepbrother's face. "Juba, I --"

"I know. You don't believe me. I'm young, I got taken in by a trader . . . I know." Juba reached for his wine cup, which he'd set down next to him on the bench, and saw that it was empty. He could use the jug, he knew, but that would make too big of a mess. Octavian's half-filled cup, though, would do nicely. "May I?" he asked, reaching for it.

Octavian handed over the cup, his gesture bordering on something exasperation, and Juba stood, carrying it over to set it down on the floor near the door. He returned, ignoring the confused look on his stepbrother's face, trying to focus his mind as he wrapped his hands around the fragment of the wooden shaft and picked it up.

One of the joys of Shards, I hope, is the process of discovery: the reader is swept along with these fascinating historical figures as they slowly uncover legendary artifacts of the ancient world and begin to understand how to use them. It is this very situation that is playing out as Juba sets the half-filled wine cup by the door: our first chance to see one of the Shards of Heaven being used. It is only the smallest taste of the power of the gods that will be revealed in the novel -- and even more are found in the sequel beyond it -- but like the finest of meals I hope it lingers in the memory.

And page 70 is even better!

Visit Michael Livingston's website.

My Book, The Movie: The Shards of Heaven.

--Marshal Zeringue

"All of Us and Everything"

Bridget Asher's novels include The Provence Cure for the Brokenhearted, The Pretend Wife, and My Husband’s Sweethearts.

She applied the Page 69 Test to her new novel, All of Us and Everything, and reported the following:

Years ago, I wrote a love letter for a stranger on a plane. He was going win-back his childhood sweetheart who was engaged to someone else. I used this bit from my own life but made it much more personal in All of Us and Everything. On page sixty-nine, one of my main characters, Ru Rockwell, is on a plane and seated next to her is someone she first thinks is a strange but he's far from it. This is someone she owes -- from way back -- and, yes, she writes a love letter for him but it has all kinds of messy consequences. This is the page where the two meet up.

Learn more about the book and author at Bridget Asher's website and blog.

--Marshal Zeringue

"Inherit the Stars"

Tony Peak is an Active Member of the Science Fiction & Fantasy Writers of America, and an Associate Member of the Horror Writers Association. His interests include progressive thinking, music, wine, history, Transhumanism, and planetary exploration. Happily married, he resides in rural southwest Virginia with a wonderful view of New River.

Peak applied the Page 69 Test to his new novel, Inherit the Stars, and reported the following:

From page 69:

throat constricted. She had her prize and just wanted to leave. Waiting outside the bridge viewport, Terredyn Narbas’s lonely shape begged her to return.

“Picking up other ships,” Sar said in a low voice. “Some­one else has followed you.” He stared at her, then turned the manuals. Frevyx neared her ship at docking speed.

Kivita’s stomach quivered. “Shit, Sar. Hurry up! Get me aboard, and we’ll cut from this system.”

Cheseia grabbed a spike baton from the weapons locker. “Where will you go? Your beacon will be posi­tively traceable.”

“Just get me on Terredyn Narbas. No way someone else would come this far from Inheritor Space.” Kivita shook sweat from her lank hair. Her mission grew more complicated and mysterious by the minute, matching a deeper fear.

Others wanted the gem. Maybe enough to kill for it.

Sar snorted. “We’d better leave now, with all of us on Frevyx.”

“Like hell we will! I’m not leaving my ship.” Kivita locked stares with Cheseia. The pause from the bridge made her tremble with anxious energy.

“Stand ready for the airlock, Kiv,” Sar finally called from the bridge. “Better trust us. You know I’ll track your trajectory, so there’s no point in pulling some trick. Wait . . . Got several signals, closing. Cheseia, close the doors as soon as she leaves.”

Frevyx hummed louder. Gravity relaxed for a second as both airlocks magnetized with each other. Kivita rose onto her tiptoes, ready to jump into her gyro harness and clear Vstrunn as soon as possible.

Cheseia approached the airlock’s left side. “Truly, you must follow us. That gem is certainly important—”

Page 69 from Inherit the Stars gives a good impression of the relationship between Kivita and Sar, the two main characters, as well as the science fiction setting and the danger they are in as forces converge on them for an object Kivita has discovered.

Visit Tony Peak's website.

Writers Read: Tony Peak.

--Marshal Zeringue

"Nuts and Buried"

Elizabeth Lee is the author of the Nut House mysteries, including Snoop to Nuts and A Tough Nut to Kill.

She applied the Page 69 Test to her new novel, Nuts and Buried, and reported the following:

So let’s look at page 69. It’s a half page. The intro to chapter 10. Doesn’t say a whole lot about the book. Linda Blanchard is in her office, out in her greenhouse. She’s a plant biologist and has some really strong new pecan trees coming along—except the man who takes care of the trees comes in to tell her they aren’t doing well and she feels guilty—as she feels guilty about a lot of things, like people being murdered around her, and her Meemaw mad at her; and her boyfriend besotted by a big ugly dog, showing it the kind of love he doesn’t show her, and she’s acting like a spoiled kid, which makes her feel guilty because she’s supposed to be a grown up woman with more to think about than dogs and men.

At this same moment she’s wrapped up in another murder and about to take a bullet herself—which she doesn’t bother to think about while she’s feeling bad about her trees and maybe her whole out-of-control life.

Learn more about the author and her work at Elizabeth Kane Buzzelli's website and blog.

--Marshal Zeringue

"Ivory"

Tony Park has worked as a newspaper reporter, a government press secretary, a PR consultant and a freelance writer. He is also a Major in the Australian Army Reserve and served in Afghanistan in 2002. Park and his wife divide their time between Sydney and southern Africa where they own a home on the border of the Kruger National Park.

Park applied the Page 69 Test to his novel Ivory and reported the following:

From Page 69:

Jane was having trouble sleeping. She checked the digital clock-radio on her tiny bedside table. Two am.

She rolled over, and tried to get comfortable, but to no avail. She’d been dreaming about pirates, and being forced to jump overboard at gunpoint from the stern rail of the Penfold Son – like being made to walk the plank. There were sharks in the water below.

It was stuffy in the cabin. The air conditioning was too cold. It seemed to be stuck on the highest setting so she’d turned it off. She swung her legs out of bed and swapped her pyjamas for a pair of cargo shorts and T-shirt. She slipped on her sandals. Strictly speaking, passengers were not supposed to be on the open deck at night time for safety reasons, but the first mate had seen her once before taking a stroll in the moonlight, and had simply waved and smiled.

Jane made her way to the hatch leading to the open deck and sighed with relief at the gush of fresh air that greeted her. She walked outside and saw the sky was clear. The full moon was starting its descent towards the western horizon and as its light waned more stars were appearing above. Somewhere out there was the coast of Africa – Mozambique.

Page 69 of Ivory is, coincidentally, a pivotal moment in the story and the lives of the characters who populate it.

Our flawed hero, ex-Special Forces soldier turned modern day pirate Alex Tremain and his band of rogues has just boarded a Chinese freighter off the coast of Africa. On board they’ve discovered a disturbing cargo of elephant ivory, rhino horn and live animals in appalling conditions, all destined for illegal markets in Asia.

Alex is a pirate with a conscience and he wants to not only capture this ship to make some money (he’s in the process of renovating an island resort – it’s complicated), but also to free the captured wildlife.

Just as his band are getting ready to storm the freighter’s bridge we cut to our leading lady, corporate lawyer Jane Humphries who’s hitching a ride to South Africa on board the flagship of her rich shipping magnate boyfriend’s flagship, the MV Penfold Son.

A very dirty deal is about to go down. Alex will see some mysterious, valuable, cargo being transferred from the Chinese ship to the Penfold Son. Once he takes down the vessel full of illegal wildlife cargo he’s going after his white whale, the ship carrying Jane and whatever else is on board.

Jane’s heard tell that there are pirates in these waters – she’s even had a nightmare about it – but little does she know she’s about to meet her very own Johnny Depp.

Visit Tony Park's website.

My Book, The Movie: Ivory.

--Marshal Zeringue

"All Men Fear Me"

Donis Casey is the author of eight Alafair Tucker Mysteries. While researching her own genealogy, she discovered so many ripping tales of settlers, soldiers, cowboys and Indians, murder, dastardly deeds, and general mayhem that she said to herself, “Donis, you have enough material here for ten books.” The award-winning series that resulted, featuring the sleuthing mother of ten children, is set in Oklahoma and Arizona during the booming 1910s. The latest installment, All Men Fear Me, is now available from Poisoned Pen Press. Read the first chapter of each Alafair Tucker Mystery on Casey's website.

Casey is a former teacher, academic librarian, and entrepreneur. She was born and raised in Tulsa, Oklahoma, and now lives in Tempe, AZ, with her husband.

She applied the Page 69 Test to All Men Fear Me and reported the following:

The year is 1917 and the United States has just become embroiled in World War I. What would you think if suddenly people you've known for years begin to look at you with suspicion, for no other reason than the fact that your brother is a unionist, or you have a foreign-sounding name, or you said something critical about the government? What if they report you? What if night riders pay you a visit? You have to be careful, because I am public opinion. All Men Fear Me.

Ever since old Nick arrived in Boynton, Oklahoma, it seems that bad things keep happening around town. He’s there during the fight at the bawdy house. He shows up in the crowd after the Khouris' market is trashed and after the machinery fails at the brick plant. He’s throwing punches with the best of them when a riot breaks out at the monthly Liberty Sing in the Masonic Hall. The odd thing is that no one seems to notice that Nick is around. At least until people start dying.

On page 69, Nick sees an opportunity to stir up more trouble at the local pool hall.

Chapter 16

"All hail, all hail! to the Liberty Knights

More strength and more brave to their arm

Give them a strong thrust to humble in dust

The foes that would bring us to harm."

Tulsa Daily World, Nov. 15, 1917

Old Nick whiled away a pleasant evening at the pool hall. He sat in the corner and nursed his root beer for hours, enjoying the sight of a bunch of ignoramuses gambling away their wages on one game after another while swilling bottle after bottle of soda pop that had been sweetened with something from the still that the proprietor kept hidden in the cellar behind his house.

Nick watched the show from the shadows until the hour was late and the would-be pool sharks were thoroughly unsteady on their pins. Then he cocked his bowler hat to a roguish tilt, took up a cue, and proceeded to win enough money to pay for his night on the town. His marks were dejected about their losses, but Nick was so cheerful about it that they found it hard to hold it against him.

Old Nick racked his cue and took a swig of his soda pop. It was a hot night, and the pop was lukewarm at best, but it was wet and felt good going down. He eyed a group of men at a round table in the corner engaged in a heated discussion. One of the arguers was a man whose money was now in Nick’s pocket. He walked over. “Mind if I join you, fellows? Let me buy a round of drinks for the table. I don’t want there to be no hard feelings.”

The man Nick had outplayed seemed to be the head honcho of this group, so nobody argued when he grinned and gestured toward an empty chair. “No hard feelings at all, pard. Take a seat and join the fun.”

Visit Donis Casey's website.

The Page 69 Test: Hell with the Lid Blown Off.

My Book, The Movie: Hell With the Lid Blown Off.

--Marshal Zeringue

"Rest Ye Murdered Gentlemen"

Vicki Delany is one of Canada’s most prolific and varied crime writers. Rest Ye Murdered Gentlemen is her twentieth book, and the first in the Year Round Christmas cozy series from Berkley Prime Crime. Under the pen name of Eva Gates, she is the national bestselling author of the Lighthouse Library series, the latest of which is Booked for Trouble. Delany lives in Prince Edward County Ontario, and she is the current president of the Crime Writers of Canada.

She applied the Page 69 Test to Rest Ye Murdered Gentlemen and reported the following:

From page 69:

As well as toys, Alan crafted bowls, vases, and jewelry out of wood. I particularly loved his necklaces, as did my customers. He strung twelve to twenty-four highly-polished wooden disks on a chain, each piece of wood getting progressively larger as the chain descended.

“Great. They’ve been very popular and we’re almost sold out. Is there a problem? You could have left them with Jackie. You know I pay on time.”

“I know. I guess ... well, I...”

I yelped as a tiny ball of indignation leapt out of Rudolph’s Gift Nook. “Merry Wilkinson, I should have known you’d have something to do with this.” Betty Thatcher glared at me.

She then glared at Alan. “Shouldn’t you be in your workshop, young man? Crafting exclusive hand-made custom decorations?”

If Betty didn’t like me for selling artisan things, she liked Alan even less for making them. He never seemed to mind. “Thanks for reminding me, Mrs. Thatcher, ma’am. Only twenty-three shopping days until Christmas. That’s a pretty sweater. It sure captures the mood of the season.”

“Why, thank you,” she said, softening a fraction. She wore a red fleece sweatshirt (only $29.99!) decorated with a picture of Rudolph (the deer, not the town), his flashing nose powered by a battery concealed on Betty’s person.

“Talk to you later, Merry,” Alan said. He walked away, in his slow lazy fashion.

He’d been about to say something to me, when we’d been so rudely interrupted.

This page captures some of the mood of the book. You can tell it’s a cozy, and I hope you can tell it’s attempting to be funny. (Only $29.99!). But aside from the single reference to 23 days until Christmas and Betty’s shirt, you wouldn’t know this book is part of the Year Round Christmas Series. Christmas is front and centre in the book, and in the series, and page 69 doesn’t show much of that. It does give a hint at the characters. Merry Wilkinson is the protagonist and she owns a shop that sells locally made artisan goods. Alan Anderson is a potential love interest, who at this point in the book is only potential. This scene does show in Alan’s nervousness talking to Merry, and Merry’s annoyance them being interrupted by Betty, so she doesn’t get to hear what he wants to say to her. You also are given the name of the town, Rudolph, which has a lot to do with why the town is known as America’s Christmas Town.

Visit Vicki Delany's website, Facebook page, and Twitter perch.

Writers Read: Eva Gates / Vicki Delany (October 2015).

--Marshal Zeringue